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Rescooped by Jean-Marie Grange from PHOTOGRAPHERS!

World Press Photo of the Year 2013 | 2014 PHOTO CONTEST

World Press Photo of the Year 2013 | 2014 PHOTO CONTEST | Photography |


The World Press Photo of the Year 2013 is a picture by American photographer John Stanmeyer.

An international jury of leading professionals in the field of photojournalism worldwide began judging the entries at the World Press Photo office in Amsterdam on 1 February.

The results of the 2014 World Press Photo Contest were announced on 14 February. The prize-winning pictures will be presented in a year-long exhibition that travels through more than 100 cities in over 45 countries, to start in Amsterdam in De Nieuwe Kerk on 18 April 2014.

The jury awarded first, second and third prizes in nine categories. First-prize winners receive a cash prize of €1,500. The premier award carries a cash prize of €10,000. In addition, Canon will donate a professional DSLR camera and lens kit to the author of the World Press Photo of the Year 2013. The annual Awards Days, a two-day celebration of the prizewinners, takes place in Amsterdam on 24 and 25 April 2014.

Via Photo report
Photo report's curator insight, February 14, 2014 4:20 PM
View the entire collection of winning images from the 57th World Press Photo Contest. The winners were selected from more than 90,000 images submitted to the contest. 
Rescooped by Jean-Marie Grange from PHOTOGRAPHERS!

LAST BEST HIDING PLACE | Photographer: Tim Richmond

LAST BEST HIDING PLACE | Photographer: Tim Richmond | Photography |

Via Photo report
Jean-Marie Grange's insight:

Depressing America...

Photo report's curator insight, October 9, 2013 12:22 PM

Tim Richmond‘s American West – depicted in Last Best Hiding Place – can be placed anywhere onto the continuum that has the myth at one end and the artist’s unique vision at the other end. It’s a place filled with characters and locations that manage to be specific and completely generic at the same time, with a rough, somewhat hurt, tenderness underneath. I can’t help but think that the photographer is very much aware of what he is taking pictures of, given there appears to be a balancing act at play: Every stereotype is depicted, to be subverted right away or elsewhere. There are cowboys, sure, but they have baby faces underneath their stubble.

Richmond’s West ends up throwing stereotypes and preconceived ideas back at us, reminding us that what we’d like to think of as real is really of our own choosing. What we find is what we’re looking for. Here, photography comes full circle, because it is always at least that: A quest for that, which we already know. And as long as we’re not deluding ourselves into thinking there’s more, we’re in good shape.


I’ve written many times that photography really only excels when it’s being done with its own limitations in mind. These limitations arise from the technical nature of the medium in more ways than one. The properties of the camera have as much to do with it as the fact that a photographer is pointing the camera into some direction, at something in the world.


A long time ago, photographers were able to point their cameras at the world, a world not weighed down by preconceived ideas and earlier photographs. Now, when you point your camera at the world, you’re really pointing it more at all those images in our minds than at the world itself.

The secret then is to make this work, to produce photographs that can still stand on their own, while acknowledging all the ones that came before them. Tim Richmond‘sLast Best Hiding Place does just that, and it does it well.

All photographs © and kindly provided by Tim Richmond 

Rescooped by Jean-Marie Grange from PHOTOGRAPHERS!

Street photography around the world | Photographer: Maciej Dakowicz

Street photography around the world | Photographer: Maciej Dakowicz | Photography |

"Most people say that street photography features people photographed on the street in unposed situations. For me this definition is simply too broad as it includes portraiture, reportage and peopled cityscape, which might have nothing to do with the genre. For me this broad definition can be narrowed easily to define proper street photography by adding just one word – “a twist”. A little twist – something clever, funny, unexpected, surprising or ambiguous. Something making you scratch your head, something putting a smile on your face… And the photo does not have to be taken on the street – it can be shot indoors, on the beach or in the forest. What matters is that little “twist”.
What are the key elements of a good photo? In my opinion it is the content, composition and light. The content is most important for me. Sometimes a poorly composed and lit photograph still can be good, what matters is the message it conveys. The composition is the way elements are placed and related to each other in the frame. It greatly depends on the distance from the subject – usually the closer you get the more dynamic perspectives you can achieve that can make your compositions more interesting.


The light is what illuminates the scene and produces shadows and highglights in the image. It can be natural or artificial. It can be a direct sunlight (which can be soft or harsh depending on the time of the day), soft ambient light in the shade or flash produced by the flashgun on top of the camera. When these three elements come together nicely in one frame you most probably have a great photo."- Maciej Sakowicz

Via Photo report
Jean-Marie Grange's insight:

Another very good set of street photography

Martin Lea's curator insight, November 10, 2013 7:17 AM

that is it..........a moment or a thought or a caption just see it ior sense but of course you have to capture it !!