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Scooped by Nicolas Moulard - Actuonda onto Radio 2.0 (Fr & En) |
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RIM has announced that its redesigned BlackBerry World app store is now live, after music, movies and TV shows were added the store for the first time.
The store has been rebranded BlackBerry World — it was formerly BlackBerry App World — and that change of name denotes the fact that, like Google and Apple, RIM has added new types of content. The BlackBerry-maker says the changes will make it “the one-stop shop for all of your mobile entertainment needs”.
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At Jelli, we are passionate about the intersection between the web and traditional broadcasting. So we were very interested when Neilsen recently published research confirming a correlation between Twitter and TV ratings. Radio is another massive traditional medium like television which is beginning to see a more active “feedback loop” during broadcasts. Recently, some others in radio like Lori Lewis and Jacobs Media have started to take a look into this (“Social Nielsen”). Today Jelli released new data that shows a direct correlation between an increase in social engagement with higher ratings for traditional radio broadcasts, and high levels of engagement with traditional radio spots.
This data demonstrates that higher social engagement levels can have a direct impact on increasing overall audience size as measured by traditional ratings. In addition, adding a ‘feedback loop’ to a one-way broadcast can drive measurable brand engagement with the traditional radio spots aired on these broadcasts. We’re happy to contribute this data alongside the work Twitter and Neilsen are doing with TV, to provide new insights about the intersection between radio and social media. Delete the scoop?
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The most recent update to Android’s Google Now voice feature, as noted on the Android Google+ account, includes a very handy new “what’s this song?” feature. Via Nuno Costa Moreira Delete the scoop?
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I'm Yasser Rashid, Senior Creative Director responsible for the user experience and design team who work across Radio, Music, TV and iPlayer. Last week the new Radio 1 and 1Xtra homepages launched as beta, completely reinventing how we think, design and interact with a radio station online. What you see on the beta websites with a BBC iD right now is a dynamic, real time Radio 1 and 1Xtra
It's an interactive channel that enables the audience to see the output of both stations (by using the station switcher) including music, SMS, tweets, photo's, video and messages from the presenters themselves. Although it's usually driven automatically by live feeds of data coming out of the studios, the editorial team are able to manipulate the live stream. When something interesting, e.g. the presenter chatting to a guest, the panel can switch to live video. Delete the scoop?
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"Imagine if your personal theme song played every time you walked into a room. It would be sort of like being in an opera or ballet (in which characters often have themes or motifs associated with them), but in real life." Via Nuno Costa Moreira Delete the scoop?
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Plus que jamais, le transmedia et l’interactivité seront au coeur des préoccupations de la RTBF cette année, a prévenu ce mardi son administrateur-général Jean-Paul Philippot. Delete the scoop?
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Plateforme musicale, nouvelles applications, NouvOson etc. Toutes les nouveautés du pôle Nouveaux médias, c'est dans le discours de rentrée de Joël Ronez, lors de la conférence de presse de rentrée du groupe, le mardi 4 septembre 2012. Delete the scoop?
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TF1 Publicité et MBrand3, société filiale de Mobile Network Group, ont conclu un partenariat commercial portant sur la commercialisation des dispositifs «Shazam for TV» et «Shazam for Radio» en France. Delete the scoop?
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On our recent Digital Tools of Engagement webinar, Mike Caputo with APM’s Public Insight Network spoke to the crowd about the value of using audio for engagement. He talked about how audio is most often used as a one-way tool: Someone broadcasts, others listen. But, audio platform SoundCloud is helping bring interaction into the mix. In his blog post, How can we get people to “tell” us their story?, Mike recommends stations ask community members to submit audio and explains why SoundCloud makes it easier for the average person to share audio files on the Web. Read full post here : http://blog.mediaengage.org/?p=4214 Delete the scoop?
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Gaming: Underlying interlocking systems that form the 'engine' of an experience inorder to communicate a sense of context, meaning and overall progression (level, points, missions, badges, ranking, trophies)... Delete the scoop?
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it is the first B2C media from AFP in partnership with Radio France. An iPad application, both personalized and innovative, which combines the best of France Info, France Inter, France Culture and AFP on the presidential and legislative elections. The application, France 2012, relies on Trendsboard technology, a semantic algorithm that analyzes and prioritizes the real-time content of Radio France and AFP based on the conversations shared over the Internet. With this technology, the user can control his information through three filters (political and campaign issues, candidates, and soon geolocation), just as in a video game. It presents the best content of these two major media groups - text, photos, audio and video - in a format each user can personalize in his or her own way. Delete the scoop?
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Shazam is one of the most popular smartphone apps of all time. Most people know it as that clever app that "listens" to a song and identifies the name of it. Today Shazam released the fifth major version of its iPhone app. Delete the scoop?
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Presentation named Wonderwall & Watermelons 1. LOG ON AND LISTEN! This session is about how you redefine the consumer, content and brand relationship via digital accountability and targeting. After building a new consumer brand via radio, that now reaches audiences of over 5 million listeners monthly in the UK, now it is all about ‘redefining radio’ but this time it’s the business model for Absolute Radio. During this interactive session Clive Dickens, co-founder and COO of Absolute Radio, will share much of what he has learnt from the company´s digital journey to date, including the business strategy around ‘In stream – broadcast one to many – advertising one to one’.
2. BRANDED CONTENT – make it clever and you won´t lose a listener To make clever branded content is an art. How do you get advertisers to pay for content without scaring your listeners away? Or even worse - upset them? Branded content is getting more and more popular in international radio and a station which has been extremely successful is Absolute Radio in London. Branded Content Manager Tony Moorey shows how Absolute Radio has made branded content a success and great business.
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Nicolas Moulard - Actuonda's insight:
More and more young people prefer consuming radio on tablets or smartphones, says a study by James Dickie, Research Manager at the advertising agency, Other Lines of Enquiry. Delete the scoop?
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David Guetta annonce le lancement de sa nouvelle application sur Spotify, ‘PLAY GUETTA’, une playlist Guetta évolutive en temps réel et partagé par tous ! Une application innovante comme aucune autre, qui permet aux fans du monde entier de se connecter avec le reste de la communauté et avec l’artiste lui-même. L’application PLAY GUETTA est disponible dans le monde à partir d’aujourd’hui. Le DJ et producteur David Guetta est à la tête d'une révolution culturelle, la culture club. Ses fans toujours plus connectés ont plébiscité l’artiste et fait de lui une superstar des réseaux sociaux avec plus de 36 millions de «Like» sur Facebook et près de 7 millions de «followers» sur Twitter. David a été l'un des artistes les plus écoutés sur Spotify au cours des deux dernières années. Les fonctionnalités de l’application PLAY GUETTA : • Une expérience mondiale d’écoute communautaire en temps réel pour les fans. • David Guetta sera en mesure de parler aux fans directement à travers l'application Spotify et en utilisant le hashtag #PLAYGUETTA via son flux Twitter officiel. • Accéder à tout le catalogue de David Guetta, et découvrez toutes ses précédentes productions. (3) David Guetta a déclaré: «La relation que j’ai avec mes fans est tout pour moi. Je suis vraiment heureux de collaborer avec Spotify sur cette application et pour partager cet incroyable nouvel accès à ma musique. J’ai envie qu'il soit plus facile que jamais pour mes nouveaux fans de découvrir toutes mes productions. Grâce à PlayGuetta je serai connecté avec tous ceux qui partagent la même passion pour la musique. "
Via Olivier Cauchois Delete the scoop?
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Somethin’ Else are delighted to have been commissioned to create a brand new cross-platform project for BBC 6 Music, fusing our twin passions of music and digital content.
A&MI managing editor Chris Kimber said, “I want this to be a ground-breaking new show, which is built from the ground up on audience interactivity, rather than bolting it on. Every piece of music will come from the audience and from online music fans – this is music radio 2.0.” Paul Rodgers, editor, BBC Radio 6 Music added, “This show will build on a dialogue 6 Music already has with its audience and further develop the station as a digital destination.” Delete the scoop?
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Les programmes radiophoniques ont connu des évolutions importantes dans leur construction éditoriale au cours de ces dernières années. Qu'il s'agisse des émissions de libre antenne sur les stations visant un public jeune ou des émissions interactives sur les radios généralistes, le renforcement de la relation avec les auditeurs est devenu un des enjeux majeurs dans la fabrication de ces programmes.
Article complet : http://www.csa.fr/Etudes-et-publications/Les-etudes/Les-etudes-du-CSA/Les-emissions-interactives-en-radio
Etude sur les émissions interactives en radio (format PDF - 1,99 Mo) : http://www.csa.fr/content/download/23015/359899/file/LES+EMISSIONS+INTERACTIVES+EN+RADIO.pdf
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It’s a robot... It’s a speaker dock... It’s Shimi!
Shimi is a real robot with artificial intelligence that analyzes music it plays through his speaker-ears and generates real-time unique dance moves to bring the music to life in a fun, cute way. Via Simon Decreuze Delete the scoop?
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C'est une des nouveautés de la rentrée d'Europe 1 : la station propose sur son site de visionner en direct ce qu'il se passe en studio ! Delete the scoop?
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Community engagement through public broadcasting: helping stations strengthen civic life and deepen their local significance. 1 > Build Connections 2 > Advance Mission 3 > Build Releance 4 > Increase Value 5 > Improve Awareness 6 > Impact Behavior 7 > Stregthen Community 8 > Improve Solvency 9 > Increase Diversity 10 > Change Station Culture
Read full post here : http://mediaengage.org/bigThinking/TopTenReasons.cfm Delete the scoop?
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So what is gamification, and why does it matter to radio? How does gamification dramatically improve the engagement between consumers and our radio brands, and how can this engagement be effectively monetized? Mark Ramsey (http://www.markramseymedia.com) talks to Triton Digital's Chris Bell (http://www.tritondigital.com) about gamification: Delete the scoop?
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So you're at work and the whole team is sharing the sound system, that's cool, but what happens when a really crap song comes on? You can't always get up, walk half way around the office and switch the track right? Delete the scoop?
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If you’ve got a smartphone, or a modern DAB/FM radio, chances are it can connect to the internet on 3G or wifi. This lets your smartphone also check your emails, and your modern radio listen to internet radio streams. But what it doesn’t let you do is find out more about the station you’re listening to. At least, until now. (Read that in a dramatic voice and let the tension sink in a little. Done? Then let us proceed!) Via radiomike Delete the scoop?
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RadioDays Europe Barcelona 2012 The future for radio in cars
Dr. Martin Weiser, Head of Driver Information Systems at Volkswagen, outlines the company´s vision of cars in the future and the requirements of the drivers Delete the scoop?
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Director of External Affairs @ Radio Center UK Matt Payton gives reflections on the conference. Here are five key themes that were the hot topics from the conference. 1. ‘Fish where the fish are' 2. Power to the listener 3. Broadcast and online can work together 4. Collaborate on technology, compete on content 5. Brands without boundaries Delete the scoop?
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