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Radio 2.0 (En & Fr)
Fresh news about Radio 2.0  worldwide in preparation of coming webinars and conferences (English and French). Program and archives on www.rr20.fr #Multiplatform #Personnal #Interactive #Contextual #Social #Local #Mobile #Hybrid
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Very good audio roundup of RadioDays Europe | Podcast by Trevor Dann with Audioboo

Trevor Dann travels to Radiodays Europe 2013 in Berlin where he speaks to BBC Radio 1 Controller Ben Cooper, Radiolab host Robert Krulwich, Radio Futurologist James Cridland, CBC's Managing Director Susan Marjetti, RadioToday’s managing editor Roy Martin and various others including the hosts of Radiodays Europe.
The Radio Today Programme with Audioboo is available every Wednesday.
A TDC Production for Radio Today.
Voiceover - emilychiswell.com
Music - Euro Star from ostinatomusic.com

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Twitter's Music App Will Let You Watch, Too, With Help From Vevo

If you want a very good idea of what Twitter’s music app will look like, you should check out Casey Newton’s detailed report at CNET. Back? OK.


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Médias et loisirs numériques rythment nos journées | Médiamétrie, Etude Media in Life 2012

Médias et loisirs numériques rythment nos journées | Médiamétrie, Etude Media in Life 2012 | Radio 2.0 (En & Fr) | Scoop.it

Selon l’étude Media in Life de Médiamétrie, en 2012, les Français ont eu en moyenne 42,5 contacts médias et multimédias* par jour, soit près de 4% de plus qu’en 2010, et plus de 10% par rapport à 2008.


L’augmentation des contacts médias et multimédias est liée à la fois au fait que plus de personnes y ont accès ou s’y sont converties et qu’elles pratiquent ces activités de manière plus intensive. La grande majorité des Français (98,4%) pratiquent les médias « classiques » - télévision, radio, presse, cinéma -, et 3 sur 4 des loisirs numériques**, des parts stables depuis 2010. La progression est en revanche marquée pour Internet, signe que ce média a encore un potentiel de croissance : près de 6 Français sur 10 s’y connectent chaque jour, soit près de 10% de plus qu’en 2010.

Loin d’être exclusifs, les ¾ des Français consultent au moins 3 médias par jour et près d’1/3 d’entre eux pratique toujours au moins 4 médias - radio, télévision, presse, internet ou cinéma – en moyenne sur une journée, un chiffre stable par rapport à l’année dernière.

En termes d’intensité de pratique, les Français utilisent de plus en plus leur téléphone mobile avec lequel ils ont désormais 4 contacts quotidiens en moyenne, soit un de plus qu’en 2010 - avec plus de textos / SMS, plus d’internet mobile et moins de « voix ». C’est toutefois avec la télévision qu’ils ont le plus de contacts, 16 par jour en moyenne, un nombre stable.

 

La radio est incontestablement le média du matin (6h-9h) avec un pic atteint entre 8h et 8h15. Média de la mobilité, elle est particulièrement privilégiée lors des déplacements : près d’un Français sur 5 qui se déplace entre 6h et 9h a au moins un contact quotidien avec la radio.

 

L’après-midi est aussi un moment propice à l’écoute de la radio qui  redevient la 1ère activité média : plus d’1 personne sur 3 (36%) a au moins un contact avec la radio entre 14h et 18h.


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iHeartRadio, la webradio personnalisée intègre l’info locale géolocalisée

iHeartRadio, la webradio personnalisée intègre l’info locale géolocalisée | Radio 2.0 (En & Fr) | Scoop.it

Clear Channel a présenté hier aux USA une fonction pour iHeartRadio qui permet aux auditeurs de la plateforme de plus de 1500 webradios d’ajouter des infos locales, la météo, l’info trafic dans les flux de leurs webradios personnalisées.

La nouvelle fonctionnalité est appelée « Add-Ins », et utilise le contenu des stations locales du réseau américain.

« Custom Stations »  (Radios personnalisées) est la caractéristique de iHeartRadio qui permet aux auditeurs de générer des flux audio personnalisés en fonction de leurs préférences musicales personnelles (comme Pandora, Deezer ou Spotify).

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Midemlab: Discovery, Recommendation & Creation startup pitches - Midem 2013

The Party Player (France) - Guillaume Kaba, Technical Director
T'écoutes Quoi ? (France) - Maxime Guedj, Co-Founder & CEO
Musigram (USA) - Armine Saidi, VP, Business Development
Songful by instruMagic (Israel) - Eyal Eldar, Co-Founder & CEO
MyTourManager (France) - Laure Decailly, CEO
Featurings (Switzerland) - Florian Ducommun, CEO
MyMusic (Canada) - Rob Lane, Co-Founder & CEO
YaSound (France) - Sébastien Métrot, CTO
Soundrop (Norway) - Inge Andre Sandvik, CEO
Tomahawk (USA) - Syd Lawrence, Developer

Jury Members:
Paul Brindley, CEO, Music Ally (UK)
Axel Dauchez, CEO, Deezer (France)
Vivien Lewit, Director, Content Partnerships, Music & Live, YouTube (USA)
Thorben Rothe, Financial Analyst, DuMont Venture (Germany)
Larry Marcus, Managing Director, Walden Venture Capital (USA)
Nicole Yershon, Director, Innovative Solutions, Ogilvy Group (UK)

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Webradios. NRJ montre la voie et stimule le marché publicitaire digital.

Webradios. NRJ montre la voie et stimule le marché publicitaire digital. | Radio 2.0 (En & Fr) | Scoop.it

Les 200 webradios de NRJ génèrent 38,6 millions de visites mensuelles. La progression est spectaculaire, avec un bond de +123% en janvier 2013. (source AT Internet Xiti, visites des players premium et webradios sur les sites web et applications mobiles NRJ Group). Aucun «device» n’échappe à NRJ qui diffuse sur les sites Internet des différentes stations de NRJ Group, mais également via toutes les applications smartphones, tablettes numériques et TV connectées.

87%  de l’écoute de ces webradios se fait en mobilité ce qui représente près de 31,6 millions de visites mensuelles depuis les smartphones.

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Audi lance la première pub qui s’affiche sur l’écran votre radio

Audi lance la première pub qui s’affiche sur l’écran votre radio | Radio 2.0 (En & Fr) | Scoop.it
Pour relancer les ventes de son A3 SportBack, Audi a voulu attirer l'attention des automobilistes en créant un spot radio qui vous invite à consulter l'afficheur de votre radio.
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Radio’s streaming listeners are less mobile.

Radio’s streaming listeners are less mobile. | Radio 2.0 (En & Fr) | Scoop.it
Why don't people listen to radio as much on streaming devices? New Triton Digital data from January shows broadcast radio streams split 80/20 in favor of listening on desktops.

It showed pureplays with a 70/30 split in favor of mobile listening, driven by Pandora.   However broadcast streams did see an 18% increase in mobile listening in January, which Triton says was the fastest growing sector of the month. Pureplay desktop and mobile listening remained relatively consistent at a 2% and 3% gain respectively.

 

Read Triton’s complete top 20 January ranker HERE.

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Detroit’s Big Three committed to FM/AM radio | Inside Radio

Detroit’s Big Three committed to FM/AM radio | Inside Radio | Radio 2.0 (En & Fr) | Scoop.it

The digital dashboard is bringing all sorts of things to drivers, but it won’t push FM/AM radio out of the front seat.  That’s according to the big three automakers.  General Motors, Ford and Chrysler each tell Inside Radio they’re committed to keeping broadcast radio inside their dashboards — and some are even doubling down on their commitment to it.

We have no plans to get rid of them because of their value for our customers,” Chrysler spokesman Eric Mayne says.  He points out they’ve just announced plans to begin installing HD Radio as standard on some Dodge Ram pickups.  It’s a similar message from General Motors where executive say they have “no near term plans” to stop installing broadcast radio in cars. “While we are excited about the possibilities of internet radio services and other emerging services, we understand that AM/FM radio is still a significant source of news and entertainment,” chief infotainment officer Phil Abram says. “In fact, it is an expected feature.”

 

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Can anyone turn streaming music into a real business?

Can anyone turn streaming music into a real business? | Radio 2.0 (En & Fr) | Scoop.it

Six years later, everything in the music and technology industries is pushing toward digital streaming. Last year, music-related startups received $619.3 million in new investment. Spotify has more than five million paying subscribers, proving that customers will pay rather than pirate every month for a rich library of music if it's inexpensive and available everywhere. (Later this year, Spotify will offer free, ad-supported music on mobile devices in all of its markets.) Soundcloud, the leader in user-created embedded audio, just simplified its paid, pro, and premium partnership tiers for heavy users, music labels, and brands. Google wants to start a music subscription service in the second half of this year, trading on its strong positions with both Android and YouTube. Hardware upstart Beats Electronics is building its own streaming service, Daisy, using just-acquired Mog as its backbone. Even Apple is finally embracing streaming in principle, negotiating royalty rates with music rights owners to add a new, complimentary service to its iTunes Store.

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Deux webradios pour Moustic

Deux webradios pour Moustic | Radio 2.0 (En & Fr) | Scoop.it
Moustic The Audio Agency, spécialiste de la communication audio et des radios d’entreprise, signe deux webradios événementielles à ne pas rater en mars : Radio Ecotrail et Radio Pigale.
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Daisy music streaming service gets $60m investment from Len Blavatnik

Daisy music streaming service gets $60m investment from Len Blavatnik | Radio 2.0 (En & Fr) | Scoop.it

Beats de Dr Dre, est connue pour la fabrication de casques va lancer un service de musique sur Internet appelée Daisy. 

 

Len Blavatnik, the billionaire owner of Warner Music Group, has led a $60m (£40m) investment in the music streaming company started by rapper Dr Dre and American Idol judge Jimmy Iovine.

 

guardian.co.uk/business

 

 


Via Olivier Cauchois
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Olivier Cauchois's curator insight, March 7, 2013 4:43 AM
Len Blavatnik, le propriétaire milliardaire de Warner Music Group, a investit  60 millions de dollars (40 millions de livres) dans DAISY la compagnie de streaming de musique lancé par le rappeur Dr Dre et Jimmy Iovine.
Daisy permettra aux auditeurs de choisir leurs propres listes de lecture. Beats a déjà eu des entretiens avec la direction générale de Apple Tim Cook et Eddy Cue pour un éventuel partenariat.
Le lancement de Daisy est prévu pour fin 2013. Daisy -  référence à la première chanson "chantée" par un ordinateur.
"Beats a la vision, la marque, l'équipe de direction et maintenant le groupe d'investisseurs pour repondre efficacement aux attentes d'expériences nouvelles d'un service d'abonnement de musique," a déclaré Blavatnik.
Pour rappel , Deezer a levée 100 millions d'euros  auprès d'Access Industries, le fonds d'investissement de Len Blavatnik.
Spotify a soulevé 100 millions de dollars en attirant Coca-Cola et Goldman Sachs à sa liste des actionnaires.
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Radio Ink Magazine

Radio Ink Magazine | Radio 2.0 (En & Fr) | Scoop.it

Pandora has been able to do what radio has not: generate significant revenue from mobile. In the quarter that ended January 31, Pandora generated $80.3 million from mobile. That's an increase of 111 percent over the same quarter one year earlier ($38 million).

For the year, Pandora doubled mobile revenue to $255.9 million. Even better news for Pandora is that mobile revenue is climbing faster than the growth of mobile listening.

 

Original post : http://www.radioink.com/Article.asp?id=2626249&spid=24698

 

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Poor Fan Engagement Is Costing Music Industry $450M - $2.7B Annually [Nielsen Study] - hypebot

Poor Fan Engagement Is Costing Music Industry $450M - $2.7B Annually [Nielsen Study] - hypebot | Radio 2.0 (En & Fr) | Scoop.it
The U.S. music industry is leaving hundreds of millions on the table yearly thanks to poor fan engagement, says a new Nielsen survey.
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La scène musicale lyonnaise trouve sa radio… sur le web - Rue89Lyon

La scène musicale lyonnaise trouve sa radio… sur le web - Rue89Lyon | Radio 2.0 (En & Fr) | Scoop.it

La scène musicale lyonnaise trouve sa radio… sur le web Rue89Lyon Il y a quelques semaines, un nouveau venu faisait son apparition dans l'univers en plein boom des webradios.


Via Thierry Defay
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Midemlab -- Marketing & Social Engagement startup pitches - Midem 2013

Finalists:
Audience.fm (France) - Jules Terrien, Co-Founder & CEO
mBaSo (UK) - Juliana Meyer, Founder & Director
Beatrobo (Japan) - Hiroshi Asaeda, CEO
Sponsr (USA) - Paul Geller, Co-Founder & CEO
Kollector (Belgium) - Jacques Krischer, CEO
FanDistro (USA) - Michael Penfield, Founder & CEO
Emues (Sweden) - Markus Wiklander, CEO
Jamplify (USA) - Andy Pickens, CEO
Spins.FM (USA) - David Baker, President
Vyclone (USA) -- David King Lassman, Co-Founder & CEO

Jury Members:
Martin Duval, CEO, bluenove (France)
Nenad Marovac, Managing Partner, DN Capital (UK)
Robert Scoble, Startup Liaison Officer, Rackspace Hosting (USA)
Olivia Solon, Associate Editor, Wired (UK)
Peter Vesterbacka, CMO, Rovio (Finland)
Olivier Vigneaux, General Manager, BETC Digital (France)

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Twitter acquires We Are Hunted, readies standalone music app

Twitter acquires We Are Hunted, readies standalone music app | Radio 2.0 (En & Fr) | Scoop.it
SCOOP: Twitter is preparing a music discovery app built on technology from a recent acquisition. It could be released by the end of the month. Read this article by Casey Newton on CNET News.

Via Pierre Priot
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Pierre Priot's curator insight, March 14, 2013 6:56 AM

Twitter Music: expect a never ending flow of soundCloud links

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Universal Music Group joins Samsung to launch a pan-African mobile music streaming service :: Media Update

Universal Music Group joins Samsung to launch a pan-African mobile music streaming service :: Media Update | Radio 2.0 (En & Fr) | Scoop.it
Universal Music Group, in partnership with Samsung, as well as African and international music labels and publishers, has launched a pan-African mobile music streaming service called the Kleek.

Via Simon Decreuze
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One FM fait des caprices

One FM fait des caprices | Radio 2.0 (En & Fr) | Scoop.it
Depuis ce vendredi 16h, One FM (Genève) a lancé la One Caprices Radio en collaboration avec l'équipe du Caprices, à l'occasion du lancement de la 10ème édition du Caprices Festival.
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Radios Ripped from New Cars? “Not So Fast,” say Consumers

Radios Ripped from New Cars? “Not So Fast,” say Consumers | Radio 2.0 (En & Fr) | Scoop.it

You can climb down from the ceiling now, Mr. Broadcaster – it turns out new cars will feature FM/AM radios built-in for the foreseeable future (although certainly not forever).

The logic of this should be obvious to us all, but particularly obvious for anyone who bothers to talk with consumers.

And I did.

Between March 9 and March 10 2013, I fielded a random, balanced, national online study of 1,000 consumers and asked how they feel about those radios in their cars – and how they’d feel if they disappeared...

 

The disruption is happening and it is bound to accelerate.  But we will not wake up tomorrow and discover new cars with no radios. Indeed, the problem is that those new cars will be full to the brim with entertainment choices galore.

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Volvo puts TuneIn into digital dashboard.

Volvo announced in December it was working on a new digital dashboard system, with content partners to be announced in the coming months. The list is out and it includes the TuneIn app that will put

Like other systems, Volvo’s relies on a smartphone app to access the internet.   The Android-based system also includes voice-activated integration with Spotify.

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Arbitron pegs radio’s streaming cume at 5 million.

Arbitron pegs radio’s streaming cume at 5 million. | Radio 2.0 (En & Fr) | Scoop.it

While it continues to have a long, drawn-out dialogue with its customers about measuring listening across platforms, Arbitron for the first time has broken out digital listening data from its national network radio ratings service. Data shows HD Radio multicasts reach 3.6 million persons aged 12+ and that the online streams of AM, FM and HD stations pull in 5.4 million 12+ listeners during an average week.

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Radio Gets 'Second Screen' in SoundHound-Dial Pact | Media - Advertising Age

Radio Gets 'Second Screen' in SoundHound-Dial Pact | Media - Advertising Age | Radio 2.0 (En & Fr) | Scoop.it

Radio-network company Dial Global and music ID app SoundHound have inked an exclusive deal to extend radio ad campaigns and sponsorships onto mobile phones through a platform called SoundHound for Radio.

 

SoundHound, like Shazam, lets people identify a song playing in their immediate vicinity simply by opening the app and holding their phone up.

 

 Soundhound app

This is how SoundHound for Radio works: Radio listeners will hear a call to action either from a radio host or in a radio ad to use their mobile phone to "SoundHound" the broadcast. Listeners don't have to open the app immediately, but can do so over a specified period of time that could be a few hours. Once they do so, they will be greeted with elements such as exclusive content, contest-entry forms or other sponsored promotional opportunities.

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5 Aspects Of The Old Music Industry Being Disrupted And Replaced By Social Media - hypebot

5 Aspects Of The Old Music Industry Being Disrupted And Replaced By Social Media - hypebot | Radio 2.0 (En & Fr) | Scoop.it

In a widely noted Billboard interview, Amanda Palmer stated that "Twitter has replaced Google and [music] management." Nobody cared about the Google part but her claim of replacing music management certainly raised a few eyebrows. Of course, like many such claims, it wasn't totally true but it did provide an interesting example of the disruptive power of social media to replace expensive professional roles with cheap, good enough solutions.

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Bianca Netto's curator insight, November 10, 2013 11:28 PM

You never notice how much social media affects this industry until you read an article like this. I never took into account the amount of jobs that are essentially becoming obsolete because it can just be replaced by social media.

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Free Music App Brings Top YouTube Songs to Your iPhone

Free Music App Brings Top YouTube Songs to Your iPhone | Radio 2.0 (En & Fr) | Scoop.it
No pennies needed for iOS music app MusicTube, which lets you listen to and watch music videos from YouTube's huge swath of content for free.

Via Joanna KIRK
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