Photography Now
Follow
Find
148.9K views | +48 today
Scooped by Mario Pires
onto Photography Now
Scoop.it!

A New Generation of Japanese Photographers - Artligue

A New Generation of Japanese Photographers - Artligue | Photography Now | Scoop.it
New JPN GEN, the new Japanese generation. How do Europeans view Japanese photography? The Artligue gallery hoped to answer this question with its new exhibition.
more...
No comment yet.
Photography Now
The role of photography today
Curated by Mario Pires
Your new post is loading...
Scooped by Mario Pires
Scoop.it!

Sexisme ordinaire dans la photo : le combat de Chloé en 2014

Sexisme ordinaire dans la photo : le combat de Chloé en 2014 | Photography Now | Scoop.it

Loin des grands discours et des grandes dénonciations, Chloé s’est attaquée à ce qui est le plus difficile à dénoncer : le sexisme ordinaire. Pas celui des agressions ou du harcèlement, pas ce sexisme qui révolte tout le monde (quoique…). Non, le sexisme du quotidien, celui des petites remarques qui ne sont pas très graves, des petits coups d’œil de travers, des petites blagues. À ce sexisme qui n’a pas l’air méchant, mais qui est pourtant le symptôme d’une société inégalitaire.

Mario Pires's insight:

"Parfois, pour des séances de portraits, je me suis retrouvée avec des hommes qui n’étaient pas clairs. Ils s’approchent très près de moi, me font des allusions bizarres. D’ailleurs, l’une des raisons pour lesquelles écrire cet article m’a fait du bien, c’est que je me suis rendue compte que je n’étais pas la seule à vivre ce genre de situation."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

V. After Liberalism

V. After Liberalism | Photography Now | Scoop.it
One of the most idiosyncratic yet unrecognized trends of the 1970s is how it was precisely then, when the prewar documentary culture from the 1920s-30s began to appear in a new light.
Mario Pires's insight:

" Are we still in the 1970s? Or, following my “crisis = documentary shift” hypothesis, might the present crisis initiated in 2008 correspond to a new documentary experience? What current experiments in the representation of emerging political subjectivities can we understand as reinventions of documentary?"

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Photobook Reviews (Week 28/2014)

Photobook Reviews (Week 28/2014) | Photography Now | Scoop.it
It’s summer, and what better way to kick back than to sit on a porch or beach or in a cafe somewhere with a good book. Or photobook. After all, who says your reading material has to be literature?
more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

The Daily Edit – Trending

The Daily Edit – Trending | Photography Now | Scoop.it
I enjoyed these two covers, both celebrating summer. One beautifully composed summer salad as a prepared dish, the other a delightful approach to food as graphic design.
more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

#LightBoxFF: Ruddy Roye and Instagram Activism

#LightBoxFF: Ruddy Roye and Instagram Activism | Photography Now | Scoop.it

This week on #LightBoxFF, TIME spoke with ‘Instagram activist’ Ruddy Roye (@ruddyroye), who punctuates his portraits and street photographs with poetic captions and has an unwavering passion to tell untold stories through a visual platform capable of reaching millions.

Mario Pires's insight:

"The purpose of my feed is to express a feeling of invisibility that I have felt for most of my career. I have always felt irrelevant and voiceless. My Instagram feed is my way of talking about the issues that plague not just me but other members of my community. For me it is not so much giving voice to the issues – I don’t believe I am qualified – but rather an attempt to amplify some of the injustices I see in my community of Bedford-Stuyvesant [in Brooklyn, New York], the African American community and the diaspora."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Interview: Sara Cwynar

Interview: Sara Cwynar | Photography Now | Scoop.it

Sara Cwynar: Most often, I will find an image somewhere (I am always trolling old encyclopaedias, the New York public library, flea markets, photo manuals and many other sources). I will scan the image, enlarge it often to many times its original size, then rebuild the picture out of laser prints so that it is a large version of the original image tiled out of many smaller pictures.

Mario Pires's insight:

"I love working with books, it’s sort of my roots in an art practice. I am trained as a graphic designer and making books-as-art projects is how I came to art. I like the serial nature of the book, the potential in it to equalise a large number of images, making one no less important than the next, in opposition to the way that work in a gallery is often a smaller number of very preciously treated images completely extracted from the context you get in a book."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Revisiting the Winogrand Archive: Philip Lorca diCorcia in Conversation with Leo Rubinfien

Revisiting the Winogrand Archive: Philip Lorca diCorcia in Conversation with Leo Rubinfien | Photography Now | Scoop.it

Photographer Philip-Lorca diCorcia (known as PL) speaks with Rubinfien about the complexities of Winogrand’s work, which has often been mischaracterized as “street photography,” the legacy of curator John Szarkowski, and the new meanings we may discover today by revisiting this influential photographer.

Mario Pires's insight:

"Winogrand was often combative and sometimes defensive, and his evasiveness sometimes expressed this. But more importantly, he understood how untranslatable a photograph is, how it says something that can’t be said in speech. I think that the main reason he resisted explaining himself was that he didn’t want to smother under a pile of words that special, poetic ambiguity that makes a photograph beautiful."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Photography Lessons From Reid Callanan, Cristina De Middel, Todd Hido and Others

Photography Lessons From Reid Callanan, Cristina De Middel, Todd Hido and Others | Photography Now | Scoop.it
In an excerpt from a new Aperture book, photographers share assignments, exercises and advice that will challenge and inspire photographers of all levels.
Mario Pires's insight:

This is a book i will certainly look into.

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Reflections on LOOKbetween 2014

Reflections on LOOKbetween 2014 | Photography Now | Scoop.it

Since 2006, the LOOK3 Festival of the Photograph has brought some of the best international photography practitioners, educators and industry professionals to Charlottesville, Virginia where "[the festival] transforms the historic pedestrian center into a public arts experience."1 The festival runs three consecutive years, followed by a fourth year in which it hosts the innovative and dynamic mentoring event,LOOKbetween2, that brings together some of the world's emerging photographic talents.

Mario Pires's insight:

"Yet, regardless of the difference in genres, styles or intentions, the sense of overall community, camaraderie and collaboration was inspirational. The work of today's emerging photographers also served as a reminder that without their dedication and bravery, many stories across the world might never be shared; their efforts are not to be taken for granted, we are dependent on them."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Gordes: Claude Guillaumin Water, Women, Sensuality

Gordes: Claude Guillaumin Water, Women, Sensuality | Photography Now | Scoop.it

Who is Claude Guillaumin? A lover of women? A voyeur? Pygmalion? Probably all three. But in this profession, where one is surrounded by beautiful bodies and faces, who isn’t? 

Mario Pires's insight:

"I like to find the beginners, get them out of their shells, force them to surpass themselves, to sublime themselves, to abandon themselves as if they were in love."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Quand le photojournalisme de mariage porte un autre regard sur l’Afrique

Quand le photojournalisme de mariage porte un autre regard sur l’Afrique | Photography Now | Scoop.it

En septembre dernier, OAI13 découvrait la notion de « photojournalisme de mariage » : une écriture photographique documentaire à travers des commandes de mariage. On rencontrait notammentChristophe Viseux, photographe et photojournaliste de mariage. Il souhaitait envisager un travail documentaire large sur le mariage dans le monde.

Mario Pires's insight:

"Pourquoi avoir décidé de te concentrer sur l’Afrique ?

C’est une zone géographique en pleine transformation. L’évolution économique y est assez fulgurante en ce moment. Observer ces changements à travers le mariage est un point de vue intéressant. Ça me permet de documenter une transformation sociale dans un évènement très spécifique et universel. En Afrique, on observe depuis plusieurs années l’émergence d’une classe moyenne importante. Ce phénomène s’observe particulièrement bien dans les mariages. Mes clients ont un pouvoir d’achat en hausse et cela se voit dans leur mariage."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

New York : Derry Moore India, Vintage + Color

New York : Derry Moore India, Vintage + Color | Photography Now | Scoop.it

Trained by the British photographer Bill Brandt, Moore visited India for the first time in 1971 to document Indian palaces, some of which were barely still standing. Impressed by the blend of local architecture combining European influences with Indian techniques, Moore expertly captured the nostalgia inspired by the castles from another era.

Mario Pires's insight:

"Derry Moore’s photographs transport the future into a timeless India, a lost world isolated from the progress of civilization. This is the India of dreams, fascinating and eternal."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Dialogues, from Africa: Juan Orrantia and Alexia Webster

Dialogues, from Africa: Juan Orrantia and Alexia Webster | Photography Now | Scoop.it

Dialogues, from Africa is a series made in response to Alejandro Cartagena's running series in fototazo, that wants to extend the dialogue across the Atlantic, but further south. Having been based in Johannesburg for some time now, I have always felt the need to create a space of dialogue where photographers working in Africa and Latin America learn about each other's work, but that is not filtered through the galleries or mainstream media of the global north.

Mario Pires's insight:

"Africa is as complex and varied as Latin America, and this series wants to recognize the current engagements of photographers from the continent with their own histories and the current environments of contemporary photography."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Water Lillies, Alvin Langdon Coburn

Water Lillies, Alvin Langdon Coburn | Photography Now | Scoop.it

Water Lillies
Alvin Langdon Coburn, British, b. United States 1882 - 1966

ca. 1907

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

#BringBackOurHashtag: Activism, Hacktivism & Photography in the Social Media Sphere

#BringBackOurHashtag: Activism, Hacktivism & Photography in the Social Media Sphere | Photography Now | Scoop.it
Social media activism is an undeniably important part of public protest, and photography plays a particularly vital part in these virtual demonstrations.
Mario Pires's insight:

"It seems hard to justify the claim that social media is supplanting traditional protest, when in many cases the two seem to be working in conjunction. Traditional protest increasingly looks like an opportunity to advertise social media campaigns (think of the ubiquity of signs and banners bearing hashtags) and social media campaigns often catalyze public protest by raising the visibility of issues that drive people into the streets."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Instagram and Anxiety of the Photographer – Part III

Instagram and Anxiety of the Photographer – Part III | Photography Now | Scoop.it

Over the past few years, iPhoneography has created a new form of photography that has and will continue to re-structure how we interface with technology, gather and generate data, and how we create narratives. iPhone (and similar smartphone) users employ mobile photography to disseminate mass amounts of information, to subvert cultural institutions, and for political rallying. These behaviors parallel the same strategies of the radical Avant-Garde art movements of the 20th century.

Mario Pires's insight:

"I’m well aware that the production of technological devices has looming consequences on the world’s natural resources. High-tech facilities leach natural resources, and new technologies replace prior generations at faster rates than raw materials can keep up with. The anxiety of thisphotographer is the uncertainty of our planet’s ability to maintain healthy human life given our desire for technological progress. As Nature falls apart I’m sure I’ll take a picture and when we get there Nature will already provide the collage."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

‘Portrait of Partnership’: A Photographers Homage to a Failed Relationship

‘Portrait of Partnership’: A Photographers Homage to a Failed Relationship | Photography Now | Scoop.it

A woman stands against a gray sky, the low light of the sinking sun glints off her glasses. Her hair is in a bun. She is attractive, but not conventionally beautiful.

Beth: It’s the name of a series of photographs that Matthew Swarts — a widely published Somerville, Massachusetts-based photographer trained at Princeton and Mass Art — calls a “portrait of partnership.

Mario Pires's insight:

"When the couple parted ways recently, Swarts, an ever-restless artist, started reworking some of the photographs, layering images of graph paper over the original “straight” photographs to obscure Beth’s face and acknowledge change. The woman we’ve become accustomed to looking at fades from flesh and blood into a kind of diagram, a map, or schema, perhaps, of how Beth is stored in Matthew’s brain."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Stephen Gill : “Talking to Ants”

Stephen Gill : “Talking to Ants” | Photography Now | Scoop.it

English photographer Stephen Gil has chosen his home neighbourhood of Hackney in London as his creative arena. This working class borough undergoing gentrification is associated with bohemia and the building work around the Olympic Games. In his Talking to Ants series, Gill pursues his efforts at immersion by putting found objects in the camera, reinventing the position of landscape in the image.

Mario Pires's insight:

"Talking to Ants is a kind of state of mind for me during the picture-making process. Perhaps the title stems from childhood immersion and tapping into a similar frame of mind where you loose yourself with objects, creatures and thoughts. It is a kind of freedom but in way, perhaps, for the subject too, as it allows both me and the subject to breathe and get to the other side of the glass wall that you sometimes reach at the parameters of a photographic study or project."

more...
Ben Landa's curator insight, July 8, 2:08 AM

Ben Landa Studio is one of the best studio in San Francisco, California.provides you best marriage,party,functions video and photography.
http://www.benlandastudios.com

Scooped by Mario Pires
Scoop.it!

QUESTION | La démarche photographique peut-elle être plus importante que la réalisation ?

QUESTION | La démarche photographique peut-elle être plus importante que la réalisation ? | Photography Now | Scoop.it
Nous aimons les photographies, les collectionnons, et bien sûr, nous les partageons. Nous les aimons pour leur beauté formelle, leur puissance de témoignage, leur expressivité ou leur intelligence.
Mario Pires's insight:

"Si la photographie finale est désormais moins importante, que devient la notion d’auteur ? Vito Acconci est-il l’auteur de ses photos ou est-ce le programme qui en est l’auteur ? Et que dire de l’œuvre de Dennis Oppenheim où ce n’est même pas lui qui a réalisé la photo finale ? Avec l’apparition de cette photographie conceptuelle, c’est toute la notion d’auteur qui se déplace. Il devient alors possible de faire des photos sans auteur, bientôt d’être l’auteur de photos qu’on n’a pas prises."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

William Coupon: The Punks of New York

William Coupon: The Punks of New York | Photography Now | Scoop.it

William Coupon has a long legacy of portrait photography. For this post, I am featuring a series captured in the late seventies that showcases the music scene that defined a generation. 

Mario Pires's insight:

"I became interested in formal studio portraits in 1979 while observing it’s lower Manhattan youth (my peers) and it’s present counter-culture, and decided early on to use a single-light source and simple mottled backdrop, and when I needed to, I would set this up as a portable studio, one highly mobile. This was then used to document global sub-cultures. Many of the projects – referred to as “Social Studies” – became documents of indigenous people."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

The Daily Edit – The New York Times Magazine: Dylan Coulter

The Daily Edit – The New York Times Magazine: Dylan Coulter | Photography Now | Scoop.it
The New York Times MagazineDirector of Photography: Kathy Ryan
Associate Photo Editor: Clinton Cargill
Art Director: Gail Bichler
Designer: Raul Aguila
Photographer: Dylan Coulter
Mario Pires's insight:

"The goal of the project was to both photograph and create short films of the world’s best soccer players. We would travel to them, take portraits, create multiple exposure photographs of a particular skill each player is known for and make a short film about each athlete. The overarching idea was to focus on the athletic prowess and physicality of each athlete and capture that in an unexpected way."

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

Tulip, Paris (by Robert Frank, 1950)

Tulip, Paris (by Robert Frank, 1950) | Photography Now | Scoop.it

“Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough – there has to be vision, and the two together can make a good photograph. It is difficult to describe this thin line where matter ends and mind begins.” 


Robert Frank

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

The good, the bad, and the ugly – diary of a World Cup photographer

The good, the bad, and the ugly – diary of a World Cup photographer | Photography Now | Scoop.it
Dylan Martinez, chief photographer for the United Kingdom and Ireland, is in Brazil to cover the World Cup. He’ll be keeping a diary of the highs and lows here.
Mario Pires's insight:

High end sports photographers work with expensive equipment and seem to live a fantastic life, but can be compared to highly skilled workers in a factory. A image factory that never shut's down.

more...
No comment yet.
Scooped by Mario Pires
Scoop.it!

IV. Heart of Darkness

IV. Heart of Darkness | Photography Now | Scoop.it
The 1960s are dark and phantasmagoric, like an ambiguous terrain vague or “nowhere land” in the periodization of photographic history. I’m not free from that uncertainty about the interpretation of this complex decade.
Mario Pires's insight:

"In December 1966, Nathan Lyons curated the exhibition Contemporary Photographers. Towards a Social Landscape at the George Eastman House in Rochester, New York. The term “social landscape” meant for Lyons a new awareness of the historical and cultural conditions that allowed, quite literally, a de-naturalization of the pictorial tradition of landscape."

more...
No comment yet.
Rescooped by Mario Pires from Jaclen 's photographie
Scoop.it!

Coupe du monde de football : les coulisses de la photographie sportive

Coupe du monde de football : les coulisses de la photographie sportive | Photography Now | Scoop.it
Une horde de photographes et de techniciens a été déployée sur les 12 stades de la compétition au Brésil afin de ne rien rater de l'événement. Découvrez avec nous les coulisses de cette impressionnante usine à images.

Via Jacquy Lenoir
Mario Pires's insight:

"All in all we are just another brick in the wall". I can't remember what else to say when i look at these pictures.

more...
No comment yet.