I recently talked with a friend who's planning to schedule a screening of Blade Runner at her film festival. We discussed the important decision that anyone who wants to show Ridley Scott's Philip K. Dick-adapting masterpiece faces: which Blade Runner?
E quando eu pensava que já conhecia Blade Runner aparece-me mais uma versão.
Cities as we know them came into being when they industrialized in the 19th century. Film as we know it came into being when its own industry developed in the 20th. And so film came into its own in an era when cities around the world had become the most fascinating places going.
It may sound redundant, but to many people a Hitchcock film would not be a Hitchcock film without Hitchcock. By this I mean not only Hitchcock’s masterful command of light and shadow, camera movement, and editing, but also the brief, witty appearances of the man himself, in front of the camera.
Cinema Sem Lei has made a nice supercut video essay that explores the influence of German Expressionism on the films of Tim Burton. There’s undeniably some direct quotes: The first shot comparing the cityscapes of Metropolis and Batman Returns, the shadows on the wall of both The Cabinet of Dr.
You can now go swimming with the fishes, but in a good way. Google unveiled Street View postings today for more than 40 underwater locations around the world in celebration of World Oceans Day on June 8. The exotic locations include the American Samoa and Chagos Islands, Bali and the Great … Continue reading
After the overwhelming response I got from my previous cinematography breakdown (see the Prisoners breakdown HERE) I've decided to dedicate another week of my life to creating a new one. It's really nice to know that people appreciate what I share here at the blog! When I started work on the Prisoners breakdown, I was not expecting it to be so well received and I'm really glad...
A Industrial Light & Magic (ILM) criada por George Lucas em 1975 é uma das empresas que não só se dedicou a tornar possível os filmes da saga Star Wars, como tem criado a "magia" necessária para centenas de outros filmes. Mas nada como passar os últimos 40 anos em revista.
Photographer Marc Simon Frei snapped these interesting photos by arcing objects to a Tesla coil. He's also been experimenting with different kinds of LED-illuminated clouds (not unlike what we've seen from Richard Clarkson), and some fun shots of wool clouds sprouting tiny lighting storm
On Monday, we brought you evidence that Stanley Kubrick invented the tablet computer in 1968's 2001: A Space Odyssey. Today, we go back forty years further into cinematic history to ask whether Fritz Lang invented the video phone in 1927's Metropolis.
Isaac Asimov, one of the most prolific creators in science-fiction history, wrote or edited more than 500 books in his lifetime, including the high-profile ones we all recognize like I, Robot and the Foundation series (hear a version dramatized here).
There’s an old axiom that mediocre books make great movies and great books make for lousy movies. Mario Puzo’s bestseller The Godfather is a straightforward potboiler but Francis Ford Coppola spun it into one of the best films ever made. In contrast, F.
Known primarily for his war films and crime dramas, American director Samuel Fuller also directed a quartet of westerns, the last of which being 1957's Forty Guns. The film was part of a deal struck with 20th Century Fox after...
Quase todas as pessoas interessadas pela aeronáutica reconhecem os nomes dos pioneiros da aviação, como os irmãos Wright, Blériot, e outros. Mas poucos reconhecerão Emma Todd, a primeira mulher a desenhar e construir um avião (em 1910). É por isso mais que justo que esta curta em animação nos dê a conhecer esta fantástica senhora, que há mais de um século já tornava realidade os seus sonhos de voar bem acima do solo.
Duas boas sugestões de leitura para cinéfilos em tempo de férias: "Os Filmes da Minha Vida" de François Truffaut e "Ora, Como eu Dizia..." de John Cleese. O primeiro é a edição portuguesa (finalmente!) de um clássico da crítica cinematográfica de Truffaut nos tempos em que escrevia para a seminal revista Cahiers du Cinéma.
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