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offene Ablage: nothing to hide | compilations & selected entries from my tumblelog diary at soup.io
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Ferdinand Hodler at Fondation Beyeler - Vernissage.tv 2013-02-21 | offene Ablage: nothing to hide

Ferdinand Hodler at Fondation Beyeler - Vernissage.tv 2013-02-21 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

Source URL: http://vernissage.tv/blog/2013/02/21/ferdinand-hodler-at-fondation-beyeler

 

 

 

Ferdinand Hodler is considered as the best-known Swiss painter of the 19th century. Hodler is known for his portraits and nature and landscape images, especially those of the Swiss mountains and lakes. Hodler’s paintings had a major influence on Switzerland’s picture and perception of itself. At the same time, he was one of the most important representatives of the transition from the 19th century to modernism. The Fondation Beyeler in Riehen (Basel, Switzerland) currently presents a comprehensive exhibition of the late work of Ferdinand Hodler. The show has been organized in conjunction with the Neue Galerie in New York and is curated by Ulf Küster (Fondation Beyeler) and Jill Lloyd (Neue Galerie). In this video, Ulf Küstler provides us with a guided tour of the exhibition. He presents highlights of the show and talks about the life and work of the artist. (This video is an excerpt. The full-length versions in English and German language are coming soon on this page. They are already available on Fondation Beyeler’s YouTube channel.).

The exhibition at Fondation Beyeler, which focuses on the late work of the Swiss painter Ferndinand Hodler, comprises some 80 works and includes loans from renowned Swiss and American private collections and major national and international museums. The show is complemented by a extensive supporting program such as lectures, readings, and a dance performance.

Ferdinand Hodler at Fondation Beyeler. Tour with curator Ulf Küster, February 6, 2013.

 

 

Video presenting the exposition (oAnth: IMHO weak)

https://www.youtube.com/watch?v=QWkzXPr8sto

 

https://de.wikipedia.org/wiki/Ferdinand_Hodler

https://en.wikipedia.org/wiki/Ferdinand_Hodler

https://fr.wikipedia.org/wiki/Ferdinand_Hodler

 

 

 

 

 

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Die „Banalität des Bösen“ - Margarethe von Trottas Film über Hannah Arendt - 2013-02-13 | offene Ablage: nothing to hide

Quell-URL.: http://www.literaturkritik.de/public/rezension.php?rez_id=17503     

 

Von Alexandra Pontzen (13.02.2013).

 

Margarethe von Trotta hat ihrer filmbiografischen Galerie von ‚starken Frauen‘, nach Gudrun Ensslin, Rosa Luxemburg und Hildegard von Bingen, ein weiteres Porträt hinzugefügt, das der vor den Nazis 1941 nach New York geflohenen  und ebendort 1975 verstorbenen deutsch-jüdischen Philosophin Hannah Arendt.

Unter dem verkürzten Titel „Hannah Arendt“ – auf den Zusatz des Originaltitels „Ihr Denken veränderte die Welt“ wurde in der deutschen Präsentation eher verzichtet (er hätte auch zu sehr an den in der DDR gängigen, auf Lenin gemünzten Spruch „Er rührte an den Schlaf der Welt“ erinnert) – erlebte der Film im Beisein der nordrhein-westfälischen Ministerpräsidentin und dreier ihrer Ministerinnen am 8. Januar in Essen seine deutsche Erstaufführung und gelangte ab dem übernächsten Tag in die deutschen Kinos. Kaum ein deutsches Feuilleton lässt sich finden, das dem Werk nicht seine Aufmerksamkeit und Reverenz erwiesen hätte – und beides, soviel vorweg, dürfte sich mindestens ebenso doppelter politischer Korrektheit, feministisch wie historisch grundierter, wie seinem filmkünstlerischen Rang verdanken.

 

[...]

 

 

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oAnth - "offene Ablage: nothing to hide"'s comment, February 16, 2013 6:51 PM
Alcofribas, merci pour le lien chez l'Arte
Alcofribas's comment, February 16, 2013 6:53 PM
Ebenfalls ! Les bonnes choses, ça se partage
oAnth - "offene Ablage: nothing to hide"'s comment, February 19, 2013 4:40 PM
http://www.huffingtonpost.fr/jeannine-hayat/film-anna-arendt_b_2695574.html
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Alexander Kluge zum Achtzigsten 2012-02-14 -- Film, Radio & Literatur | offene Ablage: nothing to hide

Alexander Kluge zum Achtzigsten 2012-02-14 -- Film, Radio & Literatur | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

Eine kleine Zusammenstellung von Blog-, Radio- und Videobeiträgen zu Alexander Kluges 80. Jubiläum.

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Will Free Benefit the Rich? How Free and Open Education Might Widen Digital Divides | video talk (~70 min) by Justin Reich at the Berkman Center | offene Ablage: nothing to hide

Will Free Benefit the Rich? How Free and Open Education Might Widen Digital Divides | video talk (~70 min) by Justin Reich at the Berkman Center |  offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

original URL at the Berkman Center - http://cyber.law.harvard.edu/events/luncheon/2012/01/reich

 

Tuesday, Janary 17, 2012

 

The explosion of open education content resources and freely available collaboration and media production platforms represents one of the most exciting emerging trends in education. These tools create unprecedented opportunities for teachers to design and personalize curriculum and to give students opportunities to collaborate, publish, and take responsibility for their own learning. Many education technology and open education advocates hope that the widespread availability of free resources and platforms will disproportionately benefit disadvantaged students, by making technology resources broadly available that were once only available to affluent students. It is possible, however, that affluent schools and students have a greater capacity to take up new innovations, even free ones, and so new tools and resources that appear in the ecology of education will widen rather than ameliorate digital divides. In this presentation, we will examine evidence for both the "tech as equalizer" and "tech as accelerator of digital divides" hypotheses, and we will examine technology innovations and interventions that specifically target learners with the most needs. A lively discussion will follow to consider how educators, technologists, and policymakers can address issues of educational digital inequalities in their work. [...]

 

--------------------

 

// oAnth: The first 30 min are mostly of interest

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U B U W E B - Film & Video: Walter Benjamin - One Way Street: Fragments for Walter Benjamin (1993) | offene Ablage: nothing to hide

U B U W E B - Film & Video: Walter Benjamin - One Way Street: Fragments for Walter Benjamin (1993) | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

----------------------------------

original www site at Ubu.com:

- http://www.ubu.com/film/benjamin_fragments.html

----------------------------------

 

Duration: 58 min.
Directed by John Hughes

 

One way street explores the life and work of German Jewish critic and philosopher, Walter Benjamin, who died escaping the Gestapo in 1940. Although Benjamin's work is little known in this country, he is regarded in Europe as one of the most influential figures in 20th Century thought.

One way street provides clear and accessible introductions to some of the central ideas in Benjamin's writings. Expert commentary from a range of English scholars situate Benjamin's work in the context of their time and evoke a sense of the excitement that his work has generated. A heightened visual style, montage structure and strong musical treatments correspond in evocative and powerful ways with the concerns and the strategies of Benjamin himself.

 

--------------------------

 

Standford Encyclopedia of Philosophy

- http://plato.stanford.edu/entries/benjamin/

 

The European Graduate School

- http://www.egs.edu/library/walter-benjamin/biography/

 

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Evernote shared notebook: Documentaries - Features | videos, offene Ablage: nothing to hide

Evernote shared notebook: Documentaries - Features | videos, offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

http://www.pearltrees.com/02myprltr01t/documentaries-02mycondhum03/id3226153.

 

-----------------------------------

Latest entry: 2011-09-05

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- Charles Mingus - 1968

- 1991 - Sowjetunion - Das Ende einer Supermacht

- East Berlin 30 years ago

- Serbia - Women in Black - Peace Activism since the 90ies

- Globalization & Riots - Globalisierung und Unruhen - Arte (in DE - via youtube)

- 3Sat 20110819 - Das Ende einer Supermacht - der Putsch gegen Gorbatschov (~50mn)

- The Interrupters - Docu-Trailer - Streetworkers in Los Angeles

- Natural World, a Farm for the Future - BBC documentary - sustainable farming

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The Third Man (1949) directed by Carol Reed - Film noire - Music: Anton Karas | offene Ablage: nothing to hide 2011-05-22

The Third Man (1949) directed by Carol Reed - Film noire - Music: Anton Karas | offene Ablage: nothing to hide 2011-05-22 | oAnth-miscellaneous | Scoop.it
by oAnth:


All entries concerning "The Third Man" here listed are bundled available on soup.io - please click on the title line

-------------------------------

- The film (British release without subtitles) was completely available at Youtube - the account has been closed due to copyright infringement - it is nevertheless completely available e.g. via
http://www.dailymotion.com/video/xenyjj_the-third-man_shortfilms

-2 original recordings (1949/50) at Youtube, too, with zither player & composer Anton Karas playing his famous "Harry Lime Theme".

http://www.youtube.com/watch?v=r8jN1treRKQ
http://www.youtube.com/watch?v=sB8nIbWn0Ow

- British version beginning of the film:
http://www.youtube.com/watch?v=te9fqm6rUPY

- Shadowing the Third Man - Documentary [eng]
Carol Reed's The Third Man - Documentary in 7 parts
- youtube playlist
http://www.youtube.com/playlist?p=PLAF6F3BD3A3CC45D8

-----------------------------------------------------

From Wikipedia-Entry
https://secure.wikimedia.org/wikipedia/en/wiki/The_Third_Man

[...]

Style

The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, with harsh lighting and distorted camera angles, is a key feature of The Third Man. Combined with the unique theme music, seedy locations, and acclaimed performances from the cast, the style evokes the atmosphere of an exhausted, cynical post-war Vienna at the start of the Cold War. The film's unusual camera angles, however, were not appreciated by all critics at the time. C. A. Lejeune in The Observer described Reed's "habit of printing his scenes askew, with floors sloping at a diagonal and close-ups deliriously tilted" as "most distracting". American director William Wyler, a close friend of Reed's, sent him a spirit level, with a note saying, "Carol, next time you make a picture, just put it on top of the camera, will you?"[1]

Through the years there was occasional speculation that Welles, rather than Reed, was the de facto director of The Third Man. Film scholar Jonathan Rosenbaum, in his 2007 book, Discovering Orson Welles, ...

[...]

Differences between releases

As the original British release begins, the voice of director Carol Reed, unnamed, is heard describing post-war Vienna from the point of view of a racketeer. The version shown in American theatres replaced this with narration by Joseph Cotten as Holly Martins. This change was instituted by David O. Selznick, who did not think American audiences would relate to the seedy tone of the original.[7] In addition, eleven minutes of footage were cut.[8] Today, Reed's original version appears on American DVDs, in showings on Turner Classic Movies, and in U.S. theatrical releases, with the eleven minutes of footage restored. Both the Criterion Collection and Studio Canal DVD releases include a comparison of the two opening monologues.

[...]

Reception

In Austria, "local critics were underwhelmed"[14] and the film ran for only a few weeks; William Cook, after his 2006 visit to an eight-room museum in Vienna dedicated to the film, wrote "In Britain it's a thriller about friendship and betrayal. In Vienna it's a tragedy about Austria's troubled relationship with its past."[14]

Upon its release in Britain and America, the film received overwhelmingly positive reviews....

[...]

Music

.... The picture demanded music appropriate to post-World War II Vienna, but director Reed had made up his mind to avoid schmalzy, heavily orchestrated waltzes. In Vienna one night Reed listened to a wine-garden zitherist named Anton Karas, [and] was fascinated by the jangling melancholy of his music.

[...]

----------------------------------------------------

All entries to "The Third Man" on soup.io are bundled via
http://02mydafsoup-01.soup.io/tag/3Mann_110516
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Ecuador: Correa Wins Re-Election - 3 entries - CEPR, CADTM, TRNN - 2013-02-18 | offene Ablage: nothing to hide

Ecuador: Correa Wins Re-Election  - 3 entries - CEPR, CADTM, TRNN - 2013-02-18 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

 

 

(1) PRESS RELEASE: Ecuador's Election a "Referendum on Economic Policies," CEPR Co-Director Says

 

 

http://www.cepr.net/index.php/press-releases/press-releases/ecuadors-election-a-qreferendum-on-economic-policiesq-cepr-co-director-says

 

 

(2) Équateur : ''révolution citoyenne'', modèle extractiviste et gauches crititiques | Source: CADTM

http://cadtm.org/Equateur-revolution-citoyenne

 

La « révolution citoyenne » en Équateur est l'un des symboles des expériences post-néolibérales sud-américaines et le gouvernement de Rafael Correa est souvent évoqué comme une référence par de nombreuses gauches européennes. Les prochaines élections présidentielles auront lieu dans ce pays le 17 février 2013, dans une conjoncture politique où l'opposition conservatrice a été incapable de présenter une candidature unique et alors que le gouvernement conserve une très forte avance dans les enquêtes d'opinions, mais avec une baisse notable après 6 ans de pouvoir. Il y a deux ans, nous avions établit un premier bilan critique de l'expérience équatorienne (...)

 

 

(3) Correa wins re-election and says banks and mass media don't rule anymore | video feature by TRNN ~9 min.

 

https://www.youtube.com/watch?v=IaDUbJEJnu8

 

 

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Kinderfilmblog - Das Trüffelschweinchen unter den Filmblogs | offene Ablage: nothing to hide

Quell-URL. http://kinderfilmblog.de

 

Wer Wie Was?

- http://kinderfilmblog.de/?page_id=13 (im Blog mit weiterführenden Verlinkungen)

 

 

Ich (Rochus Wolff), Jahrgang 1973, publiziere seit 2004 als Kulturjournalist und Filmkritiker Texte in unterschiedlichen Medien (hier sind sie, meist aktuell, aufgelistet). Meine beiden Kinder sind derzeit (noch) einige Jahre sicher von der Pubertät entfernt, kennen „normales“ Fernsehen aber nur als äußerst niedrig dosierte Gelegenheitserfahrung – Filme kommen aus dem Computer, dem Blu-ray-Spieler oder auch mal aus Papas Smartphone.

Das Kinderfilmblog richtet sich vor allem an Eltern, die Interesse daran haben, ihre Kinder mit interessanten, gelegentlich auch anspruchsvollen Filmen und außergewöhnlichem Fernsehen bekannt zu machen – was sie fast immer abseits des herrschenden Franchise-Mainstreams führen wird. Es geht also um Alternativen zu RTL2, Cars und Episode I. Darüber hinaus blicke ich auf Filme (generell, nicht nur bei Kinderfilmen) gerne aus einer kritischen Perspektiven, die sich als – um das jetzt nicht zu präzise einfassen zu müssen – nicht-dogmatisch kapitalismuskritisch und dezidiert feministisch versteht. (Mehr dazu, warum ich dieses Blog begonnen habe, steht hier.)

Um bei meinem Leisten zu bleiben und den Namen des Blogs zu treffen, interessiere ich mich hier wirklich primär für den „Kinderfilm“ – also Filme, die für menschliche Wesen im Alter von vielleicht zwei bis zwölf, maximal vierzehn Jahren gedacht und passend sind. Für Ältere beginnt dann bald der Bereich des „Jugendfilms“, ein sehr weites Feld, das hier nicht oder nur in gelegentlichen Exkursionen beackert werden soll.

Meine filmischen Interessensschwerpunkte sind neben dem Kinderfilm übrigens das phantastische und schreckliche Kino, Animationsfilme sowie das Actionkino, alle, vor allem aber letzteres, auch unter Geschlechteraspekten. Nicht von ungefähr heißt mein „erwachsenes“ Filmblog deshalb auch Butt-kicking Babes; es ist für Kinder nur sehr bedingt angemessener Lese- und Betrachtungsstoff.

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Ralph Steiner Mechanical Principles 1930 | offene Ablage: nothing to hide

Ralph Steiner Mechanical Principles 1930 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

Ralph Steiner Mechanical Principles 1930

 

youtube permalink

http://www.youtube.com/watch?v=Y5pen3QMgzQ

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TEDx: Why does everyone hate modern architecture? / David Chipperfield | archdaily.com - yt-video | offene Ablage: nothing to hide

TEDx: Why does everyone hate modern architecture? / David Chipperfield | archdaily.com - yt-video | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

original URL -- http://www.archdaily.com/197075/tedx-why-does-everyone-hate-modern-architecture-david-chipperfield/

 

via http://www.scoop.it/t/urbanism-3-0

 

---------------------

 

In this Tedx talk, David Chipperfield of David Chipperfield Architects was invited to discuss the distrust that people feel about architecture, from a practitioners point of view, with the seductively titled talk: Why does everyone hate modern...

 

 

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Hannah Arendt, penser passionnément - Denken und Leidenschaft - Arte 2006 - version FR(DE) | oAnth

yt permalink:

http://www.youtube.com/watch?v=OZ1Un-KMzOw

 

 

Documentaire de Jochen Kölsch Allemagne, 2006, 1h06mn

 

Text to the yt video.

 

// S'étant toujours effacée derrière son oeuvre, Hannah Arendt demeure l'une des philosophes les plus mystérieuses du XXe siècle. Nombre de ses amis eux-mêmes ne connaissaient que l'une ou l'autre des facettes de sa personnalité. De cette femme dont la vie a été marquée par de nombreuses ruptures et recommencements, ce documentaire dresse un portrait à partir de tous les témoignages disponibles dans son oeuvre, dans les images d'archives de ses interventions publiques mais aussi dans les souvenirs de ses proches dont certains racontent pour la première fois "leur" Hannah Arendt.

De l'adolescente qui découvrait Kant à l'âge de 14 ans à l'essayiste de réputation mondiale, professeure de théorie politique dans les universités américaines, en passant par les années d'études auprès de Heidegger et Jaspers, les activités dans la résistance juive au nazisme et les années d'exil à Paris et à Lisbonne, la vie de Hannah Arendt qui nous est ici racontée est celle d'une femme passionnée, autant dans ses amours que dans son désir de comprendre le monde et dans son engagement social et politique. Les étapes de son parcours personnel et intellectuel sont éclairées par des extraits de sa correspondance avec les trois hommes qui ont le plus marqué sa vie : Heidegger, qui fut un temps son professeur et avec qui elle eut une liaison tumultueuse, Karl Jaspers, qui dirigea sa thèse de doctorat et demeura son mentor et ami toute sa vie, et Heinrich Blücher, son second mari, avec qui elle vécut pendant trente ans. //

 

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- entry at oAnth - soup.io

http://02mydafsoup-01.soup.io/post/159164054/Hannah-Arendt-penser-passionne-ment-Denken-und

 

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deutschsprachige Dokumentation in 7 Teilen

http://www.youtube.com/watch?v=3XSaoBgqDMI

 

Das Gespräch Arendt / Gaus (1964) in voller Länge
http://www.youtube.com/watch?v=Ts4IQ2gQ4TQ

 

 


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Elizabethan Music - John Dowland: "Fine knacks for ladies" | offene Ablage: nothing to hide

Elizabethan Music - John Dowland:  "Fine knacks for ladies" | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
HD youtube permalink
http://www.youtube.com/watch?v=KGX1XQaLQ0M&fmt=18
_____________________________________________


"Fine knacks for ladies"

Fine knacks for ladies, cheap choice, brave and new,
Good penny worths, but money cannot move;
I keep a fair, but for the fair to view;
A beggar may be liberal of love.

Though all my wares be trash, the heart is true.

Great gifts are guiles, and look for gifts again,
My trifles come as treasures from my mind,
It is a precious jewel to be plain:
Sometimes in shell, the orient pearls we find.

All others take a sheaf, of me a grain!

Within the pack: pins, points, laces and gloves,
And diverse toys, fitting a country fair;
But my heart lives, where duty serves and loves:
Turtles and twins, court's brood, a heav'nly pair.

Happy the heart that thinks of no removes.
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Ballet mecanique (1924) Fernand Leger, Dudley Murphy, George Antheil - offene Ablage: nothing to hide

Ballet mecanique (1924) Fernand Leger, Dudley Murphy, George Antheil  - offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
2 youtube videos (~16min)

[....]

As an enthusiast of the modern, Léger was greatly attracted to cinema, and for a time he considered giving up painting for filmmaking. In 1923–24 he designed the set for the laboratory scene in Marcel L'Herbier's L'Inhumaine (The Inhuman One). In 1924, in collaboration with Dudley Murphy, George Antheil, and Man Ray, Léger produced and directed the iconic and Futurism-influenced film, Ballet Mécanique (Mechanical Ballet). Neither abstract nor narrative, it is a series of images of a woman's lips and teeth, close-up shots of ordinary objects, and repeated images of human activities and machines in rhythmic movement.

[....]

cited from:
https://secure.wikimedia.org/wikipedia/en/wiki/Fernand_L%C3%83%C2%A9ger

cf.:

a)
https://secure.wikimedia.org/wikipedia/en/wiki/Ballet_Mecanique
b)
http://thesoundofeye.blogspot.com/2010/06/fernand-leger-dudley-murphy-ballet.html

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