 Your new post is loading...
|
Scooped by
Mario Pires
|
by Jonathan Blaustein They say nothing is certain but death and taxes. (Whoever ever they are, that is.) To that short list, I’d add another constant: change. Take people, for instance.
|
Scooped by
Mario Pires
|
Bryan Schutmaat is a photographer I’ve admired for a long time. Recently, at FORMAT13, Schutmaat presented a short photofilm as part of our festival closing ceremony, showcasing his brilliant series Grey the Mountain Sends.
|
Scooped by
Mario Pires
|
Marnya Rothe is a Sydney-based photographer who uses her camera to explore themes of feminism, sexuality and voyeurism.
|
Scooped by
Mario Pires
|
August Sander (1876-1964) was one of the 20th century’s greatest photographers. He spent his early career as a commercial portraitist in Linz, Austria, but began the huge group of photographs for which he is best remembered after 1904 or so, when his pictures underwent a change in style. Where he had once flattered the vanity of his subjects with beautifying effects, his new work was cool, remorselessly detailed, analytical and penetrating, a kind of counterpart, sharply Germanic in tone, to the expressive realism of the Frenchman Eugene Atget.
|
Scooped by
Mario Pires
|
Beyond the attacks leveraged against Paul Hansen's winning World Press Photo, the recent controversy over image toning is symptomatic of the current state of photojournalism and its place in a society that has learned not to trust what it sees.
|
Scooped by
Mario Pires
|
The New York Times spent months and had an entire team working on the creation of Snow Fall, and it shows. But what if I told you that you could recreate the same interactive experience in just about an hour?
|
Scooped by
Mario Pires
|
Nadia Maria is a photographer from Sao Paulo, Brazil, she started taking pictures when she was 7/8 years old, photographing her dolls, films have always been her favorite game. Since then she studied,and explored photography.
|
Scooped by
Mario Pires
|
Broomberg & Chanarin: It began with a lucky accident. We stumbled across a remarkable object - Brecht’s personal bible. It caught our attention because it has a photograph of a racing car glued to the cover.
|
Scooped by
Mario Pires
|
Creative Director: Stephen Scoble Design Director: Patricia Sanchez Director of Photography: Fredrika Stjarne Deputy Photo Editor: Anthony LaSala Photographer: Martin Morell
|
Scooped by
Mario Pires
|
In 1955, Marc Riboud left for what was to become a three-year trip east, vers l’orient, traveling to Turkey, Iran, Afghanistan, Pakistan, India, China, Japan… Thirty years old, Henri Cartier-Bresson became a mentor during that time. “I often found letters from Henri waiting for me at General Delivery in Kabul, in Jaipur, in Madras, in Ahmedabad, or in some Indonesian city whose name I forget.”
|
Scooped by
Mario Pires
|
Through June 1, 2013, the Galerie Particulière is presenting the series Sleeping Beauties (under the title “Museums” by German photographer Friederike von Rauch.
|
Scooped by
Mario Pires
|
Since his teen years, Hoshi has been obsessed by the nightlife of the urban entertainment districts of Tokyo; the vulgar neon signs, the dark trash-filled alleys, and the backdrop of human drama taking place both inside and outside the clubs and bars. Haruto Hoshi was born 1970 in Kanagawa and educated at Contemporary Photography Research Institute.
|
Scooped by
Mario Pires
|
Zoos are born with intent informative to know and understand animal breeds otherwise unattainable. I wonder today what sense the life of an animal that is born, grows and dies in a cage by the boundaries.
|
|
Scooped by
Mario Pires
|
Dutch photographer Isabelle Wenzel was invited by the Virtueel Museum Zuidas, Holland, to produce a work about the business area of South Amsterdam.
|
Scooped by
Mario Pires
|
‘I photograph what I do not wish to paint’ so Man Ray famously declared, and with this in my mind it was something of a revelation to discover that someone who was an accomplished if unconventional and only occasional portrait painter had also spent so much time taking photographic portraits of his colleagues and acquaintances, friends and lovers.
|
Scooped by
Mario Pires
|
We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on.
|
Scooped by
Mario Pires
|
Around 20 French women photographed by Gérard Uféras wearing Triumph lingerie, produced in partnership with Joséphine Beauté, will be on display in different places over the next six months. The first edition was held at the Arts Déoratifs in Paris.
|
Scooped by
Mario Pires
|
Part I of this post considered how money affects both the production and distribution of contemporary photography. Part II went on to look at why we have ended up in this predicament, arguing in part that our ability as photographers to create more income than other types of artists also prepares us to be consumers of the new photography secondary services sector. This third and final post will explore both countertrends and evolutions already addressing the problem, includes some ideas for creating a healthier financial environment, and also makes practical suggestions for navigating the current waters aimed particularly at students and younger photographers.
|
Scooped by
Mario Pires
|
When I first started looking at portrait photography for this week, I came across the work of Nir Arieli. I approached him to be featured, but one question from him set me back, “Where did you come across my work?
|
Scooped by
Mario Pires
|
Given an unedited batch of photos from a recent family vacation, Google+ can narrow the images down to what it determines are the best shots.
|
Scooped by
Mario Pires
|
The Galerie RTR is presenting a solo exhibition of the Czech photographer Pavel Baňka, with the series Infinity / Beyond Infinity, featuring twenty black-and-white photographs taken in the American Pacific Northwest between 1997 and 1999, along...
|
Scooped by
Mario Pires
|
We take thousands of pictures nowadays, but do we still cherish them?
|
Scooped by
Mario Pires
|
William Mortensen (1897 - 1965) was one of the most well known and respected photographers in America in the thirties. He worked primarily in Southern California as a Hollywood and studio portraitist and later taught his methods and ideas to younger generations. (See Larry Lytle's online biography of Mortensen.) Mortensen's obscurity today is mainly due to his championing of Pictorialism, a force within photography that promoted retouching, hand-worked negatives, chemical washes, and an artistic, painterly approach that soon faded with the advance of modernism.
|
Scooped by
Mario Pires
|
I have been involved in a master class for photographic artists for some time now, but have decided to terminate my involvement. I must admit I find the conversations very interesting, and I really love the focused dialog between artists that really doesn’t happen in every day life. You need to seek out people working in the same medium, but that alone is not enough. They need to be mentally in the same state, and regular weekend retreats enable that. [.....] But the academic art world, and especially the specialized world of fine art photography coming out of the art schools, tends to be extremely fixated on its own belly button.
|
Scooped by
Mario Pires
|
Brakhax2. It is a formation of two people, father + son, 4 eyes and 2 brains, that choose to express ourselves at every level. From the right side of reality. The strength and expression of our relationship starts there.
|
It was my first camera, i still own it and it works.