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The Science of Compassion: Origins, Measures and Interventions | The Center for Compassion and Altruism Research and Education

The Science of Compassion: Origins, Measures and Interventions | The Center for Compassion and Altruism Research and Education | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it

The Science of Compassion conference convenes a unique group of leading world experts in the fields of altruism, compassion, and service to present their latest research. The Science of Compassion is the first large-scale international conference of its kind dedicated to scientific inquiry into compassion.

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Scooped by Marc Williams DEBONO (Plasticities Sciences Arts)
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C.M. GRELON: L'Art et la plasticité du cerveau.

C.M. GRELON: L'Art et la plasticité du cerveau. | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it

 Bernard TROUDE "Ce que j'ai proposé pour PLASTIR<http://plasticites-sciences-arts.org/Plastir0_fr.html >  au cœur de nos préoccupations, à savoir quelle est la réalité des liens plastiques entre un cerveau qui pense et une œuvre d’art qui se crée? Autrement posé par l’auteur en exergue de son essai : « … Vous les artistes quand savez-vous que votre cerveau a décidé et a déterminé que c’est ce moment précis avec la représentation de l’image que vous apportez qui est un moment d’art ? » Et de fait, la question est plus complexe quand je retrace l’histoire de la neuroplasticité, son évolution d’une structure pré-cablée à un organe éminemment plastique et sujet aux émotions. Toutes nos conceptions en découlent : plasticité cognitive accrue, inconscients neuronaux, synesthésies, neurogenèse adulte en place de souvenir figé et représentation cérébrale uniformisée. Caricature dont les artistes ou les méditants avaient pressentis l’infondé, se plaçant, à l’image de Kandisky cité dans le texte et bien d’autres, naturellement (adaptation de leurs souvenirs aux formes et aux couleurs) en position synesthésique. Et l’auteur de citer les nouveaux modes créatifs (jeux, réalité virtuelle), dont le concept avancé par Fairbairn sur la recherche de l’objet et l’importance de la notion d’espace propre et figuré ou de perspective pour le peintre ou le plasticien." 

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Numérique : plasticité et intensification - Fragments (Sébastien Rongier)

Numérique : plasticité et intensification - Fragments (Sébastien Rongier) | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
A l'occasion de la journée BNF autour de Milad Doueihi et de son Pour un humanisme numérique
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Plasticité du territoire

Plasticité du territoire | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Mame-Diarra Niang est une artiste rayonnant sur plusieurs continents. Elle nourrit sa démarche esthétique d’un subtile mélange de différentes (...)
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Rescooped by Marc Williams DEBONO (Plasticities Sciences Arts) from Backstage Rituals
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Beyond Man Ray: essential avant-garde photography – in pictures

Beyond Man Ray: essential avant-garde photography – in pictures | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
A treasure trove from the ultimate age of experimentation – between the world wars – shows a man mid-parachute jump, a woman clutching her Leica, and limbs dismantling before your very eyes

Via Mohir
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The Best Art, Design, and Photography Books of 2014

The Best Art, Design, and Photography Books of 2014 | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
The world's oldest living things, how to overcome creative block, meals from beloved books, the unusual stories behind people's tattoos, and
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UbuWeb Film & Video: André S. Labarthe - The Royal Road to the Unconscious (2003)

UbuWeb Film & Video: André S. Labarthe - The Royal Road to the Unconscious (2003) | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Marc Williams DEBONO (Plasticities Sciences Arts)'s insight:

Un témoignage émouvant d'Antonin Artaud / Vidéo

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3D Compass in the Brain

3D Compass in the Brain | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
A group of neurons in the hippocampal formation sense which direction the head is pointed, a new study reports.
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H.P. Lovecraft Highlights the 20 “Types of Mistakes” Young Writers Make

H.P. Lovecraft Highlights the 20 “Types of Mistakes” Young Writers Make | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
H.P. Lovecraft is remembered as a brilliant fantasist, a creator of a completely unique universe of horror. He’s also remembered, unfortunately, as a bigot.
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Plasticity and Response to Action Observation

Plasticity and Response to Action Observation | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it

"Action observation has been suggested as a possible gateway to retraining arm motor function post stroke. However, it is unclear if the neuronal response to action observation is affected by stroke and if it changes during the course of recovery. Objective. To examine longitudinal changes in neuronal activity in a group of patients with subacute stroke when observing and executing a bimanual movement task."

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Thousands of Einstein Documents Are Now a Click Away

Thousands of Einstein Documents Are Now a Click Away | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
A mammoth effort is underway to digitally publish Albert Einstein’s letters, papers, postcards and diaries that have been scattered in archives, attics and shoeboxes.
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Rescooped by Marc Williams DEBONO (Plasticities Sciences Arts) from The Aesthetic Ground
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“every moment is pregnant with becoming” Interview With Connekt Artist Doria J.D.

“every moment is pregnant with becoming” Interview With Connekt Artist Doria J.D. | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
'Every Moment is Pregnant with Becoming' Interview with Connekt Tel-Aviv Artist J.D. Doria

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Rescooped by Marc Williams DEBONO (Plasticities Sciences Arts) from Image of the World
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The Woman Who Decided to Save the History of the Human Soul

The Woman Who Decided to Save the History of the Human Soul | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Mary Conover Mellon was only 33 when she first heard a speech by Dr. Carl Jung, a pioneer in psychology and one of the great thinkers of the 20th century....

Via Zeteticus
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Kathy Mays's curator insight, November 23, 6:37 AM

Great historical insight and very interesting article.  Thanks to Zeteticus for directing my attention to this.  

Aladin Fazel's curator insight, November 23, 8:10 AM

who looks without, dreams; who looks inside, awakes! 

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Kant, du moule à gaufres à la plasticité cérébrale

Kant, du moule à gaufres à la plasticité cérébrale | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Catherine Malabou propose une lecture très originale et très forte de la théorie kantienne de la connaissance à la lumière de la révolution neurolobiologique actuelle, en invitant à puiser chez Kant les éléments permettant de mieux rompre avec lui.
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Liens Socio : Une remarquable plasticité des pratiques sportives.

Liens Socio : Une remarquable plasticité des pratiques sportives. | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it

"La sortie quasi simultanée de deux ouvrages traitant des relations que les activités sportives entretiennent avec le procès de mondialisation ou de globalisation n’est sans doute pas une coïncidence. Elle traduit les préoccupations communes de chercheurs pourtant placés en deux points distincts du champ académique : celui de l’histoire avec L’empire Des Sports. Une Histoire De La Mondialisation Culturelle [2], et de l’anthropologie pour "Les Cultures Sportives Au Regard De La Globalisation", issue du Journal des Anthropologues(JDA) [3]."

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Philippe Guisgand : Penser en danse De la plasticité à la performance

Philippe Guisgand : Penser en danse              De la plasticité à la performance | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Penser la danse a si peu effleuré l’immense majorité des philosophes qu’il est devenu obligatoire, à qui prétend aujourd’hui à un discours à propos de ce art, de citer prioritairement — et non moins paresseusement — les deux garde-fous [...]
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Rescooped by Marc Williams DEBONO (Plasticities Sciences Arts) from Backstage Rituals
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Steve McCurry Retrospective Looks Back Over 40 Years of Iconic Work in 150 Portraits

Steve McCurry Retrospective Looks Back Over 40 Years of Iconic Work in 150 Portraits | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
There are few photographers out there as well-known as the iconic Steve McCurry. His Afghan Girl portrait earned him world-wide fame and recognition, but a

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Épistémocritique : Volume 14 - Greffes

Épistémocritique : Volume 14 - Greffes | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Marc Williams DEBONO (Plasticities Sciences Arts)'s insight:

Notre ami Michel Pierssens nous informe de la toute récente parution de ce très intéressant numéro d'Epistémocritique sur les greffes entre littératures et sciences !

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There is no language instinct – Vyvyan Evans – Aeon

There is no language instinct – Vyvyan Evans – Aeon | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
For decades, the idea of a language instinct has dominated linguistics. It is simple, powerful and completely wrong
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The Archaeology News Network: Oldest ever engraving discovered on 500,000-year-old shell

The Archaeology News Network: Oldest ever engraving discovered on 500,000-year-old shell | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
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The Art & Science of Exploration, 1768-80 : Events : What's on : RMG

The Art & Science of Exploration, 1768-80 : Events : What's on : RMG | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
An exhibition of exceptional paintings, prints and drawings by specially commissioned artists on Captain Cook’s 18th-century voyages of discovery. These works influenced forever how the European public saw the Pacific.
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La parole tressée : une pratique de recherche-action existentielle en écriture collective. - Le Journal des Chercheurs

La parole tressée : une pratique de recherche-action existentielle en écriture collective. - Le Journal des Chercheurs | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Par cette expression je nomme le type de parole expérientielle et théorique que nous avons créé en recherche-action existentielle lors de (...)
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Plasticity of life: Absurd Creature of the Week: This Is an Actual Insect. This Is Not a Joke...

Plasticity of life: Absurd Creature of the Week: This Is an Actual Insect. This Is Not a Joke... | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it
Let’s just admit it: We all have body issues to some degree. I, for instance, was informed a few years back by a drunk lady in a bar that I am in fact slightly bow-legged, which was the first I’d heard of it. The revelation was enormous, and still remains a source of some anxiety…
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Rescooped by Marc Williams DEBONO (Plasticities Sciences Arts) from Aux origines
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La mystérieuse machine d'Anticythère, plus vieux calculateur au monde, serait encore plus vieille que ce que l'on pensait

La mystérieuse machine d'Anticythère, plus vieux calculateur au monde, serait encore plus vieille que ce que l'on pensait | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it

Découverte en 1901 au large de l'île grecque d'Anticythère, la machine du même nom reste à ce jour l'une des découvertes archéologiques les plus intriguantes.

Personne ne sait avec certitude qui l'a construite, ni d'où elle provient, explique le New York Times. En revanche, les chercheurs savent que ce mécanisme, dont seule une partie subsiste, était révolutionnaire: il permettait de prédire les éclipses de la Lune et du Soleil, le mouvement des planètes, ou bien encore la date des prochains Jeux olympiques. Un appareil tel que beaucoup le compare au tout premier calculateur!


Via Jean-Philippe BOCQUENET
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Welcome to PENSOR - Social Robotics

Welcome to PENSOR  - Social Robotics | PLASTICITIES  « Between matter and form, experience and consciousness, the active plasticity of the world » | Scoop.it

"Social robotics is a transdisciplinary research area in the intersection of robotics, cognitive science, psychology, anthropology, and philosophy.  The goal of building robots that participate in the space of human social interaction raises technological, empirical, and normative questions.  PENSOR has been established as a new transdisciplinary research platform at Aarhus University with the aim especially to address research questions in social robotics that require expertise in various philosophical disciplines, including the new area of intercultural philosophy of technology.  Social robotics is not only among the socially most relevant research areas for scholars in the Humanities, it also marks a new relationship between technology and the Humanities--social robotics needs the Humanities to inform the development of technological design, but it also offers new insights on the conditions of human interaction."

  
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