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La qualité des programmes radio | Baromêtre annuel CSA BVA

La qualité des programmes radio | Baromêtre annuel CSA BVA | Radio 2.0 (En & Fr) | Scoop.it
Le CSA a décidé de créer, pour la première fois, un baromètre annuel de perception de la qualité des programmes de télévision et de radio. Cette étude a été réalisée par l’institut BVA auprès d’un échantillon représentatif de 2 000 personnes. Tour d'horizon des principaux enseignements.

Pour la radio, la note moyenne de satisfaction à l’égard de la qualité des programmes est de 7,06. Le premier élément de satisfaction cité par les auditeurs (sur 6 propositions) est la capacité des programmes à informer (63 % donnent une note de 7 à 10), le deuxième élément est la langue française (57 % de notes comprises entre 7 et 10). L’information est le genre de programme dont la qualité est la mieux notée (69 % donnent une note de 7 à 10) .
 
D’une manière générale la radio obtient des notes de satisfaction supérieures à la télévision.

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Radio 2.0 (En & Fr)
IV Rencontres Radio 2.0 Paris le 13 octobre 2014 à Radio France. Consultez toutes les archives sur www.rr20.fr et suivez l'actualité sur ce Scoopit (Francais + English) #Multiplaform #Personnal #Interactive #Contextual #Social #Local #Mobile #Hybrid
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New record of participation for Radio 2.0 Paris with +2.800 specialists On&Off - Replay Videos / Check Archives

New record of participation for Radio 2.0 Paris with +2.800 specialists On&Off - Replay Videos / Check Archives | Radio 2.0 (En & Fr) | Scoop.it

The 4th edition of Radio 2.0 Paris conferences tooks place at Radio France last 13th of September. 
It explored 'the new frontiers of Radio 2.0', beating records of participation with : 

2.423 unique listeners of the live stream 

350 professionnals present over the day at the Radio House

- 2.423 unique listeners of the live stream 

350 professionnals present over the day at the Radio House

Great level of participation

▪ 2nd Trendic Topic of the day on Twitter #TT

▪ 1.849 online votes for the Radio 2.0 Awards

▪ Few thousands of visits on the website

▪ 10 hours of online radio in binaural sound and Visual Radio

An extraordinary media coverage with more than 15 millions of impacts

▪ 7 media parters

▪ 67 journalists on place

▪ 66 mentions and articles

Exploring the new frontiers of Radio 2.04 main topics have been discussed:

▪ New Radio's skills and talents

▪ Latest innovation in audio distribution and listening

▪ Music prescription: Man vs Machine

▪ Latest innovation in online audioadvertising

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Japon : Un panorama radio | Syntone

Japon : Un panorama radio | Syntone | Radio 2.0 (En & Fr) | Scoop.it

« La radio est le média numéro un en cas de tsunami, » poursuit Shin Mizukoshi. « Après le séisme de 2011, nous avons tous pris conscience de l’importance de la radio en cas de catastrophe naturelle, lorsque ni l’électricité et ni le téléphone ne fonctionnent. En 1995 après le séisme de Kobé, des bénévoles et des étrangers vivants sur place ont créé Radio YY, une radio multiculturelle et multilingue destinée à venir en aide aux différentes communautés. Le gouvernement a alors reconnu l’utilité publique de ce type de radios en cas de désastre. Radio YY existe toujours aujourd’hui et a aidé plusieurs communautés à monter des radios dans la région de Tohoku touchée par le séisme de 2011. Une trentaine de nouvelles radios sont apparues, mais depuis, certaines ont disparu par manque de subventions. »


Article complet : http://syntone.fr/japon-un-panorama-radio/


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OJD : Radionomy en tête des web radios en février | CBNews

OJD : Radionomy en tête des web radios en février | CBNews | Radio 2.0 (En & Fr) | Scoop.it

L'OJD vient de publier les chiffres de diffusion globale des web radios pour le mois de février 2015. Sur la période, 11 908 web radios ont dépassé les 10 heures d'écoute totale. Le réseau Radionomy reste le plus diffusé en numérique en janvier avec 107,4 millions (vs 115,3 millions en janvier 2015) d'écoutes actives (EA) réalisées sur 19% seulement du territoire français. Il est suivi par le groupe NRJ, qui lui réalise tout de même 79% de sa diffusion en France, avec 41,9 millions d’EA (vs 42,9 millions). Le réseau Nova reste à la 3ème place ce mois-ci avec 2,7 millions d’EA (vs 3,2 millions) pour une couverture France de 74%

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Virgin Radio set for comeback on new Sound Digital platform

Virgin Radio set for comeback on new Sound Digital platform | Radio 2.0 (En & Fr) | Scoop.it

Virgin Radio is to return to the UK airwaves, along with three spin-off TalkSportstations and a host of new nationwide broadcasters as part of a new wave of digital radio stations.

The rock and pop music brand owned by Richard Branson is one of 14 stations that will launch on Sound Digital, the second national commercial digital platform licensed by media regulator Ofcom on Friday.

Branson has long wished to relaunch Virgin Radio. Still broadcasting in a number of countries around the world, the Virgin brand disappeared in the UK in 2008 when the station, once owned by Chris Evans, was rebranded Absolute Radio.

Sound Digital, owned by TalkSport parent UTV Media, Absolute Radio owner Bauer Media and transmission company Arqiva, beat a rival bid, Listen2Digital, which would have seen the return of a new sports station backed by former TalkSport owner, Kelvin MacKenzie.


Via CPasquier
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Amazon adds personalized music stations on iOS

Amazon adds personalized music stations on iOS | Radio 2.0 (En & Fr) | Scoop.it
Amazon is looking to become your source for all things streaming media. Its next step is taking its music streaming more seriously – well, at least for iOS users.

Via Yvan Boudillet
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Voici les titres qui ont réveillé les Français en février Radioline | LaLettrePro

Voici les titres qui ont réveillé les Français en février Radioline | LaLettrePro | Radio 2.0 (En & Fr) | Scoop.it
Partir au travail avec un titre en tête entendu sur sa radio préférée ? Se réveiller avec la radio, entendre "LA" chanson qui nous met de bonne humeur et va nous suivre toute la journée ? Voici l'infographie "Top Réveil" que vient de publier Radioline.
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It’s Time to Blow Up Podcasting

It’s Time to Blow Up Podcasting | Radio 2.0 (En & Fr) | Scoop.it
Despite the rise in podcast usage there are still a ton of people who don't know what podcasts are and couldn't care less. Why?

...


Podcasting was born as media by and for geeks. The content was primarily tech-oriented. To access that content you needed to know what an “RSS feed” was, you needed to have a “podcatcher” of some kind, and it helped if you owned the platform’s namesake, an iPod. And then, if you were either technically facile or really motivated, you got to experience the joys of podcast consumption, such as they were at the time.

...


In fact, when metrics for podcasting are as robust as they are for online and traditional radio, the dollars will flow into podcasting not because podcasting is different from these other platforms but because it is now fundamentally the same.

...

So a big problem with podcasting in my view is that, as a category, it seeks to set itself apart.

Orginal post : http://www.markramseymedia.com/2015/03/its-time-to-blow-up-podcasting/





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Musique & Transmédia Storytelling – Première partie | The rabbit hole

Musique & Transmédia Storytelling – Première partie | The rabbit hole | Radio 2.0 (En & Fr) | Scoop.it

Plus de surprise, nous connaissons l’état actuel de l’industrie musicale. L’arrivée du numérique et d’internet a changé les comportements de consommation. La musique connaît les mêmes problèmes que l’industrie audiovisuelle : une augmentation du piratage, de plus en plus de concurrence et une tendance à zapper rapidement.
Le numérique a été considéré comme fautif pour l’économie mais aujourd’hui il offre de nombreuses possibilités de développement et de créativité.

La musique est aujourd’hui considérée comme un bien « gratuit », que l’on peut obtenir infiniment grâce à l’ascension de plateforme de streaming comme Spotify ou Youtube. Il faut changer ce que l’on souhaite vendre : oublier l’objet musical et vendre l’expérience musicale. Ce sont toutes les valeurs ajoutées autour de l’objet créatif.

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Rhapsody signs major licensing deal with Twitter - Music Business Worldwide

Rhapsody signs major licensing deal with Twitter - Music Business Worldwide | Radio 2.0 (En & Fr) | Scoop.it
Users can listen to full tracks within social media site

Via snep, Christian Menez
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How We Listen to Music - SXSW 2015

How does having 30 million songs in our pocket affect how we listen to music? In this data-driven and demo-laden talk we’ll explore the behavior of today’s music listener. We’ll look at how today’s easy and ubiquitous access to nearly all of recorded music is changing how a listener organizes, discovers and experiences music. By exploring big music data being collected by organizations such as Spotify and The Echo Nest we can get a deeper and more nuanced view of how today’s listener really interacts with their music.
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Dossier Broadcast : ces outils et mécanismes qui accompagnent l'essor de la social TV

Dossier Broadcast : ces outils et mécanismes qui accompagnent l'essor de la social TV | Radio 2.0 (En & Fr) | Scoop.it

Des ponts entre TV et réseaux sociaux

Les réseaux sociaux, Twitter et Facebook, principalement, ont fait naître une nouvelle forme de relation entre les téléspectateurs et la télévision, basée sur le partage de séquences et le commentaire autour des programmes. Ce phénomène émergent, appelé Social TV, a besoin de nouveaux outils et services reliant les deux mondes que nous vous proposons de découvrir.


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Rhapsody Announces Twitter Partnership #SXSW - hypebot

Rhapsody Announces Twitter Partnership #SXSW - hypebot | Radio 2.0 (En & Fr) | Scoop.it
While it may come as a surprise, today's Twitter + Rhapsody deal makes sense. To attract and retain users, streaming music services are forming dozens of new partnerships; and social networks like Snapchat and LINE are increasingly turning to music.

Via Yvan Boudillet
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Are you ready for UBER Radio? | Radio Today

Are you ready for UBER Radio? | Radio Today | Radio 2.0 (En & Fr) | Scoop.it

If your radio station is in the doldrums, I suggest you apply Uber thinking to help you evolve.  Traditional listeners are connected like never before.  They now have so many choices for everything. Let’s use Radio Today as a sounding board for radio’s current problems and issues.  Let’s be more aware of new approaches for our listeners.  Be brave….think and be UBER. - See more at: http://radiotoday.com.au/guest-writers/programming/6499-are-you-ready-for-uber-radio.html#sthash.Q2t4hdyj.dpuf

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L'interview numérique de Thomas Karolak, directeur délégué de RTLnet [video] France5

Aujourd'hui dans l'interview numérique, Alexandre Piquard reçoit Thomas Karolak. Le directeur délégué de RTLnet nous explique le positionnement éditorial du nouveau site de RTL2 et revient plus globalement sur la stratégie du groupe RTL sur le web. 

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Les radios font enfin leur mue sur Internet | LeFigaro

Les radios font enfin leur mue sur Internet | LeFigaro | Radio 2.0 (En & Fr) | Scoop.it
RTL, Europe 1 et France Info ont lancé de nouvelles versions de leurs sites qui font la part belle à la vidéo.


Il est loin le temps où les radios négligeaient leurs sites Internet, les cantonnant au rôle de simples vitrines. Après une décennie d'hésitation, les principales radios se sont sérieusement attaquées au chantier de leur présence en ligne. Depuis la rentrée dernière, RTL, Europe 1 ou France Info ont repensé leur extension sur le Web, multipliant les initiatives pour en faire leur nouveau terrain de jeu.

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Rescooped by Nicolas Moulard - Actuonda from Web & Media
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How Can Radio Stations Double In Number While Radio Revenues Wane?

How Can Radio Stations Double In Number While Radio Revenues Wane? | Radio 2.0 (En & Fr) | Scoop.it
So Virgin Radio is back again -- or at least it will be next spring, it has been announced today. In the second wave of Digital Audio Broadcast licences, fourteen new stations are being announced today by Ofcom, nearly doubling the today's total.

It sounds great, and will be very useful on those long journeys up and down motorways where the national list on a DAB radio screen saves drivers from having to scroll around local station lists as they move from one area to the next. 

I hate to be the fly in the ointment, but I think it's worth asking where the advertisers support for a near doubling of national, digital stations will come from? Radio has been just about holding its own over the past decade, with each year showing either a tiny contraction or growth in ad revenues -- which for 2014, are estimated to have been around GBP373m, down from just over GBP400m in 2004. That makes it consistently about a tenth of the size of television advertising over the past decade.

Just to add another awkward point, although digital has overtaken analogue radio in the home, it's still only just over a third of overall radio listening in the UK. 


Via Bruno Renkin
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Bruno Renkin's curator insight, March 27, 10:42 AM

"The more players there are, the smaller the slice of pie for everyone"

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Does the future of radio really lie in podcasts?

Does the future of radio really lie in podcasts? | Radio 2.0 (En & Fr) | Scoop.it

To a debate on the future of radio at the BBC where it turns out not to be a discussion on who’s listening now but how they’re listening. The Reithian ambition to inform, educate and entertain needs to change, says Mary Hockaday, controller of BBC World Service English, and become ‘inform, educate and connect’. But how do you find and hold on to your audience in the digital age?


Via CPasquier
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5 Brands That Are Killing It on Spotify

5 Brands That Are Killing It on Spotify | Radio 2.0 (En & Fr) | Scoop.it
Most brands are running simple audio ads on Spotify that are no different from the radio commercials of yore. But some are getting a bit more creative.


With Spotify locked in a cage fight of its own against streaming audio rival Pandora, it’s knockout creative campaigns like these that will be crucial in helping it land advertising dollars from major brands. If nothing else, they serve as examples of the power music has to help brands create meaningful experiences for their audiences.


Via Christian Menez
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More streaming, SiriusXM may mean the demise of car radios

More streaming, SiriusXM may mean the demise of car radios | Radio 2.0 (En & Fr) | Scoop.it

Video didn’t kill the radio star, but Sirius XM and streaming services like Pandora are taking it apart piece by piece.

Terrestrial radio, after years of maintaining its vise-like grip as the dominant in-car entertainment provider, will soon see thousands of motorists turn it off, a Wall Street report on Wednesday forecasted.

While terrestrial radio still owns an 80 percent share of car listenership, it will start to lose up to 1.5 percentage points a year of that market share as streamers like Pandora enter the market, the report said.

Connected cars — meaning those equipped with 4G wireless broadband technology — are expected to account for 39 percent of US vehicles shipped this fall.

But they’ll account for 60 percent by 2018.

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Why Internet Radio is The Biggest Advertising Opportunity of The Future | Forbes

Why Internet Radio is The Biggest Advertising Opportunity of The Future | Forbes | Radio 2.0 (En & Fr) | Scoop.it

Internet radio has the potential to be the most ubiquitous form of media ever. More commanding of your attention than film, television, or books. This is because listening to music can be enjoyed while doing other activities. Before I go further, let me make an important distinction: there are two types of listeners, lean back and lean forward. Lean back listeners hear music programming via a playlist or radio station (think “set it and forget it”), whereas lean forward listeners actively select individual songs. The majority of people prefer a lean back experience.

In 2014, one third of Americans used their phones to stream music. Young adults (18-24) listened to internet radio more than terrestrial. Two of the top five most popular apps in America (Pandora and Youtube) are used for streaming music. With Americans now spending more time on their phones than watching television, there has never been a more opportune time to maximize internet radio experiences.

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IP France lance son offre « Shazam for Radio » | CBNews

IP France lance son offre « Shazam for Radio » | CBNews | Radio 2.0 (En & Fr) | Scoop.it

La régie IP France (groupe RTL) s'associe à Mobile Network Group, régie exclusive de Shazam en France, pour développer l'interactivité des spots radio via la technologie de reconnaissance sonore de Shazam. Elle propose donc désormais un nouveau dispositif publicitaire baptisé "Shazam for Radio". Se voulant entièrement « clé en main pour les annonceurs », l’offre permet à IP France de prendre en charge la production du spot radio et « la gestion de la relation avec MNG et Shazam pour l'encodage des spots et le développement du mini site de redirection », souligne la régie.


Via Pedro Taveira
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Moneyballing music. Using big data to give customers what they really want and enhance A&R practices at major record labels | University of Westminster

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Apple Opens Up iTunes Radio Inventory to Automated Buying Through iAd

Apple Opens Up iTunes Radio Inventory to Automated Buying Through iAd | Radio 2.0 (En & Fr) | Scoop.it
Apple is extending Workbench, its automated mobile-ad platform for iAd, to its streaming service iTunes Radio.


Starting on Thursday, Apple is extending its mobile advertising network to iTunes Radio, its web streaming service that competes with Pandora, through programmatic ad buying. Previously, advertisers had to buy through Apple's lean iAd sales staff. The new feature also comes with updated targeting capabilities, using customer phone numbers and email addresses that can be cross-referenced anonymously against marketers' data.

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Infographic: Which Streaming Services Are Winning the Battle for Millennial (US)

Infographic: Which Streaming Services Are Winning the Battle for Millennial (US) | Radio 2.0 (En & Fr) | Scoop.it
When it comes to music, millennials like it new and they like it now. Numerous streaming and recommendation services have sprung up in response to younger consumers' auditory desires. Five lead the market.

Via Yvan Boudillet
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Bienvenue Radio People ! Radiodays Europe 2016 will be in Paris. 13-15 of March [video]

Look forward to seeing you there..
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Pandora to release day pass for ad-free listening

Pandora to release day pass for ad-free listening | Radio 2.0 (En & Fr) | Scoop.it

Pandora is looking to add a paid day pass to its service later this year, company executives revealed during Pandora’s investor day Thursday. The day pass will give users a way to listen without advertising interruptions, and they won’t have to subscribe to the company’s Pandora One subscription plan.

Pandora Chief Product Officer Chris Phillips told investors Thursday that this could make Pandora a good source of music for a summer BBQ party, where users don’t want to annoy their guests with ad breaks. He showed off a slide that featured a sign-up page for a 24-hour plan for $0.99, but added that the company will be testing the price as well as the question whether the day pass should be for one or three days.

told…

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