oAnth's day by day interests - via its scoop.it contacts
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oAnth's day by day interests - via its scoop.it contacts
An aggregator for (oAnth's) daily interests in humanities, arts, science, geography, economics, politics - academia, education - activism, advocacy - itec, free software, open source, open access, open knowledge - languages in use: mostly EN, FR, DE
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Rescooped by oAnth - "offene Ablage: nothing to hide" from Archives de la Shoah
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Göring's List: Should Israel Honor a Leading Nazi's Brother? - SPIEGEL ONLINE

Göring's List: Should Israel Honor a Leading Nazi's Brother? - SPIEGEL ONLINE | oAnth's day by day interests - via its scoop.it contacts | Scoop.it
Leading Nazi Hermann Göring was instrumental to Hitler's reign of terror, but research suggests his brother Albert saved the lives of dozens of Jews.

Via Mawyl
oAnth - "offene Ablage: nothing to hide"'s insight:

 

https://en.wikipedia.org/wiki/Albert_Göring

https://de.wikipedia.org/wiki/Albert_Göring

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Mawyl's curator insight, March 16, 2013 7:01 AM

Let's wait until the decision is taken .. 

whynot's comment, March 17, 2013 5:28 AM
decide if Albert Göring was "not a Jew" or not "not a Jew" — that should be interesting
Rescooped by oAnth - "offene Ablage: nothing to hide" from The Architecture of the City
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Louis Kahn: the brick whisperer

Louis Kahn: the brick whisperer | oAnth's day by day interests - via its scoop.it contacts | Scoop.it
Inspired by ruins, DNA and primary geometry, Louis Kahn was one of the 20th century's most influential architects. Why isn't he more famous?

Via Vincent Athias, Philippe Trebaul, association concert urbain
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Vincent Athias's curator insight, March 1, 2013 3:28 AM

"Si tu es en manque d'inspiration, demande conseil à la matière". Voici ce que disait Louis Kahn à ses étudiants. Le Guardian nous offre un article tout en nuances sur le rapport quasi religieux de l'architecte à ses matériaux de construction, à la géométrie et aux choses sensibles. Et pour une fois, je vous laisse le titre d'origine, car en français ça ne donne vraiment rien :).

Rescooped by oAnth - "offene Ablage: nothing to hide" from oAnth-miscellaneous
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Ferdinand Hodler at Fondation Beyeler - Vernissage.tv 2013-02-21 | offene Ablage: nothing to hide

Ferdinand Hodler at Fondation Beyeler - Vernissage.tv 2013-02-21 | offene Ablage: nothing to hide | oAnth's day by day interests - via its scoop.it contacts | Scoop.it

Source URL: http://vernissage.tv/blog/2013/02/21/ferdinand-hodler-at-fondation-beyeler

 

 

 

Ferdinand Hodler is considered as the best-known Swiss painter of the 19th century. Hodler is known for his portraits and nature and landscape images, especially those of the Swiss mountains and lakes. Hodler’s paintings had a major influence on Switzerland’s picture and perception of itself. At the same time, he was one of the most important representatives of the transition from the 19th century to modernism. The Fondation Beyeler in Riehen (Basel, Switzerland) currently presents a comprehensive exhibition of the late work of Ferdinand Hodler. The show has been organized in conjunction with the Neue Galerie in New York and is curated by Ulf Küster (Fondation Beyeler) and Jill Lloyd (Neue Galerie). In this video, Ulf Küstler provides us with a guided tour of the exhibition. He presents highlights of the show and talks about the life and work of the artist. (This video is an excerpt. The full-length versions in English and German language are coming soon on this page. They are already available on Fondation Beyeler’s YouTube channel.).

The exhibition at Fondation Beyeler, which focuses on the late work of the Swiss painter Ferndinand Hodler, comprises some 80 works and includes loans from renowned Swiss and American private collections and major national and international museums. The show is complemented by a extensive supporting program such as lectures, readings, and a dance performance.

Ferdinand Hodler at Fondation Beyeler. Tour with curator Ulf Küster, February 6, 2013.

 

 

Video (oAnth: IMHO weak) presenting the exposition:

https://www.youtube.com/watch?v=QWkzXPr8sto

 

https://de.wikipedia.org/wiki/Ferdinand_Hodler

https://en.wikipedia.org/wiki/Ferdinand_Hodler

https://fr.wikipedia.org/wiki/Ferdinand_Hodler

 

 

 

 

 

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Rescooped by oAnth - "offene Ablage: nothing to hide" from Chronique des Droits de l'Homme
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22 février 1943 - Décapitation de la «Rose blanche» - Herodote.net

22 février 1943 - Décapitation de la «Rose blanche» - Herodote.net | oAnth's day by day interests - via its scoop.it contacts | Scoop.it

Le 22 février 1943, trois étudiants allemands d'une vingtaine d'années sont guillotinés dans la prison de Stadelheim, près de Munich. Leur crime est d'avoir dénoncé le nazisme dans le cadre d'un mouvement clandestin, «La Rose blanche» (Die Weiße Rose en allemand). Comment, de juin 1942 à février 1943 une poignée de jeunes étudiants chrétiens ont-ils pu défendre les valeurs démocratiques au prix de leur vie ? Comment ont-ils pu diffuser six tracts incendiaires tout en écrivant le soir des slogans pacifistes et antinazis sur les murs de Munich ?

 

 


Via Alcofribas
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Rescooped by oAnth - "offene Ablage: nothing to hide" from Muzibao
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Organs, Toccatas & Fantasias - Part 1/6

A musical journey throughout Bach's Baroque Europe with organist Marie-Claire Alain.

Via Florence Trocmé
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Florence Trocmé's curator insight, February 26, 2013 1:42 PM

En hommage à la grande Marie Claire Alain qui vient de décéder

oAnth - "offene Ablage: nothing to hide"'s comment, February 26, 2013 9:10 PM
in memoriam: https://fr.wikipedia.org/wiki/Marie-Claire_Alain fut une organiste concertiste française, née à Saint-Germain-en-Laye le 10 août 1926 au sein d'une famille de musiciens, et décédée le 26 février 2013
Rescooped by oAnth - "offene Ablage: nothing to hide" from Historic Thermal Cities Villes Thermales Historiques
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EHTTA The Hector Berlioz Website - Berlioz in Germany Baden-Baden

EHTTA The Hector Berlioz Website - Berlioz in Germany Baden-Baden | oAnth's day by day interests - via its scoop.it contacts | Scoop.it

Baden-Baden holds a special place in the long story of Berlioz’s relations with Germany: no other German city was visited by him with such frequency. In the decade from 1853 to 1863 he went to Baden-Baden no less than nine times, returning there every year from 1856 onwards. Yet the start of his association with Baden-Baden also came relatively late in his travels: it was a decade after he had launched the first of a series of major musical trips which took him eventually to many parts of Germany, then to Austria, Hungary, Bohemia, Russia, and England.


Via Thomas-Penette Michel
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