opera-digital.com a eu la chance de visiter Euratechnologie : au programme une maison connectée développée par le CITC-EuraRfid (un centre de recherche et de conseil spécialisé dans les technologies sans-contact. Au sein du parcours, nous avons pu expérimenter une table musicale qui offre une expérience utilisateur bluffante !
Vienna State opera (Wiener Staatsoper) launched its live broadcasts in October 2013. We would very much like to invite you as opera lovers and visitors of Opera-Digital.com to try this new offer for free. For that, please write an eMail to firstname.lastname@example.org, the operlive team will send you a voucher code to one of the upcoming broadcasts – Les contes d’Hoffmann by Offenbach on June 1, or The cunning little vixen by Janaceks on June 30.
One year ago, I have written about my dream, as both a digital marketer and a opera nuts, to experience a live opera with some google glass in the opera ! I have dreamed of that and a new and a dynamic opera company called On site Opera did it! Bravo to this exciting opera company !!
We can rejoice that for several years, some opera companies, often small and innovative ones, have been exploring ways to enhance or renew user experience with immersive or in-store features and services. To address younger audience, it has become vital to leverage digital technologies
The Vienna opera house has been innovating in the field of opera ! Standing room, digital archives of performances and outdoor lives..it was surprising that virtual Vienna opera house tours were not yet available. Now they are! Indeed since a few days, you can make Vienna opera house tours directly from you laptop or you tablet!
According to the Réunion des Operas de France, there are 25 opera houses in France. Many recent surveys has emphasized the strong inequalities between women and men in the cultural industry. Classical music and opera house are alas far from being an exception to this sad fact : 2 female opera directors out of 25. This amounts to a women/men ratio of 8% (!). Can we talk about women discrimination in the workplace in this case ?...
Still a long road to drive to get women parity everywhere :) !
LULU translates into graphic storytelling terms Wedekind’s meditation on sexual repression and its role in facilitating exploitative seduction with all its disturbing ferocity intact. - Martin Pasko, from the introduction.
You might think she's a femme fatale. But then you'd have it backwards.
At last collected in print, the first volume of acclaimed cartoonist John Linton Roberson's adaptation of the notorious tragedy by Frank Wedekind, comprising the chapters serialized in THIS SICKNESS #6 & 7 plus the previously unpublished conclusion!
Also included, a full collection of production sketches and other drawings, and a brand-new introduction from award-winning writer Martin Pasko.
The Crackle is an adaptation of Faust legend made by the the pioneering sound artist Matthew Herbert. The performance makes use of a mobile application called Chirp. Chirp allows the viewer to send and receive images via sound. Throughout the performance the artists on stage will be using Chirp as part of the music and to send the audience words and images associated with the piece !
Drones and Art ! Classical and opera institutions can astonish their audience and use 'insects' to do that ;)! Have a look on this funny storify and see how drones are making inroads in the Art world :) !
l'Opéra National de Bordeaux est présent sur de nombreux réseaux sociaux : Youtube, Facebook ou Twitter et plus récemment sur Google + et Flickr. En plus des supports digitaux et notamment mobiles l'Opéra National de Bordeaux s'appuie sur des campagnes de marketing décalées à l’encontre des jeunes générations, comme pour le concert Wagner donné à l’automne 2013.
Ca commence à bouger dans la culture ! Stratégie numérique d'une institution culturelle
The Guardian If the BBC wants to survive, it must learn how to share its cultural riches The Guardian And as digital technology continues to disrupt our heritage media, it's right that the purposes of the BBC should be challenged, refreshed and,...