Nikon was the first to introduce video in DSLRs, but that pioneer position did not stop Canon from taking the sceptre and running to the front. It has been this way since then, but a new era might have started: Nikon is back on the fight, with the Nikon D810, a camera conceived with video in mind. The new DSLR is launched with a mission: conquer Canon's territory in terms of video. Specifications similar to the EOS 5D Mark III and a competitive price are part of arsenal Nikon has provided the D810 with. But there is more to discover in this new camera.
The World Press Photo of the Year 2013 is a picture by American photographer John Stanmeyer.
Judging An international jury of leading professionals in the field of photojournalism worldwide began judging the entries at the World Press Photo office in Amsterdam on 1 February.
Results The results of the 2014 World Press Photo Contest were announced on 14 February. The prize-winning pictures will be presented in a year-long exhibition that travels through more than 100 cities in over 45 countries, to start in Amsterdam in De Nieuwe Kerk on 18 April 2014.
Prizes The jury awarded first, second and third prizes in nine categories. First-prize winners receive a cash prize of €1,500. The premier award carries a cash prize of €10,000. In addition, Canon will donate a professional DSLR camera and lens kit to the author of the World Press Photo of the Year 2013. The annual Awards Days, a two-day celebration of the prizewinners, takes place in Amsterdam on 24 and 25 April 2014.
I was born in 1971 in Brighton, on the south coast of England. Taking pictures is one thing I have stuck at. It’s the occasional surprise; either in the picture or circumstance I find myself part of, which keeps me wandering.
I try not to have an agenda but seem to be drawn to the psychology of a situation- this often seems to involve a relationship of some sort, either between people or their environment. I do enjoy the fun stuff, but it’s the pictures that raise questions or might have different interpretations that really interest me. To me, it’s the business of discovering latent fictional stories in everyday situations. - Justin Sainsbury
Nikon has announced the AF-S Nikkor 58mm f/1.4G, a premium standard prime for full frame SLRs that's designed to deliver the best possible images, even at maximum aperture. It's highly corrected for coma, meaning that point light sources are rendered correctly right across the frame, and is specifically designed to give an attractive rendition of out-of-focus regions of the image. It can also be used on Nikon's DX format SLRs, on which it will behave like a classic 85mm 'portrait' lens. This all comes with a hefty price tag, though; $1699.95 / £1599.99. It'll be on sale in selected retailers at the end of this month.
There are now 7 billion people on earth, and according the United Nations Population Fund, one half of us live in cities. Martin Roemers has been photographing the world’s megacities, sprawling urban areas inhabited by millions, capturing their chaos, humanity and dynamism. “Metropolis,” Roemers’ first North American exhibition, opens February 29 at Anastasia Photo, a New York City gallery specializing in documentary photography and photojournalism. The show runs through April 1.
I've been a photojournalist for several years, and currently am in my first year of graduate school at Ohio University. My first semester at Ohio University has been one of the single most challenging periods of my career, and I can safely say I have worked harder than I have ever worked in my life. One of my biggest challenges came in November, when a story I had been documenting for several months took a very dark turn.
I had been photographing a couple, Shane and Maggie, since September. I had originally intended the story to focus on the difficulties felons face once being released from incarceration. My intention was to paint a portrait of the catch-22 many individuals find themselves in upon release, the metaphorical prison of a stigma they can never seem to escape. The story changed dramatically when one night, Shane and Maggie got into a fight. Shane began to physically abuse Maggie, slamming her up against walls and choking her in front of her two-year-old daughter, Memphis. He had possession of our cellular phones, so I reached into his pocket and steal my phone back when he was distracted. I handed my phone to another adult who was in the house,and instructed them to call the police. I then continued to document the abuse.
In that moment, my instincts as a photojournalist kicked in. I knew I had to stay with the story and document it in all of its ugly truth. I have continued to follow Maggie since the abuse, and am producing a multimedia piece as well as a still series. I plan on applying for several grants to continue working on this project and broadening its scope. I've also begun working closely with Donna Ferrato, who will be including my piece in Unbeatable, a project that spans her three-decade career documenting domestic violence.
The biggest part of this whole upsetting situation that has made the difference has truly been Maggie. Her courage through this whole ordeal, especially considering her age, is extraordinary. She has asked me to move forward with this project and to tell her story, because she feels that the photographs could potentially help someone escape from the same type of situation she was in. "Women need to understand this can happen to them. I never thought it could happen to me, but it could," she told me. "Shane was like a fast car. When you're driving it, you think 'I might get pulled over and get a ticket.' You never think that you're going to crash."
While this story is, in part, about domestic violence, it is not a reportage on a domestic dispute—it is not a news event. It seeks to take a deeper, unflinching look into the circumstances that transform a relationship into a crucible, and what happens before, during, immediately proceeding and long after an episode of violence takes place. With this story, it is my goal to examine the effects of this type of violence on the couple, the absued, the abuser, and the children who serve as witnesses to the abuse. We typically only see victims of abuse in the hours or days after having been abused. I have been able to spend time with Maggie and her children before, during, and after the assault. My next step is to travel to Alaska, where Maggie currently resides with her husband and the father of her children, and examine the long-term effects of this incident on her current relationship, on her children, and on her own sense of self. - Sara Naomi Lewkowicz
Nikon’s traditional strengths are very much evident in the Df: it’s built to last, takes amazing photos, and is compatible with one of the broadest and best lens ranges in the business. But then it’s also more than $1,000 more expensive than Nikon’s own D610, which is roughly the same size, much easier to use, and can record 1080p video.
After many a rumor indicating that this very thing would happen, Nikon has officially announced that the followup to the flagship D4, the D4S, is in development and will be on display at the company’s booth at CES in Vegas over the next few days.
With the latest addition to Nikon’s popular F1.8 prime series of FX-format lenses, Nikon has announced the new AF-S NIKKOR 35mm F1.8G, a versatile fixed lens ready to thrive in any shooting situation. The new 35mm F1.8G lens rounds out a collection of acclaimed F1.8 lenses including the AF-S NIKKOR 28mm F1.8G, AF-S NIKKOR 50mm F1.8G and AF-S NIKKOR 85mm F1.8G lenses. Sporting the popular 35mm focal length and covering a 63 degree angle of view with a constant F1.8 aperture, Nikon’s newest FX-format lens delivers outstanding viewfinder clarity and high contrast while providing outstanding low-light performance and depth of field control.
Great for available light environment portraits, landscapes and travel photography as well as for producing beautiful images with soft, natural bokeh, the AF-S NIKKOR 35mm F1.8G is a versatile and valuable addition to any FX-format photographer’s lens arsenal and sports the latest in core NIKKOR technologies that ensure elite performance. The lens’ construction includes one ED and one aspheric element in addition to a Silent Wave Motor to provide quiet AF operation.
"As the latest addition to the extensive NIKKOR lens line-up, the new AF-S NIKKOR 35mm F1.8G lens reinforces Nikon's commitment to providing versatile prime lens options to photographers of all levels," said Masahiro Horie, Director of Marketing and Planning, Nikon Inc.
"Most people say that street photography features people photographed on the street in unposed situations. For me this definition is simply too broad as it includes portraiture, reportage and peopled cityscape, which might have nothing to do with the genre. For me this broad definition can be narrowed easily to define proper street photography by adding just one word – “a twist”. A little twist – something clever, funny, unexpected, surprising or ambiguous. Something making you scratch your head, something putting a smile on your face… And the photo does not have to be taken on the street – it can be shot indoors, on the beach or in the forest. What matters is that little “twist”.
What are the key elements of a good photo? In my opinion it is the content, composition and light. The content is most important for me. Sometimes a poorly composed and lit photograph still can be good, what matters is the message it conveys. The composition is the way elements are placed and related to each other in the frame. It greatly depends on the distance from the subject – usually the closer you get the more dynamic perspectives you can achieve that can make your compositions more interesting.
The light is what illuminates the scene and produces shadows and highglights in the image. It can be natural or artificial. It can be a direct sunlight (which can be soft or harsh depending on the time of the day), soft ambient light in the shade or flash produced by the flashgun on top of the camera. When these three elements come together nicely in one frame you most probably have a great photo."- Maciej Sakowicz
World Press Photo, who has selected VII Photo co-founder Gary Knight as chair of its 2014 contest, has announced a change of rules regarding "the permissible levels in post-processing of image files" submitted following this year's intense debate about manipulation in photojournalism.
Vous devez toujours garder à l’esprit les éléments de composition et exploiter la technique qui convient le mieux pour vous aider à communiquer ce que vous souhaitez vraiment montrer dans un portrait. Voici 10 fondamentaux à prendre en considération lorsque vous shootez un sujet.