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Fuji X-E1 Review by Nick Devlin | Luminous-Landscape

Fuji X-E1 Review by Nick Devlin | Luminous-Landscape | Photography Gear News | Scoop.it

 

Fuji has been on fire with its mirrorless cameras. Starting with the ground-breaking X100, and carrying through to the unique X-Pro1, Fuji has been pushing the bar in compact, rangefinder-style devices. Now, with the release of the X-E1, the company is aiming to bring their line to a broader, more main-stream audience. I recently had a chance to spend a couple of days with a production-level sample. Much The Same But So Very Different. On its face, the X-E1 is the X-Pro1 without the hybrid viewfinder. But the reality is more complicated than that. The X-Pro1 is the recent pinnacle of ‘look ma – no hands!’ technological achievement. In it, Fuji managed to integrate multi-point autofocus and a variable magnification optical viewfinder into a rangefinder-style camera with interchangeable lenses. To cap it off, they slipped in the best APS-C sensor in the business. All was goodness and light, right? Well, mostly. As I noted in my comprehensive review here in March, the X-Pro1 is an amazing camera, but at a not-insubstantial price and at a size pushing the limits of “rangefinder style”. For some users it is the ultimate solution. But for the masses interested in a more economical solution, with more flexibility of use, the X-Pro1 might have been more camera than they needed or wanted. So enter the X-E1. The X-E1 is basically the same camera as the X-Pro1, but with only an EVF. The optical window is gone. With it too is gone a surprisingly amount of bulk. The X-E1 is much closer in size and girth to the X100. While on paper, and even to the eye, the differences are not that large, the effect in the hand is noticeable. To me, the X-E1 is just the right size. Anyone who tried the X-Pro1 and found it a bit too big will be very happy now. So that’s it, right? Same functions, same controls, same sensor, just smaller and cheaper. Yes…but….. While that might capture the physical differences, conceptually, the X-E1 seems like something much different than its close relatives. Despite its undeniably range-finder style form-factor, this is in truth a mirrorless system camera. And that’s not a bad thing. But it is a seminal difference....


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Nikon D750 Review: Digital Photography Review

Nikon D750 Review: Digital Photography Review | Photography Gear News | Scoop.it

The D750 is Nikon's newest FX-format camera, offering a number of features from the D810 in combination with a 24MP sensor. It also boasts a faster frame rate than any non-professional full-frame Nikon DSLR since the D700. Aimed squarely at enthusiasts and full-frame upgraders the D750 boasts a comprehensive video and still photography specification - see how it performed in the field and in our extensive studio tests.

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Canon EOS 7D Mark II Review: Digital Photography Review

Canon EOS 7D Mark II Review: Digital Photography Review | Photography Gear News | Scoop.it

Canon's EOS 7D Mark II was a long time coming. It arrived in time for Photokina 2014, combining a pro-grade AF module with a 20MP APS-C CMOS sensor using Dual-Pixel AF. The 7D II also provides 10 fps continuous shooting, a 150,000-pixel RGB + IR metering sensor and 1080/60p video recording. It's as robust a feature set as you'll find in the APS-C class, and its autofocus specs are truly impressive. Read our full review and see how it performed in the studio and in the field.

Note that this review contains three 'lab report' pages in which we introduce the concept of 'ISO-Invariance' in connection to our comparison between the image quality of the EOS 7D II and some of its competitors. We will be revisiting this subject in greater depth in a future article. 

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Micro-Nikkor AF-S 105mm f/2.8 G IF-ED VR (FX) - Review / Test Report

Micro-Nikkor AF-S 105mm f/2.8 G IF-ED VR (FX) - Review / Test Report | Photography Gear News | Scoop.it
Stabilized macro lenses have become a fairly common thing nowadays, but when the Nikon AF-S 105 f/2.8 VR was announced in 2006, it was the first of its kind. The lens replaced a highly regarded, but somewhat aged design, featuring all the goodies a new lens needed to offer, including a silent-wave autofocus drive, Nano Crystal coating and of course its key feature, the optical stabilization system.
The addition of VR to a macro lens caused a few raised eyebrows back then, questioning the usefulness of this feature in "real" macro shots. However, there's of course a lot more you can do with a macro lens than 1:1 shots, and in most of these situations optical stabilization offers an advantage, either by allowing slower shutter speeds and/or by giving a stable viewfinder image for easier framing of the shot.

Being a little aged itself now, let's have a look at how the lens performs on our current FX test camera, the Nikon D3x.
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Ikea Hack: Warm Up LED Accent Lighting Using Photography Gels

Ikea Hack: Warm Up LED Accent Lighting Using Photography Gels | Photography Gear News | Scoop.it
Installing new LED accent lighting or replacing your old energy wasting halogen under-cabinet lighting with new LED accent lights?
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Real-world Test: Going Pro with the Samsung NX1

We put the Samsung NX1 in the hands of Jordan Stead, staff photographer at SeattlePI.com, and ventured out to nearby Carkeek Park to photograph the salmon run. A seasoned shooter accustomed to pro camera bodies, Jordan puts the NX1's hybrid AF system and 28.2MP BSI-CMOS sensor to the test.

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New CIPA data for September.

New CIPA data for September. | Photography Gear News | Scoop.it
Image courtesy: Personal View.
The latest CIPA data from September show that mirrorless camera shipment is still growing compared to August. But it's not as good as 12 months ago.
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Nikkor AF-S 58mm f/1.4 G (FX) - Review / Test Report

Nikkor AF-S 58mm f/1.4 G (FX) - Review / Test Report | Photography Gear News | Scoop.it
The wide- to short tele prime lens market is currently in a bit of a turmoil. Driven by Zeiss and also Sigma, the manufacturers are exploring extreme quality designs ... as well as corresponding price tags. In the standard prime lens segment, Zeiss started the game with the Otus 55mm f/1.4 followed by the Sigma 50mm f/1.4 HSM DG "Art". Obviously Nikon felt the heat and released the Nikkor AF-S 58mm f/1.4 G. At 1700 US$ this is clearly not for the faint-hearted although this is almost affordable by Zeiss Otus standards.
"58mm" may sound like an unusual choice but this is actually not a first for Nikon here. Back in the old days, they offered a Noct-Nikkor Ai-S 58mm f/1.2 - a legendary lens renowned for great performance at max. aperture. We'll see whether the current AF-S 58mm f/1.4 is capable of following this guidance.
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HTC introduces the RE digital camera

HTC introduces the RE digital camera | Photography Gear News | Scoop.it
Smartphone maker HTC has introduced its first stand-alone camera in the shape of the HTC RE. With no viewfinder, screen or controls other than a shutter release button, the RE is designed to be used either as an independent still and video camera, or as a connected device controlled via a smartphone. Housing a 1/2.3-inch CMOS sensor that features 16 million pixels, the RE uses a fixed-focus f/2.8 lens that HTC says has a 146 degree angle of view – equivalent to a 6.5mm focal length on a full frame body.
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Opinion: Why buy a Panasonic LX100 when you could buy a GX7?

Opinion: Why buy a Panasonic LX100 when you could buy a GX7? | Photography Gear News | Scoop.it
What's so special about the Panasonic Lumix DMC-LX100? It uses the same sensor as the GX7 but is at a distinct disadvantage not being part of an interchangeable lens system.
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GoPro HERO4 Revealed! 4K Video at 30FPS and the First Built-In Touch Display

GoPro HERO4 Revealed! 4K Video at 30FPS and the First Built-In Touch Display | Photography Gear News | Scoop.it

The rumor mill is abuzz with speculation, but we have the first full scoop on the GoPro HERO4.


As many have reported, the two big features that are appearing are 4K video recording at 30FPS and a built-in touch display.

Unfortunately, these two features won’t be appearing in the same camera. Instead, there will be two models: the HERO4 Black and the HERO4 Silver.


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Reeda Malik's curator insight, September 26, 7:30 PM
Finally a built in touch screen
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Opinion: Why the death of the point and shoot benefits photographers

Opinion: Why the death of the point and shoot benefits photographers | Photography Gear News | Scoop.it
The death of the point-and-shoot compact has been disastrous for all the major camera manufacturers, but it's not all bad news.
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Updated Leica X (Typ 113) APS-C compact boasts F1.7 lens

Updated Leica X (Typ 113) APS-C compact boasts F1.7 lens | Photography Gear News | Scoop.it
Leica has announced a new X-series camera with an F1.7 lens. The Leica X (Typ 113) continues to use a 16MP APS-C sensor and offer a 35mm equivalent lens but now with a considerably faster aperture than the F2.8 of its forebear.
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Around the world with a Nikon D800

Around the world with a Nikon D800 | Photography Gear News | Scoop.it

Olivier Abellan is a passionate photographer and this year he started with his wife an 11 months world travel journey. You can see the pictires of their trip on their website www.thebeloons.com.

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Sigma 150-600mm Sport review - super-telephoto zoom!

Sigma 150-600mm Sport review - super-telephoto zoom! | Photography Gear News | Scoop.it

The Sigma 150-600mm f5-6.3 DG OS HSM Sport is a super-telephoto zoom lens, available in Canon, Nikon and Sigma mounts, and corrected for full-frame use. Announced in September 2014, it replaces the earlier 150-500mm f5-6.3, extending its reach while also offering higher performance and tougher build. It also now allows Sigma to compete on range with the existing Tamron 150-600mm f5-6.3.


Interestingly, Sigma is replacing the 150-500mm with not one, but two new lenses. Both share the same 150-600mm f5-6.3 specification, but have different levels of quality, construction and sealing. The higher-end Sport version reviewed here is fully weather-sealed, while the more affordable Contemporary version, yet to be released, employs a simpler optical construction and sealing at the mount to hit a lower price point. While the full specification and price of the Contemporary model were not known at the time of writing, the dual-offering remains a cunning approach by Sigma, allowing the cheaper version to compete with Tamron and the pricier one to go up against premium options from Canon and Nikon. Sigma appends the model names with an S for Sport or a C for Contemporary, so officially speaking I'm reviewing the 150-600mm f5-6.3 DG OS HSM | S.

Like the 150-500mm before it, the 150-600mm range is ideal for wildlife and sports photography, tight sunsets, or even distant street work. Despite Sigma's previous success with this range it's also one that's not been covered by Canon and Nikon, making it unique to third parties. And while the Sport version is a premium lens, Sigma's still managed to price it a little below the most recent Canon 100-400mm and Nikkor 80-400mm options, missing out on their slightly wider coverage, but crucially reaching 50% longer. Read on to find out if this is the best super-telephoto zoom for your DSLR or mirrorless camera!

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DIY: Leather Dual Camera Harness for $70 | Holdfast Moneymaker style

DIY: Leather Dual Camera Harness for $70 | Holdfast Moneymaker style | Photography Gear News | Scoop.it
I think the Holdfast Moneymaker is pretty awesome. Not just because it’s made of durable materials, but because it’s an elegant solution to the problem of weilding two cameras without looking like a Navy Seal.
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You Don’t Need A Selfie Stick To Take A Selfie In Space

You Don’t Need A Selfie Stick To Take A Selfie In Space | Photography Gear News | Scoop.it
Living on the ISS has it perks (like putting a Gopro in a Bubble, or capturing amazing timelapses), but one of the more underestimates benefits the lack of need for Selfie Sticks.
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Canon EF-S 24mm f/2.8 STM - Review / Test Report

Canon EF-S 24mm f/2.8 STM - Review / Test Report | Photography Gear News | Scoop.it
Back in 2012, Canon introduced the Canon EF 40mm f/2.8 STM - a full format pancake lens. Pancake lenses have a short barrel in an attempt to minimize the size of the overall setup. Because of their size, pancake lenses tend to have a rather moderate speed and, for obvious reasons, they are also limited to a rather shallow range of focal lengths. Now it seems as if the concept was successful enough to release another one - the Canon EF-S 24mm f/2.8 STM. As you may notice, this is not a full format lens but designed for APS-C DSLRs only. In this scope it actually resembles its full format counterpart because the field-of-view is equivalent to a "38mm" full format lens.
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Fujifilm RAW and Lightroom: How Are Things as 2015 Nears?

Fujifilm RAW and Lightroom: How Are Things as 2015 Nears? | Photography Gear News | Scoop.it
As good as X-Trans sensors are in terms of performance, most software makers have had some trouble with demosaicing the slightly unusual RAW files in the past.
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Tiny fps1000 high-speed camera boasts 18,500fps

Tiny fps1000 high-speed camera boasts 18,500fps | Photography Gear News | Scoop.it
Graham Rowan of Hertfordshire, UK has created a small camera dubbed the "fps1000", and as its name suggests, it is designed solely to record high-frame-rate videos. The goal behind the camera is to open up high-speed shooting to a wider market by offering a relatively inexpensive product that is highly portable.
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Leica Noctilux-M 50mm f/0.95 ASPH review

Leica Noctilux-M 50mm f/0.95 ASPH review | Photography Gear News | Scoop.it
I purchased the Leica Noctilux-M 50mm f/0.95 ASPH lens new in September 2013. A lens that many people dream about. A lens that many people hate without ever having tried it. This review will be bas...
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Nikon 20mm f/1.8G ED – Initial Impressions

Nikon 20mm f/1.8G ED – Initial Impressions | Photography Gear News | Scoop.it

Since Nasim has been photographing the beautiful golden aspens in Ouray County, Colorado with members of the Photography Life community for the last few days, I thought I would provide some early thoughts and samples of photos taken with the new Nikon AF-S 20mm f/1.8G ED. Once Nasim is back in town, he will post a much more detailed review of this lens. I would call this a “Nasim Light Lens Review,” but that would be giving myself too much credit!


Many have been very impressed with the Nikon’s f/1.8G series, which includes the 28mm, 35mm, 50mm and 85mm. Each represents a great value relative to their more expensive f/1.4 counterparts, and in some cases, as good if not better performance. And while the new 70-200mm f/4 VR lens is not one of the f/1.8G series, it represents the same style and value proposition.

I had previously owned the 28mm f/1.8G, which I loaned to Nasim for his detailed review. It was a fine lens, but I did not find the focal length to be very useful. It was not a wide angle lens and was just 7mm shy of my Sigma 35mm f/1.4. The only real advantage it had over the Sigma was weight. The Sigma is such an exceptional lens, however, so I eventually sold the 28mm f/1.8G. What I really wanted was an 18mm or 20mm f/1.8G. Nikon finally answered the call...

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Fujifilm X100T Hands-on Review | Kai Wong

Fujifilm X100T Hands-on Review | Kai Wong | Photography Gear News | Scoop.it


The X100T is the third iteration of the ever-popular X100 series of cameras from Fuji - an APS-C sensor compact camera with retro-chic looks - and the successor to the X100S. But what?s new and is this a worthy upgrade? The team went to the Occupy Central protests to test out the camera......


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Nikon D750 uses an unsecured Wi-Fi network, anyone can download your pictures | Nikon Rumors

Nikon D750 uses an unsecured Wi-Fi network, anyone can download your pictures | Nikon Rumors | Photography Gear News | Scoop.it
This just in from AmateurPhotographer - reportedly the Nikon D750 Wi-Fi app uses an unsecured Wi-Fi network and anyone with a smart device can download your
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The ultimate photo shoot: on location in Iceland with the iPhone 6 and 6 Plus

The ultimate photo shoot: on location in Iceland with the iPhone 6 and 6 Plus | Photography Gear News | Scoop.it

As with any smartphone in 2014, there's no more important feature than the camera. It's what we use to take photos with our friends and families, how we remember what we ate and what our kids looked like way back when.


The camera has always been one of the iPhone's most impressive feature, and this year, Apple says it's gotten a huge upgrade. The iPhone 6 and 6 Plus feature new sensors, better optics, new technologies that aid in stabilization and HDR, even slower slo-mo video, and much more. They're meant to destroy your point-and-shoot, your camcorder, and maybe even your DSLR.


To see what the new devices can really do, travel photographer Austin Mann went to Iceland on a week-long photography adventure. He's been shooting in some incredible places, in incredibly difficult conditions; he's put both iPhone 6 and iPhone 6 Plus to their ultimate test.


Here are his photos, and his story. For lots more of both, check out his website.

— David Pierce


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