After all the rave reviews and attention that the Met's "Ring" has given him, Owens insists he's not a celebrity: "Yes, after the HD broadcast, people from different cities and countries started wanting my autograph, so that was different," he says. "It wasn't like I was famous then, but opera lovers took notice — so maybe I was opera-world famous. But those are very different things."
Last season the company announced its net ticket revenue at $10.9-million. In the 2012-13 report this number is $9.9-million
My sense is that there is a trend here and it has to do with the fatigue Toronto operagoers feel with grimly minimalistic and/or bizarrely anachronistic productions that have made the COC a European company in all but name. Fewer and fewer fans are willing to pay for the stark sets and ludicrous goings-on decreed by general director Alexander Neef and and his stable of guest postmodern superstars.
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