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oAnth-miscellaneous
offene Ablage: nothing to hide | compilations & selected entries from my tumblelog diary at soup.io
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What Lessons to Learn from the Chelyabinsk Meteor? - SETI Institute 2013-02-22 | offene Ablage: nothing to hide

What Lessons to Learn from the Chelyabinsk Meteor? - SETI Institute 2013-02-22 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
 

https://www.youtube.com/watch?v=dssEZiFg8Eg

http://www.seti.org  

 

 

// oAnth: 30 minutes dense information about the actual available knowledge, predictabilty and possible further use of small earth near objects.

 

In case of your interest see also "Surface exploration of small solar system objects": http://youtu.be/g_wNpnkbqpQ

 

also via: http://www.seti.org/weeky-lecture/surface-exploration-small-solar-system-bodies-challenges-and-prospects

 

 

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Ferdinand Hodler at Fondation Beyeler - Vernissage.tv 2013-02-21 | offene Ablage: nothing to hide

Ferdinand Hodler at Fondation Beyeler - Vernissage.tv 2013-02-21 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

Source URL: http://vernissage.tv/blog/2013/02/21/ferdinand-hodler-at-fondation-beyeler

 

 

 

Ferdinand Hodler is considered as the best-known Swiss painter of the 19th century. Hodler is known for his portraits and nature and landscape images, especially those of the Swiss mountains and lakes. Hodler’s paintings had a major influence on Switzerland’s picture and perception of itself. At the same time, he was one of the most important representatives of the transition from the 19th century to modernism. The Fondation Beyeler in Riehen (Basel, Switzerland) currently presents a comprehensive exhibition of the late work of Ferdinand Hodler. The show has been organized in conjunction with the Neue Galerie in New York and is curated by Ulf Küster (Fondation Beyeler) and Jill Lloyd (Neue Galerie). In this video, Ulf Küstler provides us with a guided tour of the exhibition. He presents highlights of the show and talks about the life and work of the artist. (This video is an excerpt. The full-length versions in English and German language are coming soon on this page. They are already available on Fondation Beyeler’s YouTube channel.).

The exhibition at Fondation Beyeler, which focuses on the late work of the Swiss painter Ferndinand Hodler, comprises some 80 works and includes loans from renowned Swiss and American private collections and major national and international museums. The show is complemented by a extensive supporting program such as lectures, readings, and a dance performance.

Ferdinand Hodler at Fondation Beyeler. Tour with curator Ulf Küster, February 6, 2013.

 

 

Video presenting the exposition (oAnth: IMHO weak)

https://www.youtube.com/watch?v=QWkzXPr8sto

 

https://de.wikipedia.org/wiki/Ferdinand_Hodler

https://en.wikipedia.org/wiki/Ferdinand_Hodler

https://fr.wikipedia.org/wiki/Ferdinand_Hodler

 

 

 

 

 

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Otto Mueller (1874-1930) - stehender Akt in Baum | offene Ablage: nothing to hide

Otto Mueller (1874-1930) - stehender Akt in Baum  | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

Otto Mueller, (1874-1930) stehender Akt in Baum

 

https://en.wikipedia.org/wiki/Otto_Mueller

 

 

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original URL - http://fangsanalsatanvacation.tumblr.com/post/15710778402

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Ex libris | Sidney Hunt 1923 | offene Ablage: nothing to hide

Ex libris | Sidney Hunt 1923 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

 

https://en.wikipedia.org/wiki/Sidney_Hunt

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(via IV ORLOV - Pìcame – Visual arts smugglers.) - offene Ablage: nothing to hide

(via IV ORLOV - Pìcame – Visual arts smugglers.) - offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
(via IV ORLOV - Pìcame – Visual arts smugglers.)
- http://www.picamemag.com/iv-orlov/
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LIFE in the Snow: Photos From the Great Blizzard of 1947 - New York | offene Ablage: nothing to hide

LIFE in the Snow: Photos From the Great Blizzard of 1947 - New York | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

 

Andreas Feininger—Time & Life Pictures, via

http://life.time.com/history/life-in-the-snow-photos-from-the-great-blizzard-of-1947

 

 

 

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Drummer Man via Glaserei | offene Ablage: nothing to hide

Drummer Man via Glaserei | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

found at http://zestyblog.tumblr.com/post/40924459002

 

 

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Munich, Residence Garden in Winter | München, winterlicher Hofgarten - pencil | Bleistift -  by oAnth, Dec 2011 - under CC BY-NC-ND - offene Ablage: nothing to hide

Munich, Residence Garden in Winter | München, winterlicher Hofgarten - pencil | Bleistift -  by oAnth, Dec 2011 - under CC BY-NC-ND - offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

Munich, Residence Garden in Winter | München, winterlicher Hofgarten - pencil | Bleistift - by oAnth, Dec 2011 - under CC BY-NC-ND

 

basic permalink at oAnth to refer to:  http://02mydafsoup-01.soup.io/post/214273944/Munich-Residence-Garden-in-Winter-M-nchen

 

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Dürer and Montaigne - on emulatio vs imitatio | twitter and kunstlust.blogspot.com - Renaissance | offene Ablage: nothing to hide

Dürer and Montaigne - on emulatio vs imitatio | twitter and kunstlust.blogspot.com - Renaissance | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
-------------------------------

Montaigne, on borrowing ideas from others: "The bees plunder the flowers here and there, but afterward they make of them honey...all theirs"

jenipillar
Jennifer Park
https://twitter.com/jenipillar/status/90445120482185216


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cf.
http://kunstlust.blogspot.com/2009/01/imitatio-vs-emulatio.html

Emulation or Imitation: The Case of Dürer vs. Raimondi Exhibition Review

Smith College Museum of Art has a knack for salvaging early modern works from the usual curatorial platitudes to recast objects in entirely unexpected ways. Emulation or Imitation: The Case of Dürer vs. Raimondi plays to interests in contemporary cultural issues of copyright infringement and the unauthorized reproduction of creative material by contextualizing the two artists’ prints within the framework of such debates. The show presents several original prints by Albrecht Dürer and corresponding copies by Marcantonio Raimondi, mostly from the former’s Life of the Virgin series. Though Dürer and Raimondi act as the major players of the show, approximately twenty-five prints from a variety of Renaissance artists are arranged to develop distinct categories of visual citation, including emulation, imitation, and outright copying.

Ironically, the exhibition’s endeavor to demonstrate Dürer’s relevance depends upon decidedly unfashionable art historical methodologies--I’m talking about that body of Morellian arts we call connoisseurship--and it works. Dürer presented a legal case against Raimondi not because the Italian artist was copying his prints, but rather, because he disseminated works bearing Dürer’s distinctive AD signature. Several of Raimondi’s copies are therefore almost identical to their Dürer models, and were intended to pass as such. Connoisseurship is crucial to the premise of the show, allowing the curators to distinguish “original” from “copy”, and to arrange the objects as such for public viewing. Implicitly, Emulation or Imitation advocates the reassessment of a methodology too often dismissed by contemporary academe, while also prompting questions about the problematic dichotomy between “real” and “fake”.

[...]
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STRANGER a DAY : 2004: December_19_2004 - Chicago, Illinois

STRANGER a DAY : 2004: December_19_2004 - Chicago, Illinois | oAnth-miscellaneous | Scoop.it
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