“The Art of Not Being Governed fits together nicely with its predecessor, Seeing Like a State, as a landmark work of early 21st-century social science. The two books have complementary arguments; The Art of Not Being Governed might equally well have been titled The People States Can’t See. It is, first and foremost, a history of escape from the state, chronicling the stories of the various peoples who have fled to highlands, swamps and archipelagos where the state cannot easily reach them. Scott’s particular object of study is “Zomia”, the mountain marches of Southeast Asia that stretch from southern China down to Laos and northern Thailand, taking in parts of Burma and eastern India. Scott calls Zomia a “shatter zone” that has actively resisted incorporation into the various states around it and served as a refuge for peoples fleeing those states.