MIT OpenDocLab Fellow, Concepteur Webdoc. Veille nouvelles narrations. Scénarios, études de cas, projets, punk rock, conceptions, c’est un peu ma vie. Réalisateur de Fort McMoney www.fortmcmoney.com (2013) et Prison Valley www.prisonvalley.com ( 2010). Site perso: www.davduf.net
« Père Castor, raconte-nous une histoire ! »… Il est fort ce Père Castor pour inventer du tac au tac des aventures toutes plus entraînantes les unes que les autres ! Il doit en avoir de l’imagination…...
The directors Chris Milk and Spike Jonze, in partnership with Vice News, have created an eight-minute virtual-reality experience that catapults audiences into the center of the Millions March protest in New York in December.
Interactive documentary projects are collaborations between filmmaker, technologist and designer. Each party brings to the project a language specific to their respective medium, and each can have something the other needs. A filmmaker can be looking for interactive non-linearity to give new meaning to their narrative, while the designer and technologist can be seeking out the cinematic linearity of film to give essential meaning to their aesthetic and code. The artistic success of a project is related to how deep these transactions go, and to what extent perceived barriers between film, design and code are eliminated.
Filmmaker Andrew Beck Grace and Toronto-based Helios Design Labs worked remotely for six months to produce the interactive documentary essay "After the Storm." By using this project as a test-case, this session will present a tool-kit of ideas for other creators in the medium while exploring the how and why of interactive, web-native nonfiction storytelling.
L’un des aspects fondamentaux de la création interactive est la capacité des concepteurs à comprendre et à anticiper le positionnement et l’implication du public dans l’oeuvre. Cette « connaissance » du public devient donc une des contraintes majeures du processus créatif et va influer tant sur le fond que sur la forme de l’expérience.
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