The Arts and Crafts Movement of late 19th century England professed to democratize art and the production wares. The most prominent character of the Movement was poet, craftsman and socialist William Morris. I claim that today open source philosophy and peer production combined with 3D printing technology represents a similar philosophy about the democratization of production as the 19th century Arts and Crafts Movement. 3D printing is a nascent technology which allows the physical rendering (prototyping) of computer models. As The Arts and Crafts Movement was opposed to machines, I try to ascertain to what extent the Movement’s opposition toward the machine extends and what it is based on. Therefore, I discuss the machine’s two-sided role as, on the one hand, the destroyer of art, and on the other hand, the saviour of art.