En 25 ans, le logiciel a imposé ses diktats partout : dans la géopolitique, le photojournalisme, la mode et les réseaux sociaux. A l'heure où les "anti-Photoshop" élèvent la voix, enquête sur un culte exacerbé de la retouche qui, en favorisant le déni de la réalité, fait des ravages, notamment chez les adolescents.
In addition to the Leica Cinema Lenses, cinematographers can soon also use Leica M lenses on a RED camera - Pier 59 with the assistance of Leica Camera have been testing the RED DSMC Leica-M mount in New York this week.
"In addition to the new Zeiss cinema lenses, the December issue of Film and Digital Times revealed also three new prime Leica cinema lenses: Summilux-C 16, 29, and 65mm. This will expand the existing set of Leica cinema lenses to eleven different focal lengths: 16, 18, 21, 25, 29, 35, 40, 50, 65, 75 and 100 mm. The new lenses will be officially announced at NAB 2012."
Rangefinder, the optical viewfinder doesn't show the image through the lens, instead a small central window is used to focus the camera. Due to the Leica M Typ 240 featuring live view, for the first time in the Leica M history, you can compose and shoot images using the actual image through the lens, much like using a Digital SLR in live view, on the rear 3inch 920k pixel screen. In addition with the optional Visioflex Electronic Viewfinder (EVF) you can use the camera as you would a DSLR or mirrorless camera with an electronic viewfinder. The Leica M Typ 240, like other digital rangefinders from Leica, does not offer auto-focus, or even auto-aperture, with manual focus and aperture required. Auto shutter speed and ISO is possible. With live view there are two new modes available to aid focus, "Live View Zoom" gives you a 10x magnified live view display, and there is also "Live View Focus Peaking" which automatically highlights edges when in focus......
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