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Portugal Telecom processa brasileiro

Portugal  Telecom   processa brasileiro | New Journalism | Scoop.it
O pesquisador brasileiro Sergio Denicoli, de 36 anos, defendeu no fim de outubro, na Universidade do Minho, em Portugal, uma tese sobre o processo de implantação da TV digital portuguesa. Denicoli concluiu que a Autoridade Nacional de Comunicações (Anacom), agência reguladora do país, teria favorecido a Portugal Telecom e apontou "indícios de corrupção" no processo.

A Anacom e a PT negaram qualquer irregularidade. A operadora entrou na Justiça contra Denicoli e o regulador ameaça entrar. No Brasil, a Portugal Telecom faz parte do bloco de controle da Oi.

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New Journalism
How is journalism going to survive? Experiences. New projects. Change.
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Take two steps back from journalism: What are the editorial products we’re not building?

Take two steps back from journalism: What are the editorial products we’re not building? | New Journalism | Scoop.it
"Imagine all the wildly different services you could deliver with a building full of writers and developers."
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Who Retweets Whom: How Digital And Legacy Journalists Interact on Twitter

This brief by three PhD candidates at The University of Washington, Michael L. Barthel, Ruth Moon and William Mari, takes a snapshot of how fifteen political journalists from BuzzFeed, Politico and The New York Times, interact (representing digital, hybrid and legacy outlets respectively). The researchers place those interactions in the context of reporters’ longstanding traditions of gossip, goading, collaboration and competition.

They found tribalism, pronounced most strongly in the legacy outlet, but present across each grouping. They found hierarchy and status-boosting. But those phenomena were not absolute; there were also instances of co-operation, sharing and mutual benefit. None-the-less, by these indicators at least; there was a clear pecking order: Digital and hybrid organizations’ journalists paid “more attention to traditional than digital publications”.

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Rescooped by Luís António Santos from CLEMI. Infodoc.Presse : veille sur l'actualité des médias. Centre de documentation du CLEMI
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Google développe le "fact checking" automatique

Google développe le "fact checking" automatique | New Journalism | Scoop.it
Internet, cette bibliothèque inépuisable de connaissances est aussi le continent de la rumeur. Google espère y faire le ménage.

Via CLEMI - Centre de Liaison de l'Enseignement et des Médias d'Information
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Rescooped by Luís António Santos from Educommunication
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Mind Over Media

Learn to analyze contemporary propaganda at this new website where users can upload, analyze and evaluate propaganda in a wide variety of forms. www.mindover...

Via Manuel Pinto
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Rescooped by Luís António Santos from Media_Box
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The Decline Of Originality In Hollywood Explained In One Chart

The Decline Of Originality In Hollywood Explained In One Chart | New Journalism | Scoop.it
You wouldn't be wrong if you thought originality is on the decline in film. In fact you'd be more right than you imagined.

Via Alexandre Guillo
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15 political clichés journalists should avoid

15 political clichés journalists should avoid | New Journalism | Scoop.it
Create. Inform. Engage. | Journalism training, media news & how to's
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God Is in These Waters

God Is in These Waters | New Journalism | Scoop.it
Equipped with a beat-up old sloop and a boatload of literary inspiration, a Mainer-turned-city-slicker sets sail on an epic 2,000-mile journey to rediscover the coast of his youth.
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Rescooped by Luís António Santos from Multimedia Journalism
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Investigative journalism: the best of times and the worst of times

Investigative journalism: the best of times and the worst of times | New Journalism | Scoop.it

Image from CJR Two posts this month painting very different pictures of investigative journalism in the second decade of the 21st century.


Via Andy Bull
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Betting on The Guardian

Betting on The Guardian | New Journalism | Scoop.it
Talk is cheap when you're a media pundit. No sooner had Alan Rusbridger announced he would retire as editor in chief of The Guardian than speculation kicked off over who would replace him. So far, The Independent has...
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Youth and Online News: Reflections and Perspectives

Youth and Media is pleased to announce the publication of "Youth and Online News: Reflections and Perspectives," a series of short essays written by friends and colleagues that offer insightful, provoking, and out-of-the-box reflections and observations at the intersection of news, digital media, and youth.

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Welcome to the new CJR

Welcome to the new CJR | New Journalism | Scoop.it
The Columbia Journalism Review takes on a new look this morning, with an elegant, fresh design on its desktop, tablet and mobile sites. If you remember CJR's old look we think you'll welcome our new one: visually bold,...
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Local News in a Digital Age

Local News in a Digital Age | New Journalism | Scoop.it
In-depth case studies in three disparate cities (Denver, Macon and Sioux City) show that local news still matters, with nearly nine-in-ten city residents following it closely.
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Battling Infectious Diseases in the 20th Century: The Impact of Vaccines

Battling Infectious Diseases in the 20th Century: The Impact of Vaccines | New Journalism | Scoop.it
The number of infected people, measured over 70-some years and across all 50 states and the District of Columbia, generally declined after vaccines were introduced.
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Rescooped by Luís António Santos from Future of Journalism. Debatable.
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Can Robots Do Public Interest Journalism?

Can Robots Do Public Interest Journalism? | New Journalism | Scoop.it

Where there is clean data an algorithm - or robot journalist - can write news stories. But are bots accountable and can they do public interest journalism?

Automated Insights, a American technology company, recently announced that it is producing and publishing 3,000 earnings report articles per quarter for the Associated Press, all automatically generated from data. Narrative Science, another US software company, generates stories the same way, in finance, sports, web analytics and other domains.
The @NYTAnon bot detects and disseminates instances in New York Times articles where anonymous sources have been used. The NYTAnon bot is particularly interesting because it did stir up some debates and caveats amongst the journalists on Twitter, not to mention entering into the New York Times own discourse on the Public Editor’s blog as it grapples with the issue of anonymous sources. I wouldn’t yet call it “accountability” but this bot does seem to be contributing in a meaningful way to media criticism, and provoking responses.
Most Bots do not reveal their information sources
Whether bots can do accountability journalism in a wide variety of domains still remains to be seen though.   Our analysis also showed that only about 45% of the bots we examined provided the information sources used by the bot. Thus the transparency of these bots emerges as a potentially important issue to their broader employment.


Via Andrey Miroshnichenko
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Rescooped by Luís António Santos from Journalism: the citizen side
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Monitoring Media Pluralism in Europe

Monitoring Media Pluralism in Europe | New Journalism | Scoop.it
In 2013, the European Parliament earmarked a budget for a pilot implementation of the Media Pluralism Monitor (MPM).  This tool was initially developed by a consortium lead by the KUL University.  The European Commission awarded subsequently a grant to the Centre for Media Pluralism and Media Freedom (CMPF) at the European University Institute, to update, simplify and conduct a pilot-test implementation of the MPM.

Via Manuel Pinto
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Rescooped by Luís António Santos from Future of Journalism. Debatable.
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An Ethical Checklist for Robot Journalism

An Ethical Checklist for Robot Journalism | New Journalism | Scoop.it

Most uses of robot journalism have been for fairly formulaic situations — company earnings reports, stock market summaries, earthquake alerts and youth sports stories. But inevitably, news companies will be testing automatic news writing on more challenging subjects.
What are the ethics of robot journalism? When editors consider using automated news writing, what issues of accuracy, quality and transparency arise?
Here’s my proposal for a checklist of what editors should ask.


Via Andrey Miroshnichenko
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Backstage of a Revolution

Backstage of a Revolution | New Journalism | Scoop.it
A year after a bloody protest movement swept through Ukraine, an intimate look at how a disparate band of bat-wielding, balaclava-clad protestors took down a government.
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Rescooped by Luís António Santos from Journalisme graphique
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How to Lie with Charts

How to Lie with Charts | New Journalism | Scoop.it
Data can be easily manipulated to tell a desired story, manufacture good results, or exaggerate a trend. Don’t get fooled by these infographics tricks.

Via Jeohan bonillo, Karen Bastien
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Can newsrooms boost traffic without spoiling their brand?

They don’t make bylines like they used to. In July, I read a story on Forbes.com by someone named Rick Ungar. I found the story through Facebook—someone had shared it on my feed. Like most news articles on...
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Analyzing journalists' Twitter bios

Analyzing journalists' Twitter bios | New Journalism | Scoop.it
According to the gospel of the online age, personal branding is key to building a career in journalism. Of all the tools journalists have at their disposal in their hunt for digital glory, the Twitter bio reigns high....
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Geeks Bearing Gifts: Efficiency ... The Final Cut

Geeks Bearing Gifts: Efficiency ... The Final Cut | New Journalism | Scoop.it
Here's the next free chapter of Geeks Bearing Gifts about efficiency and news and ask what of journalism we must fight to save and what isn't necessarily j...
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Medal winners from SND Digital judging

Medal winners from SND Digital judging | New Journalism | Scoop.it
Last weekend, 15 judges from 14 organizations across the globe gathered at the Ball State University campus in downtown Indianapolis to evaluate work entered in the Society For News Design's annual "Best of Digital Design" competition. The 2014 contest year brought in more than 900 entries, making it the largest body of work since the contest was established in 2002.
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