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Radio Futures
Following global developments in the radio space
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How To Bring "Local Listeners" Back To Your Radio Brand

How To Bring "Local Listeners" Back To Your Radio Brand | Radio Futures | Scoop.it
It’s funny when you think about social media and radio. Radio has always been a social media. Highly skilled radio personalities of the past were good at working crowds with real engagement, remembering names (validating listeners) and encouraging listeners to participate in local charities and join their radio station in doing good things in the local community and for causes like St. Jude Children’s Research Hospital.

So all this talk about social media being new is….not so new to radio. However, because so many people are focused on digital development with consumers (listeners), social media in the digital world can seem intimidating. It shouldn’t be. Consider these ideas:


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10 questions for Steve Pratt

10 questions for Steve Pratt | Radio Futures | Scoop.it

Steve Pratt is the Director of Digital Music for CBC, including CBC Music, the home of music at Canada's public broadcaster. CBC Music is designed for Canadian music fans, offering a choice of 50 free web radio stations, 12 genre-based online communities, original digital editorial content from teams across the Canada, and a community of over 30,000 artists who have uploaded over 150,000 songs to the service.


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Radio needs to understand what the automakers are thinking

The average age of a car in the U.S. is now 11 years old – and that means that in the next year or so, many Americans will be in the market for a new vehicle. And many of these consumers will purchase one that is equipped with a system like Ford’s SYNC and Toyota’s Entune. This is significant because as we learned in Techsurvey8, a majority of our 57,300 respondents say the lion’s share of the broadcast radio listening takes place behind the wheel.


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Nicolas Moulard - Actuonda's curator insight, December 11, 2012 4:34 PM

 

Rudolf Kabutz's curator insight, January 12, 2013 3:30 AM

When will such cars come to Africa when the average lifespan of cars on the continent is most likely more than 20 years?

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Top 5 examples of interactive radio

Top 5 examples of interactive radio | Radio Futures | Scoop.it

Who is doing the cleverest, most innovative things with interactive radio? James Cridland picks five best-of-breed stations and programmes.


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What Social Media could mean for radio...Radio DJ Meets Today's Listener

What Social Media could mean for radio...


Via Nicolas Moulard - Actuonda, Pedro Taveira
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Social media for broadcasters: 5 golden rules

Social media for broadcasters: 5 golden rules | Radio Futures | Scoop.it

By radiomike

 

1. Less is more

On social media platforms, quality is definitely more important than quantity. One of the biggest mistakes that brands sometimes make is to throw up a lot of content onto Facebook or Twitter in a way that is neither engaging nor connecting.

 

Do not post content unless you believe that it is relevant and that your audience will care. Unless you are providing optimised content that serves a real need, it will not generate more listening or viewing.

 

2. Being there is not enough

"Everyone is on Facebook, so we should be too," is not a social media strategy. Since a compelling and successful presence on social media will require resources, it sometimes helps to think of what you hope to achieve as a ROI (Return On Investment).

 

And it has to be an on-going investment in order to bear fruit. As in the real world, relationships take time to develop and strengthen.

 

Listeners and viewers are happy and often expect to see their favourite channel, station or programme on Facebook and Twitter, but you must acknowledge that they are there.

 

Social media is about conversation, not shouting a message. Listen to what your fans are saying and never stop listening.

 

One of the cardinal sins is to ask questions and then disappear. A comment must be answered, no less than a ringing telephone.

 

It is not enough to give away lots of tickets and prizes. Unless you acknowledge your audience socially, you make them feel that you don't care.

 

Above all, people want to feel that they are part of your channel or brand and that they belong. When you ask them to like you on Facebook or to follow you on Twitter, they think that you are trying to start a conversation and that you care.

 

It is wrong to ask them to do these things unless you are prepared to respond to their comments and ideas.

 

All of this requires specialized training to help journalists and producers to understand the benefits of social media, and to know how to participate effectively.

 

3. You're not the only one with an audience

Nowadays everyone has a voice and the power to influence her or his peers. Everyone who is active on Facebook and Twitter has their own audiences.

 

They are all connected to other people who trust them and respect their opinions. They recommend programmes to each other all the time.

 

Social media allow you to interact with a group of listeners or viewers who are emotionally connected to your brand and are motivated to share the content that you provide. If you listen to your fans or followers, they can generate the higher mind share that you will need to achieve higher ratings.

 

Your audience will share content with their individual audiences, who will in turn recommend it to their friends and followers.

 

It is part of human nature that none of us want to feel as though we are excluded from a conversation. Live TV has demonstrated the power of social media when used the "second screen" to enhance the TV experience and to foster TV-based communities.

 

4. Behave as you would in the real world

Everyday rules of etiquette and good behaviour also apply in the world of social media. Furthermore, if something is not interesting in real life there is no reason to think people will care when they see it on your Facebook page.

 

What you had for breakfast will be of little interest or importance to your show's followers unless you are a celebrity presenter. In real life, we would not shout to everyone in a room that someone has paid us a compliment, so why re-tweet vapid praise?

 

It is annoying and clogs up feeds with irrelevant content. If nothing else works, stop and ask yourself, would I be interested if somebody said that to me in real life?

 

5. It's a lot of work - is it worth the effort?

Public service media invest a great deal of resources into creating compelling news programmes, light entertainment , music and fiction. Maximizing visibility is not only a matter of common sense, many see it as an essential part of their remit.

 

Social media help to raise the profile of station or programme brands and to increase rating for linear radio and TV. This happens by making it easier to discover content in several different ways .

 

Firstly, there is the process of recommendation within a peer group. Secondly, hashtags are proving another very effective way of reaching people who are not part of your community.

Thirdly, Google and other search engines rank results from Twitter very high up in search results.

 

In the end, though, it is a question of future survival. We are heading towards a very fragmented future will become increasingly comfortable with choosing which content they want to consume when and where.

 

Gone are the days when broadcasters could shout from the top of the hill to a grateful audience. The Internet is educating listeners and viewers to use their voices and to expect broadcasters to listen and to respond.


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In-car net radio becomes a reality

In-car net radio becomes a reality | Radio Futures | Scoop.it

Ford has announced a new developer program which will allow radio stations gain space on a vehicle’s digital screen via apps. The SYNC© AppLink™ already includes a way to listen to the radio via smartphones, with Pandora, Stitcher smart radio and iHeartRadio on board, but now Ford is opening it up to any station – regardless of whether the station is online, AM, FM, or digital.


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Radio needs to understand what the automakers are thinking

The average age of a car in the U.S. is now 11 years old – and that means that in the next year or so, many Americans will be in the market for a new vehicle. And many of these consumers will purchase one that is equipped with a system like Ford’s SYNC and Toyota’s Entune. This is significant because as we learned in Techsurvey8, a majority of our 57,300 respondents say the lion’s share of the broadcast radio listening takes place behind the wheel.


Via radiomike
more...
Nicolas Moulard - Actuonda's curator insight, December 11, 2012 4:34 PM

 

Rudolf Kabutz's curator insight, January 12, 2013 3:30 AM

When will such cars come to Africa when the average lifespan of cars on the continent is most likely more than 20 years?

Rescooped by Radio Futures from Digital Radio
Scoop.it!

Social media for broadcasters: 5 golden rules

Social media for broadcasters: 5 golden rules | Radio Futures | Scoop.it

By radiomike

 

1. Less is more

On social media platforms, quality is definitely more important than quantity. One of the biggest mistakes that brands sometimes make is to throw up a lot of content onto Facebook or Twitter in a way that is neither engaging nor connecting.

 

Do not post content unless you believe that it is relevant and that your audience will care. Unless you are providing optimised content that serves a real need, it will not generate more listening or viewing.

 

2. Being there is not enough

"Everyone is on Facebook, so we should be too," is not a social media strategy. Since a compelling and successful presence on social media will require resources, it sometimes helps to think of what you hope to achieve as a ROI (Return On Investment).

 

And it has to be an on-going investment in order to bear fruit. As in the real world, relationships take time to develop and strengthen.

 

Listeners and viewers are happy and often expect to see their favourite channel, station or programme on Facebook and Twitter, but you must acknowledge that they are there.

 

Social media is about conversation, not shouting a message. Listen to what your fans are saying and never stop listening.

 

One of the cardinal sins is to ask questions and then disappear. A comment must be answered, no less than a ringing telephone.

 

It is not enough to give away lots of tickets and prizes. Unless you acknowledge your audience socially, you make them feel that you don't care.

 

Above all, people want to feel that they are part of your channel or brand and that they belong. When you ask them to like you on Facebook or to follow you on Twitter, they think that you are trying to start a conversation and that you care.

 

It is wrong to ask them to do these things unless you are prepared to respond to their comments and ideas.

 

All of this requires specialized training to help journalists and producers to understand the benefits of social media, and to know how to participate effectively.

 

3. You're not the only one with an audience

Nowadays everyone has a voice and the power to influence her or his peers. Everyone who is active on Facebook and Twitter has their own audiences.

 

They are all connected to other people who trust them and respect their opinions. They recommend programmes to each other all the time.

 

Social media allow you to interact with a group of listeners or viewers who are emotionally connected to your brand and are motivated to share the content that you provide. If you listen to your fans or followers, they can generate the higher mind share that you will need to achieve higher ratings.

 

Your audience will share content with their individual audiences, who will in turn recommend it to their friends and followers.

 

It is part of human nature that none of us want to feel as though we are excluded from a conversation. Live TV has demonstrated the power of social media when used the "second screen" to enhance the TV experience and to foster TV-based communities.

 

4. Behave as you would in the real world

Everyday rules of etiquette and good behaviour also apply in the world of social media. Furthermore, if something is not interesting in real life there is no reason to think people will care when they see it on your Facebook page.

 

What you had for breakfast will be of little interest or importance to your show's followers unless you are a celebrity presenter. In real life, we would not shout to everyone in a room that someone has paid us a compliment, so why re-tweet vapid praise?

 

It is annoying and clogs up feeds with irrelevant content. If nothing else works, stop and ask yourself, would I be interested if somebody said that to me in real life?

 

5. It's a lot of work - is it worth the effort?

Public service media invest a great deal of resources into creating compelling news programmes, light entertainment , music and fiction. Maximizing visibility is not only a matter of common sense, many see it as an essential part of their remit.

 

Social media help to raise the profile of station or programme brands and to increase rating for linear radio and TV. This happens by making it easier to discover content in several different ways .

 

Firstly, there is the process of recommendation within a peer group. Secondly, hashtags are proving another very effective way of reaching people who are not part of your community.

Thirdly, Google and other search engines rank results from Twitter very high up in search results.

 

In the end, though, it is a question of future survival. We are heading towards a very fragmented future will become increasingly comfortable with choosing which content they want to consume when and where.

 

Gone are the days when broadcasters could shout from the top of the hill to a grateful audience. The Internet is educating listeners and viewers to use their voices and to expect broadcasters to listen and to respond.


Via radiomike
more...
No comment yet.
Rescooped by Radio Futures from Digital Radio
Scoop.it!

Top 5 examples of interactive radio

Top 5 examples of interactive radio | Radio Futures | Scoop.it

Who is doing the cleverest, most innovative things with interactive radio? James Cridland picks five best-of-breed stations and programmes.


Via radiomike
more...
No comment yet.
Rescooped by Radio Futures from Digital Radio
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UK government to announce switchover decision in 2013

At the Drive 2 Digital conference held by Digital Radio UK at the BBC's new broadcasting house, Broadcast Minister Ed Vaizey announced the countdown to radio switchover now had inevitable momentum and that government would announce a decision on radio switchover in 2013.


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Rescooped by Radio Futures from Digital Radio
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Social media for broadcasters: 5 golden rules

Social media for broadcasters: 5 golden rules | Radio Futures | Scoop.it

By radiomike

 

1. Less is more

On social media platforms, quality is definitely more important than quantity. One of the biggest mistakes that brands sometimes make is to throw up a lot of content onto Facebook or Twitter in a way that is neither engaging nor connecting.

 

Do not post content unless you believe that it is relevant and that your audience will care. Unless you are providing optimised content that serves a real need, it will not generate more listening or viewing.

 

2. Being there is not enough

"Everyone is on Facebook, so we should be too," is not a social media strategy. Since a compelling and successful presence on social media will require resources, it sometimes helps to think of what you hope to achieve as a ROI (Return On Investment).

 

And it has to be an on-going investment in order to bear fruit. As in the real world, relationships take time to develop and strengthen.

 

Listeners and viewers are happy and often expect to see their favourite channel, station or programme on Facebook and Twitter, but you must acknowledge that they are there.

 

Social media is about conversation, not shouting a message. Listen to what your fans are saying and never stop listening.

 

One of the cardinal sins is to ask questions and then disappear. A comment must be answered, no less than a ringing telephone.

 

It is not enough to give away lots of tickets and prizes. Unless you acknowledge your audience socially, you make them feel that you don't care.

 

Above all, people want to feel that they are part of your channel or brand and that they belong. When you ask them to like you on Facebook or to follow you on Twitter, they think that you are trying to start a conversation and that you care.

 

It is wrong to ask them to do these things unless you are prepared to respond to their comments and ideas.

 

All of this requires specialized training to help journalists and producers to understand the benefits of social media, and to know how to participate effectively.

 

3. You're not the only one with an audience

Nowadays everyone has a voice and the power to influence her or his peers. Everyone who is active on Facebook and Twitter has their own audiences.

 

They are all connected to other people who trust them and respect their opinions. They recommend programmes to each other all the time.

 

Social media allow you to interact with a group of listeners or viewers who are emotionally connected to your brand and are motivated to share the content that you provide. If you listen to your fans or followers, they can generate the higher mind share that you will need to achieve higher ratings.

 

Your audience will share content with their individual audiences, who will in turn recommend it to their friends and followers.

 

It is part of human nature that none of us want to feel as though we are excluded from a conversation. Live TV has demonstrated the power of social media when used the "second screen" to enhance the TV experience and to foster TV-based communities.

 

4. Behave as you would in the real world

Everyday rules of etiquette and good behaviour also apply in the world of social media. Furthermore, if something is not interesting in real life there is no reason to think people will care when they see it on your Facebook page.

 

What you had for breakfast will be of little interest or importance to your show's followers unless you are a celebrity presenter. In real life, we would not shout to everyone in a room that someone has paid us a compliment, so why re-tweet vapid praise?

 

It is annoying and clogs up feeds with irrelevant content. If nothing else works, stop and ask yourself, would I be interested if somebody said that to me in real life?

 

5. It's a lot of work - is it worth the effort?

Public service media invest a great deal of resources into creating compelling news programmes, light entertainment , music and fiction. Maximizing visibility is not only a matter of common sense, many see it as an essential part of their remit.

 

Social media help to raise the profile of station or programme brands and to increase rating for linear radio and TV. This happens by making it easier to discover content in several different ways .

 

Firstly, there is the process of recommendation within a peer group. Secondly, hashtags are proving another very effective way of reaching people who are not part of your community.

Thirdly, Google and other search engines rank results from Twitter very high up in search results.

 

In the end, though, it is a question of future survival. We are heading towards a very fragmented future will become increasingly comfortable with choosing which content they want to consume when and where.

 

Gone are the days when broadcasters could shout from the top of the hill to a grateful audience. The Internet is educating listeners and viewers to use their voices and to expect broadcasters to listen and to respond.


Via radiomike
more...
No comment yet.