In Strauss' Ariadne, the opera must go on (but send in the clowns, too)Houston ChronicleYet the format is comparatively rare in opera. Ariadne auf Naxos, Richard Strauss' uniquely delectable opera-within-an-opera is a notable exception.
New York TimesThe Met's Rock of AgesWall Street JournalIn two centuries of opera in America, no man has sustained such dominance of the composite and combative art as the Metropolitan Opera's music director, James Levine.
Ettore Bastianini & Dmitri HvorostovskyWe can't be too surprised that Rigoletto is at the top of our poll of your favorite Verdi baritone roles. It's not only a great role for baritones, but one of Verdi's most skillfully developed characters.
Chris Hondros (March 14, 1970 – April 20, 2011) "Conjure a combat photographer in your mind’s eye — fatigues, a whiskey flask and a fondness for rude pastimes. Now discard the cliché and conjure Chris Hondros of Getty Images instead.
New York TimesVerdi's Irresistible Melodies And Implausible PlotNew York Times"Il Trovatore," with the tenor Marcelo Álvarez and the soprano Sondra Radvanovsky in the Metropolitan Opera revival at Lincoln Center.
Amy J. Payne is a vivacious British mezzo-soprano who is amassing an interesting collection: glittering reviews. She’s being singled out for her performances, as in the comic opera Spinalba: “Particularly successful in both facets was Amy J.
Things to do: S.F. Opera seeks extras for Ring cycle productionsSacramento BeeThat happening is the San Francisco Opera's much awaited Ring Cycle, and it is seeking to cast extras for that operatic juggernaut.
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