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Scooped by Omer Pesquer onto Participatif |
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Omer Pesquer's insight:
Intéressant billet de Willa Koerner (@WILLAK) sur le participatif et l'engagement des internautes.
http://willakoerner.com/2012/10/10/participation-success/ --- Avec pour phrase-clé la citation de Anne Pasternak “We fail when nobody pays attention.”, et comme exemples certaines expériences effectuées par le SFMOMA, dont les #SubmissionFridays qui ont reçu plus de 10 000 participations ! http://sfmoma.tumblr.com/tagged/submission
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Sébastien Magro & Omer Pesquer : "À l’occasion de sa quatrième édition, Spectaculaire proposait une journéee professionnelle aux exposants participants (le 23 septembre 2011). Nous avons été invités à intervenir au cours d’une matinée de conférences sur les nouveaux usages liés au numérique dans la culture."
Cet article (au format blog) est la restitution de cette intervention proposant une introduction au web participatif dans les différents domaines de la culture.
(Photo par Samuel Bausson - CC BY-SA 2.0 - http://goo.gl/qq1ZP) Delete the scoop?
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University of Southern California media scholar Henry Jenkins describes how educators might fuel civic engagement by tapping the skills their students build ... 
Philippe Lejeune's curator insight,
May 20, 1:39 PM
Life is about EXPRESSION. We are all in need of expression for our well being. ART is all about the desire for someone to express something that needs to be shared. The viewer (or listener) is the receptor, that will need/want to respond, creating a dialogue. Visual Art is not well prepared for this essential form of relationship. The viewer in my sense needs to become more the doer--the doer to become the viewer... participation from the public was denied for centuries, but is now possible with new tools for communication, like the internet. Can Visual art become more participatory is the question that we should ask today, and consider answering/working on. I do. Delete the scoop?
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Au CENTQUATRE, l'exposition Par nature vous invite à assouvir votre désir de liberté dans...
Omer Pesquer's insight:
Plus de 100 participations au Tumblr "I am Free@CENTQUATRE" (Au 2 avril 2013). Delete the scoop?
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ANN HAMILTON: the event of a thread December 5, 2012 - January 6, 2013 Park Avenue Armory, NYC For more information, visit http://www.armoryonpark.org/ In be...
Omer Pesquer's insight:
“The event of a thread”, une installation participative de Anne Hamilton présentée au Park Avenue Armory du 5 décember 2012 au 6 janvier 2013.
Article dans le "New-York Times" :
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This space is dedicated to crowd-sourced projects.
Omer Pesquer's insight:
Le Tumblr SFMOMAcrowd est un espace modulable où le SFMOMA invite les membres de sa communauté en ligne à collaborer avec le musée et entre eux.... Delete the scoop?
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Un tableau #Pinterest de Roger Aeschbach Delete the scoop?
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"...Les artistes américains Ze Frank et Mr Norman font entrer la musique participative dans la sphère des records. Leur dernière création est le fruit de 2601 différentes contributions..." Delete the scoop?
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"The experimental social exploration combines art and machine where an audience can contribute messages online that are then printed out by a specially fabricated device."
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Paul Notzold a créé TXTual Healing en 2006. Cette "plate-forme technologique" permet de transformer les SMS en performance publique.
http://www.notzold.com/?p=12
Serge Meunier's comment,
August 5, 2012 2:07 PM
Merci pour avoir donné suite. Cordialement. S Meunier
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Un des plus innovants "livres d'or numérique" actuels est celui du Museum of Modern Art à New York !
Dans un espace spécifique du MoMA, le visiteur prend une petite fiche qu'il complète (avec un petit texte ou un dessin ainsi qu'avec son nom et celui de sa ville). http://www.moma.org/explore/inside_out/2011/12/07/i-went-to-moma-and-it-s-back/
*** Historique du projet sur le blog du MoMA :
/Merci à @Quentin_Tweets pour le rappel ! Delete the scoop?
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The Metropolitan Museum of Art : "On February 15 (2009), we launched "It's Time We Met," our first visitor-contributed photography contest. Hundreds of visitors submitted nearly one thousand photographs... The Metropolitan Museum of ArtPrizes were awarded to the winners, whose photographs will be used in the "It's Time We Met" marketing campaign". Delete the scoop?
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Nina Simon : "... After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love, that embodies our new direction as an institution... This post focuses on one aspect of the exhibition: its participatory and interactive elements. We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly... " /via @SamuelBausson http://www.scoop.it/u/samuelbausson Delete the scoop?
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"Young Me Now Me is a brainchild of Ze Frank ... . Basically, you can submit photographs of the "now" you imitating an old childhood photograph."
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How can science museums encourage debate? They can use social objects to encourage discussions in climate change or evolution.
Omer Pesquer's insight:
Long article sur le musée participatif avec plusieurs exemples (principalement dans des musées de science)
Extrait : Delete the scoop?
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For "YES", 2013, artist Urs Fischer invited one thousand five hundred Southern California residents to fill the space of The Geffen Contemporary at MOCA with...
Omer Pesquer's insight:
Pour "YES" 2013, Urs Fischer a invité les 1500 habitants de Californie du Sud. L'objectif : remplir les galeries MOCA de sculptures d'argile de leur création. Ce très beau projet participatif a nécessité 308 tonnes d'argile! Delete the scoop?
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Omer Pesquer's insight:
Ce Tumblr est conçu pour permettre à ses contributeurs de donner leurs interprétations de l’univers du Centre Pompidou (au travers de Paper Toys) ! http://centrepompidou.tumblr.com/ Delete the scoop?
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Omer Pesquer's insight:
Intéressant billet de Willa Koerner (@WILLAK) sur le participatif et l'engagement des internautes. 
samuel bausson's curator insight,
December 12, 2012 6:42 AM
extrait : "Perhaps the problem is not what we are/aren’t offering in terms of compensation for participation. I believe that there’s a communication gap right now between artists who want exposure and organizations who want nothing more than to build a community of creative participants.
Why don’t more artists participate in museums’ social media projects? Is there anyone who’s aggregating a list of websites/social media initiatives where organizations such as museums and galleries ask for participation, so that artists can take advantage of these promotional vehicles? Is the problem that artists don’t want to buy into these sorts of prompted projects? Is the marketing initiative which is inevitably tied into all participatory social media projects to blame?"
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Candy Chang : Avant de mourir, je veux ...
Disponible en VOSTF sur le site de TED : http://www.ted.com/talks/candy_chang_before_i_die_i_want_to.html#
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Via Jean Luc Cougy
Omer Pesquer's insight:
Taco Dibbits ( directeur des collections du Rijksmuseum) : "Nous aimerions inviter tout le monde à jouer avec nos collections et à être aussi créatifs que possible." (We'd like to invite everyone to play with the collection and to be as creative as possible). Delete the scoop?
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Un tableau #Pinterest de dan jakob @pigsel Delete the scoop?
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"* The PCF -The Public Catalogue Fondation - was launched in 2003. It is a registered charity and is based in London. It has a network of researchers and photographers working across the country from the Channel Islands to Northern Ireland." http://www.thepcf.org.uk/ By looking at the paintings in detail, 'taggers’ are be able to help generate useful subject classifications for each work and supply important keyword information including information about people, places and events shown in the painting."
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Proposée par Google et la Tate Modern, This Exquisite Forest est une expérience participative accessible depuis le site exquisiteforest.com (Google Chrome nécessaire) ainsi que depuis une installation physique à la Tate Modern (à partir du 23 juillet 2012).
"Sept artistes de renom de la collection de la Tate, dont Bill Woodrow, Dryden Goodwin, Julian Opie,Mark Titchner, Miroslaw Balka, Olafur Eliasson, etRaqib Shaw, ont créé de courtes animations “graines”. Depuis ces graines, tous les internautes peuvent ajouter de nouvelles animations qui prolongent l’histoire ou qui la font bifurquer vers une nouvelle direction." Delete the scoop?
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Le château de Versailles fait appel aux visiteurs du monde entier pour illustrer une histoire de la photographie souvenir à Versailles. A vos archives !
(jusqu'au 30 juin 2012) Delete the scoop?
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+ http://candychang.com/before-i-die-in-nola/
/Via Delete the scoop?
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La ville évolue au gré des innovations numériques. Le 18 janvier dernier, au cours d’un séminaire sur l’étude des cultures numériques à l’EHESS, Jérôme Denis, enseignant chercheur à Paris Tech, s’est attaché à souligner ces évolutions. (Article de Claire Abrieux pour REGARDS SUR LE NUMERIQUE
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"Street artist JR made a wish in 2011: Join me in a worldwide photo project to show the world its true face. Now, a year after his TED Prize wish, he shows how giant posters of human faces, pasted in public, are connecting communities, making change, and turning the world inside out..." Delete the scoop?
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extrait : "Perhaps the problem is not what we are/aren’t offering in terms of compensation for participation. I believe that there’s a communication gap right now between artists who want exposure and organizations who want nothing more than to build a community of creative participants.
Why don’t more artists participate in museums’ social media projects? Is there anyone who’s aggregating a list of websites/social media initiatives where organizations such as museums and galleries ask for participation, so that artists can take advantage of these promotional vehicles? Is the problem that artists don’t want to buy into these sorts of prompted projects? Is the marketing initiative which is inevitably tied into all participatory social media projects to blame?"