Scoop Photography
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Scoop Photography
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Curated by Julia B.
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L'Eté indien Monika Lewandowska, photographe

L'Eté indien Monika Lewandowska, photographe | Scoop Photography | Scoop.it
A professional portfolio of a photographer Monika Lewandowska (monikalewandowska). Lyon France. Built with 500px.
Julia B.'s insight:

Projet d'Atelier Photo dans des Maisons de Retraite Médicalisées en France /


Indian Summer - Atelier Photo Project in the Retirement Homes in France.

 

Un projet humaniste à l'image de la photographe Monika Lewandowska.

 

Portfolio http://monikalewandowska.500px.com/

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Burma | Monica Denevan Photography

Burma | Monica Denevan Photography | Scoop Photography | Scoop.it

I'm glad to have found Monica Denevan's website with its gorgeous photographs of Burma. You will find that her some 120 photographs are indeed luminous and gorgeous.

Monica travels with her medium format Bronica, one lens, and a bunch of plastic bags filled with Ilford Delta 400 film. Her photographs are printed from negatives in her traditional darkroom and selenium toned.

Monica Denevan was Born in San Francisco. She Monica studied photography at San Francisco State University. She started visiting parts of Burma and China for many years, and always had her Bronica along. Her work was published in ZYZZYVA, Communication Arts Photo Annual, SHOTS, Black and White Magazine, The Photo Review, The Sun, and Artvas-The Photo (Korea) among others. 


She is represented by Scott Nichols Gallery in San Francisco, Duncan Miller Gallery in Santa Monica, Capital Culture Gallery in London, and Tao Evolution Gallery in Hong Kong which produced a small catalogue of her work. Monica’s photographs are in the permanent collection of UCSF Medical Center.


Via Photo report, Weusegadgets
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Maiko & Geiko | Photographer: Arif Iqball

Maiko & Geiko | Photographer: Arif Iqball | Scoop Photography | Scoop.it

Outside Japan there is often a misunderstanding about the role of the Geisha and that misunderstanding comes from different literary and movie interpretations/fictionalization by non-Japanese at different points in history. The difficulty also comes from the inability to recognize/accept that female entertainers can exist in cultures without engaging in any form of sexual entertainment.

 

The historical city of Kyoto, Japan is the true center of this floating world and home to five Kagai (literally flower towns, but specifically, performance districts) where you can see Geishas today. The oldest Kagai dates back to the fifteenth century and the tradition of the Geisha continues in Kyoto in the true manner and spirit as it has historically, where the women take pride in being “women of the mind” versus “women of the body”. By all local/Japanese definitions, these women are living art as well as the pinnacle of Japanese eloquence, good manners, style and elegance and are highly respected in Japanese society as artists. Some of their teachers have been labeled as “Living National Treasures” by the Japanese Government. The “Gei” of the Geisha itself means Art and “sha” means a person. Historically both men and women have been labeled Geisha although that word is seldom used and Geiko and Maiko (Apprentice Geiko) are the more appropriate forms of address.

 

There has been very little work done to photograph the artistic side of the Geiko and Maiko and my work is an effort to see them as living art and to be able to portray them in both formal and informal settings. Behind the painted face is really a teenager/young woman working very hard through song, dance, music, and witty conversation to make the customers of the tea houses escape from their world of stress to a world of art/humour/relaxation and laughter.

Most of this work was done in Medium Format to enable the viewer to eventually see and feel the larger photograph itself as art and I hope that this broader work can shed a new light to the understanding of the Maiko and Geiko and bring respect to them as artists from the non-Japanese viewer.


Via Photo report
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