One of the major innovations of Onto-Cartography is the introduction of incorporeal machines. While incorporeal machines were already implicit in my treatment of Luhmann in The Democracy of Object...
Under Deleuze and Guattari’s account, the plane of content is composed entirely of bodies– what I call corporeal machines –affecting and being affected by one another. The relationship of a smith to his hammer and anvil, for example, belong to the plane of content. The way in which the interaction of these three machines affect one another differs from the way in which signifiers affect bodies. The perpetual hammering on the metal of the anvil produces corporeal changes in the smith’s body. His muscle structure, bone structure, and way of holding himself change over time. This is not the result of expression or signs.