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offene Ablage: nothing to hide | compilations & selected entries from my tumblelog diary at soup.io
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A. Charrak, Rousseau. De l'empirisme à l'expérience - via fabula.org 2013-02-18 | offene Ablage: nothing to hide

A. Charrak, Rousseau. De l'empirisme à l'expérience - via fabula.org 2013-02-18 | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

via http://www.fabula.org/actualites/andre-charrak-rousseau-de-l-empirisme-l-experience_55522.php


André Charrak, Rousseau. De l'empirisme à l'expérience

 

Paris: Vrin, coll. "Bibliothèque d'Histoire de la Philosophie", 2013. EAN 9782711624560 224 p. () Présentation de l'éditeur: L’un des traits constants de la pensée de Rousseau réside dans la méditation qu’il poursuit jusqu’à la fin de sa vie sur l’amour de soi – sur l’affection essentielle de l’être sensible et intelligent. Mais les ressources mobilisées dans cette entreprise ne demeurent pas les mêmes tout au long de l’œuvre et elles se forgent avant tout dans un effort d’appropriation puis de mise à distance de la philosophie de son temps. C’est cet effort méthodologique qui est analysé dans le présent ouvrage. Du Discours sur l’origine et les fondements de l’inégalité à l’ Émile , Rousseau perfectionne un empirisme qui confère son caractère systématique à la «théorie de l’homme» mais qui, à terme, révèle ses limites dans l’examen des idées sublimes (l’ordre du monde voulu par Dieu, l’existence de l’âme) que l’homme moderne doit prendre en vue. Aussi importe-t-il de comprendre de quelle façon Rousseau abandonne cette perspective au long des recherches qui, en 1778, aboutissent à l’œuvre ultime achevée au seuil de la mort: Les Rêveries du promeneur solitaire . Le cheminement que l’on peut retracer en suivant la voie royale de la méthode découvre une dernière philosophie de Rousseau, où la clarification d’expériences décisives (l’accident, la rêverie) se substitue au style philosophique de l’époque pour découvrir les conditions d’un bonheur effectif.

 

Membre de l’Institut d’Histoire de la Pensée Classique (UMR 5037), André Charrak enseigne à l’Université de Paris 1, Panthéon-Sorbonne.

 

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Wolfgang Amadeus Mozart - " 6 Notturni " - 1786  | offene Ablage: nothing to hide

Wolfgang Amadeus Mozart - " 6 Notturni " - 1786  | offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

http://02mydafsoup-01.soup.io/post/153697398/Wolfgang-Amadeus-Mozart-6-Notturni-1786

 

 

The six Notturni, were published in 1803 under the name of Gottfried von Jacquin, a friend of Mozart’s. It was not until 1933 that they were restored to their rightful composer!

 

-"Due pupille amabili" KV 439 (?Pietro Metastasio)
-"Se lontan,ben mio,tu sei" KV 438 (Pietro Metastasio)
-"Ecco quel fiero istante" KV 436 (Pietro Metastasio)
-"Mi lagnerò tacendo" KV 437 (Pietro Metastasio)
-"Luci care,luci belle" KV 346/439a (Pietro Metastasio)
-"Più non si trovano" KV 549 (Pietro Metastasio)
Elly Ameling,soprano
Elisabeth Cooymans,soprano
Peter Van der Bilt,baritono

Dipinto di Ludovico Carracci

 

 

Links to scores to download and to the original Italian texts with translations in several languages you will find via
http://www.pearltrees.com/02myprltr01/notturni-kv-436-02mywamozart01/id3226453

 

 

 

 

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Joseph Haydn: Quartet No. 52 in D-major, op. 64 (1790), No. 5, ("The Lark"/ "Lerchenquartett") Hoboken gr. III - No. 63 - offene Ablage: nothing to hide

Joseph Haydn: Quartet No. 52 in D-major, op. 64 (1790), No. 5, ("The Lark"/ "Lerchenquartett") Hoboken gr. III - No. 63 - offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
4 yt-videos (~ 17min)


The Royal Philharmonic Chamber Ensemble with Joseph Haydn's String Quartet "The Lark"/ "Lerchen Qartett" (Op. 64 No. 5 in D-major)

1. Allegro moderato - 2. Adagio cantabile - 3. Menuetto: Allegretto - 4. Finale: Vivace
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Little Ice Age was caused by volcanism | newsblog - blogs.nature 2012-01-31| offene Ablage: nothing to hide

Little Ice Age was caused by volcanism | newsblog - blogs.nature 2012-01-31| offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it

orignial URL: http://feeds.nature.com/~r/news/rss/the_great_beyond/~3/5EBOBiRQRgg/little-ice-age-was-caused-by-volcanism.html

 

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Some of the iconic winter landscapes by Pieter Bruegel the Elder are more than just fine examples of sixteenth-century Dutch art. Paintings such as Bruegel’s Hunters in the Snow (1565) also serve as vivid evidence for the ‘Little Ice Age’, a period of cold climate conditions and glacier advances in Europe and elsewhere that lasted from the late Middle Ages until the nineteenth century.

 

There has been quite some debate over the years about the precise onset and the physical causes of this extended cold spell, with one school of thought favouring low solar activity during the ‘Maunder Minimum’ and another the cooling effect of big volcanic eruptions.

 

A paper published today in Geophysical Research Letters may put the solar-trigger hypothesis at rest. Gifford Miller of the University of Colorado in Boulder and his colleagues suggest that the Little Ice Age began abruptly between 1275 and 1300 AD following four large sulfur-rich explosive eruptions, most likely in the tropics, over a mere 50-year period.

 

[...]

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Georg Friedrich Händel: Agrippina - Aria: Ogni Vento - offene Ablage: nothing to hide

Georg Friedrich Händel: Agrippina - Aria: Ogni Vento - offene Ablage: nothing to hide | oAnth-miscellaneous | Scoop.it
Georg Friedrich Händel (1685-1759):
Agrippina - Aria: Ogni Vento

George Frederick Handel (Composer),
Jeanne Lamon (Conductor),
Tafelmusik Baroque Orchestra (Orchestra),
Karina Gauvin (Performer)

Atto Secondo / SCENA XXI°
Aria

AGRIPPINA
Ogni vento ch’al porto lo spinga,
benché fiero minacci tempeste,
l’ampie vele gli spande il nocchier.
Regni il figlio, mia sola lusinga,
sian le stelle in aspetto funeste,
senza pena le guarda il pensier.
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Joseph Haydn Concerto for 2 Horns in E flat major HobVIId/2, Tylšar Brothers

at oAnth:
http://02mydafsoup-01.soup.io/post/128546141/Joseph-Haydn-Concerto-for-2-Horns-is

Joseph Haydn (?) Concerto for 2 Horns (is considered as lost!?) in E flat major HobVIId/2, Tylšar Brothers

(whether lost or not: the interpretation of this concerto makes it in any case worth to listen - oA:nth)

YouTube - permalink
yt-account: harpsichordRB

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Joseph Haydn Concerto for 2 French Horns in E flat major HobVIId/2

1. Allegro maestoso
2. Romanza
3. Rondo. Allegretto

Zdeněk & Bedřich Tylšar French Horns

Dvořák Chamber Orchestra
Petr Altrichter Conductor

Rec.: in Rudolfinum, Prague, 1987
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