Nouvelles narrations
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Nouvelles narrations
Ma veille a déménagé! Nouvelle adresse: http://www.davduf.net/-veille-
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Fort McMoney : le Courage, la Chance et la Destinée - Content Is Art

Fort McMoney : le Courage, la Chance et la Destinée - Content Is Art | Nouvelles narrations | Scoop.it
Focus sur le web-documentaire Fort McMoney de David Dufresne, plongée dans la capitale de l'or noir canadien: Fort McMurray
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Une très belle analyse du jeu documentaire

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Interactive documentary: setting the field

This article articulates the authors’ combined vision behind convening i-Docs, the first international symposia to focus exclusively on the rapidly evolving field of inter- active documentary Click here to edit the title

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Une des meilleurs analyses jamais écrites sur le webdocumentaire

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Les webdocs sont nos amis, il faut les aimer aussi

Les webdocs sont nos amis, il faut les aimer aussi | Nouvelles narrations | Scoop.it
Prenez un ou plusieurs documentaristes. Abordez un sujet de conversation anodin, par exemple : les derniers projets qui vous ont emballé. Sortez un webdoc de votre poche. Constatez.
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La vogue du webdocumentaire (Le Monde diplomatique, août 2014) - davduf.net

La vogue du webdocumentaire (Le Monde diplomatique, août 2014) - davduf.net | Nouvelles narrations | Scoop.it
Permettre au spectateur de s'immerger dans un sujet, l'amener à tracer son propre cheminement, privilégier le temps long : après des années de (...)
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Les expériences interactives sont-elles éternelles ? — Interactivité & Transmedia — Medium

Les expériences interactives sont-elles éternelles ? — Interactivité & Transmedia — Medium | Nouvelles narrations | Scoop.it
Temporalité et mémoire de l’interactivité
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Mesurer l’impact des oeuvres interactives — Interactivité & Transmedia — Medium

Mesurer l’impact des oeuvres interactives — Interactivité & Transmedia — Medium | Nouvelles narrations | Scoop.it
Et si l’on changeait notre vision du succès?
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Audience Positioning and Interactive Narrative - Journal - mikejones.tv

Audience Positioning and Interactive Narrative - Journal - mikejones.tv | Nouvelles narrations | Scoop.it
Interactive Narrative is a very broad bucket of possibilities - a story where the audience has some level of agency to influence, effect, steer, control, manipulate, tell or progress the story, has an almost infinitely wide range of possible executions. 3D, open world, first-person video games provide a great deal of agency, where as a tablet-based interactive graphic novel might allow for only very limited or specific agency. Yet both (and anything in between) can be understood as interactive simply by the presence of that agency. Which is not to say that there aren’t unifying elements along that spectrum that can help articulate core mechanics and audience alignments; in particular Action, Motivation and Reward…
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Distractions et narration interactive #1 — Interactivité & Transmedia — Medium

Distractions et narration interactive #1 — Interactivité & Transmedia — Medium | Nouvelles narrations | Scoop.it
Raconter une histoire dans une économie de l’attention
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Ecrire le documentaire pour les nouveaux médias : 5 questions-clés à se poser | Sunny Side

Ecrire le documentaire pour les nouveaux médias : 5 questions-clés à se poser | Sunny Side | Nouvelles narrations | Scoop.it

anAi-je une bonne histoire ? A qui puis-je en parler ? Quelle émotion ai-je envie de faire partager ?  Que puis-je enlever ? Comment les habiller ?

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Comment mesurer l’impact des documentaires interactifs ? - davduf.net

Comment mesurer l’impact des documentaires interactifs ? - davduf.net | Nouvelles narrations | Scoop.it
comment les projets interactifs non-fiction pourraient et devraient être mesurés en termes d’impact et d’engagement ?
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Qu’est-ce que la narration interactive?

Qu’est-ce que la narration interactive? | Nouvelles narrations | Scoop.it
Et pourquoi nous y tenons tant…

Via Luís António Santos
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The interactive documentary: A transformative art form

The interactive documentary: A transformative art form | Nouvelles narrations | Scoop.it

"Documentary filmmaking has always been at its most dynamic at the intersection of technological changes, which allows for significant new modes of creation, periods of intense and rapid social transformation, the emergence of artists who seize on new means of expression to respond to social change, a direct and ongoing connection with audience/public and the ability to create social meaning.

We are at such a moment now."


Via mirmilla
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mirmilla's curator insight, November 6, 2014 2:07 AM

Very interesting article. Must read.

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Ingrid Kopp: A Field Guide to Interactive Storytelling - i-Docs

Ingrid Kopp: A Field Guide to Interactive Storytelling - i-Docs | Nouvelles narrations | Scoop.it
Now with a lot of these interactive projects you really have to think about that. You are having to think about things like user experience design. A really interesting designer called Jason Brush, who is also a filmmaker, said, which really stopped me in my tracks, “If you think about editing as sculpting with time, you are sculpting with time. Your film is always that shape, it is 16:9 maybe 4:3, it is an aspect ratio. Within that, you are sculpting with the time to create your film. Now what you are doing with interactive projects is you are sculpting with both time and space, and you are shaping for use.”

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mirmilla's curator insight, October 13, 2014 1:54 PM
Great gift from i-Docs, must read it!
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The End of the Internet Dream? — Backchannel — Medium

The End of the Internet Dream? - Backchannel - Medium
Blackhat’s keynote speaker says it’s up to us to make sure the Net is our liberator, not our oppressor
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Narrations interactives : une introduction

Une introduction aux narrations interactives : formes, démarche projet, financement, diffusion, illustrée par pas mal d'exemples.
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Un excellent boulot de  @annabelroux 

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Narrations interactives : une introduction

Une introduction aux narrations interactives : formes, démarche projet, financement, diffusion, illustrée par pas mal d'exemples.

Via mirmilla
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mirmilla's curator insight, June 17, 2015 10:06 AM

Useful insight not only for French based "audience"

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La place du public dans les oeuvres interactives — Medium

La place du public dans les oeuvres interactives — Medium | Nouvelles narrations | Scoop.it
L’un des aspects fondamentaux de la création interactive est la capacité des concepteurs à comprendre et à anticiper le positionnement et l’implication du public dans l’oeuvre. Cette « connaissance » du public devient donc une des contraintes majeures du processus créatif et va influer tant sur le fond que sur la forme de l’expérience.
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The Living Documentary: from representing reality to co-creating reality in digital interactive documentary - Goldsmiths Research Online

The Living Documentary: from representing reality to co-creating reality in digital interactive documentary - Goldsmiths Research Online | Nouvelles narrations | Scoop.it
Gaudenzi, Sandra. 2013.
The Living Documentary:
from representing reality to co-creating reality
in digital interactive documentary
. Doctoral thesis, Goldsmiths, University of London. [Thesis]
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Un des plus brillants travaux universitaires sur le sujet

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L’espace dans les nouvelles écritures

L’espace dans les nouvelles écritures | Nouvelles narrations | Scoop.it
Représenter et comprendre le monde avec l’interactivité

Via Emmanuel Bethoux, mirmilla
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Introduction aux webdocs interactifs

Une introduction aux webdocs interactifs qui aborde la terminologie, le rôle de l'auteur, les spécificités du numérique, la catégorisation des oeuvres, les out…

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mirmilla's curator insight, December 2, 2014 11:33 AM

A quick review.

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The Complicated Ethics Of ‘Serial,’ The Most Popular Podcast Of All Time

The Complicated Ethics Of ‘Serial,’ The Most Popular Podcast Of All Time | Nouvelles narrations | Scoop.it
Asking the experts: does serialization get in the way of reporting? Can first-person narration be objective? What is Jay's last name?
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Report DocLab Interactive Conference | IDFA

Report DocLab Interactive Conference | IDFA | Nouvelles narrations | Scoop.it
November 24, 2014 | On Sunday, the one-day DocLab Interactive Conference came full circle with valuable lessons about how the internet lost its innocence.

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Futures Lab update #83: Pushing forward with long-form, interactive multimedia | RJI

Futures Lab update #83: Pushing forward with long-form, interactive multimedia | RJI | Nouvelles narrations | Scoop.it

How are documentary video and online tech being combined to give audiences a new kind of journalistic experience?

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Controlled chaos: As journalism and documentary film converge in digital, what lessons can they share?

Controlled chaos: As journalism and documentary film converge in digital, what lessons can they share? | Nouvelles narrations | Scoop.it
Old and new media types from journalism, documentary, and technology backgrounds gathered at MIT to share practices and discuss mutual concerns.
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