.... the latest addition to the X-series line-up is the XF 23 mm F1.4. The first thing that struck us about this lens was its size. It is even larger than a wide-angle XF 14 mm. When attached to the Fuji X-Pro1 it feels bulky but solid. Its build quality is superb with all-metal mounts and a high-grade barrel. The focus ring is nice and smooth. The only let down is a plastic hood, which feels cheap. One of the most important features of this lens is the traditional aperture ring on the lens barrel. This attribute allows a photographer to have a special connection with the lens when shooting. It not only enriches the photographic experience but let’s you indulge in the process of image creation. Kudos to Fuji for going this route! While physical attributes may or may not appeal, image quality is something everyone wants and this lens delivers! Attached to our Fuji X-Pro1, this lens produces razor sharp, three-dimensional imagery. We have been shooting with the best professional-grade glass from Canon (L) and Nikon (ED). We are familiar with Zeiss and Leica lenses. But this Fuji lens is among the best. If you own the Fuji XF 35 mm F1.4 you already know the potential of this lens in the right hands. Like other Fuji X-series lenses, it is corrected for distortion. The resolution is great at 1.4, gets very strong at 2.0, and becomes heavenly between 5.6 and 11. For me personally, the 23 mm focal length is a sweet spot. If I were to choose one focal length to shoot with, that would be it. Not only does it allow you to capture beautiful landscapes and work on documentary photography and streetscapes but you can go ahead and take some creative portraits with it.......
Seagate Technology will demonstrate HAMR, a technology it's counting on to fit more data onto hard disk drives. Using current technology, the data density of a typical hard drive platter is expected to max out at about 1 terabit per square inch, which means that not a lot more terabytes of data will be squeezed into traditional hard drives.
"My latest series, Berlin, is a multimedia presentation of photography, film and 3D work. The series is about the relationship of the child and the adult, and how that relationship is shifting. It’s unclear who is in charge, and who is directing who. I was inspired by several things for this series, by the city Berlin, but also by this changing relationship between child and adult. I tried to translate that into my work, but without giving a clear discourse." - Erwin Olaf
The last few years have seen a surge in photography projects from the front lines, Afghanistan in particular, as a growing number of soldiers have found in the viewfinder a welcome reprieve from the insular solitude of their own troubled vision.
With a staggering 26% of the eCommerce market Magento is seeing more and more online stores adopt their powerful software. With over 1,900 themes and thousands of modules available to download – allowing for unparalleled customizability.
"Tonight it’s dark in the studio, and I’m curled up in my chair staring at this blank page, about to write the first Wonderland diary entry in 9 long months.. Outside its raining, and this morning brought the first frost I have noticed since last winter. Earlier, as I walked to work I stopped and watched a flutter of yellow leaves circle my boots, reminding me fondly of the cloak I made for ‘The Journey Home’ almost one year ago to the day. These fragments of seasons have become like old friends I find myself silently greeting, one by one as they return unannounced, blown by the autumn wind.
The landscape is changing in colour and I’m hoping for snow, as there is still one last picture I need to create before I can let the story complete. But for now, after months of work I am finally ready to let this last chapter unfold, of what has since become the last 4.5 years of my life. I still can’t imagine the day I write the words ‘The End’ but it is slowly becoming a palpable reality, which leaves a bitter sweet emotion in my gut. The pictures I have created over the last few months have at times pushed me to my limit, and I know I have learnt so much about myself in the process.
I have had days when I have never felt to so happy to be alive, standing in the woods with my camera, so grateful for every precious moment ….. and others where my own crushing lack of self confidence has made me sick with worry, as to whether or not I have created something good enough. It is always the same with me …. all or nothing, the highest highs and lowest lows, but throughout it all I can say I have tried my hardest. I faced challenges I was genuinely scared of, but forced myself through as they were the only way to produce the ending I always dreamt of. So I just wanted to say how thankful I am to the people who have been on this journey with me and taken Wonderland into their hearts, both the followers of the project and the irreplaceable tiny team I work so closely with."- Kirsty Mitchell
"Most people say that street photography features people photographed on the street in unposed situations. For me this definition is simply too broad as it includes portraiture, reportage and peopled cityscape, which might have nothing to do with the genre. For me this broad definition can be narrowed easily to define proper street photography by adding just one word – “a twist”. A little twist – something clever, funny, unexpected, surprising or ambiguous. Something making you scratch your head, something putting a smile on your face… And the photo does not have to be taken on the street – it can be shot indoors, on the beach or in the forest. What matters is that little “twist”.
What are the key elements of a good photo? In my opinion it is the content, composition and light. The content is most important for me. Sometimes a poorly composed and lit photograph still can be good, what matters is the message it conveys. The composition is the way elements are placed and related to each other in the frame. It greatly depends on the distance from the subject – usually the closer you get the more dynamic perspectives you can achieve that can make your compositions more interesting.
The light is what illuminates the scene and produces shadows and highglights in the image. It can be natural or artificial. It can be a direct sunlight (which can be soft or harsh depending on the time of the day), soft ambient light in the shade or flash produced by the flashgun on top of the camera. When these three elements come together nicely in one frame you most probably have a great photo."- Maciej Sakowicz