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L'actualité de la musique en ligne : innovations, modèles économiques, questions juridiques et technologiques
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En Asie plus qu'ailleurs, l'industrie musicale face aux défis du numérique

En Asie plus qu'ailleurs, l'industrie musicale face aux défis du numérique | Music online | Scoop.it
De la Corée du Sud high tech aux trompes tibétaines, l'Asie est une vaste mosaïque culturelle étirée entre folklore millénaire et modernité. Mais la révolution numérique a bouleversé là aussi...
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Digital Music Prices: Is Cheaper Better?

Digital Music Prices: Is Cheaper Better? | Music online | Scoop.it
If you visit Amazon's digital music store and browse the top albums chart one thing you might notice is how low the prices are. Almost every album is "on sale" in some way making it one of the cheapest places to buy digital music.
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La radio de demain, plus que du son ?

La radio de demain, plus que du son ? | Music online | Scoop.it
Sur quel modèle la radio opèrera-t-elle sa conversion numérique ? Nous avons trouvé des éléments de réponse à cette conférence en marge de l’exposition « Radio : ouvrez grand vos oreilles » au Musée des Arts et Métiers à Paris.
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Pierre Lescure va décrypter Hadopi Plus

Pierre Lescure va décrypter Hadopi Plus | Music online | Scoop.it

Le Monde confirme la nomination imminente de Pierre Lescure en tant que pilote d’une mission sur la refonte d’Hadopi. La concertation annoncée par François Hollande dans son programme se fera donc avec l’ancien Pdg de Canal Plus, dans le cadre de l’acte 2 de l’exception culturelle française.

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The Long Tail Will East Itself: Covers and Tributes Make Up 90% of Digital Music Service Catalogues

The Long Tail Will East Itself: Covers and Tributes Make Up 90% of Digital Music Service Catalogues | Music online | Scoop.it

In the early days of digital music, stores and services fell over themselves to boast about their burgeoning catalogue sizes. Back then, when majors didn’t license widely, it really was something of an achievement to break the 1 million tracks mark, catalogue size was often a good indicator of the comparative breadth of choice among services. But by the second half of the last decade, most of the majors had most of their catalogue online in most of the stores and services. Independent labels lagged for a number of reasons but the majority of the independents (by market share) were also on the majority of services by this stage. And yet since then, the average catalogue size of digital music services has grown from 4.3 million in 2008 to 16.4 million in 2012. What fuelled this new catalogue arms race? It would be nice to think it was down to labels digitizing vast quantities of back catalogue, or even because of a surge of semi-pro artists. The answer though, or at least the lion’s share of it, is much less appealing. Digital catalogues are so much bigger now because of filling and fluffing from covers, tributes and karaoke tracks.

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42 % of the time, 'Discovery Moments' Involve a New Artist...

42 % of the time, 'Discovery Moments' Involve a New Artist... | Music online | Scoop.it

according to stats just shared with Digital Music News by NPD Group, 42 percent of the time, a 'discovery moment' involves a new artist. Which means that, when a song perks the interest of a potential fan, nearly half the time it is coming from an unfamiliar, never-heard-of artist. And in a large percentage of those situations, the song isn't properly Shazam'd, back-announced, otherwise identified.

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The world's hottest digital markets: a music map

The world's hottest digital markets: a music map | Music online | Scoop.it
I picture the market like a game of Risk. Every week, the likes of Spotify, Rdio and Deezer are racing in to new countries with a new model — unlimited subscription access to millions of songs.

But, as the services embark on this VC-funded globalisation, which are the world’s most competitive, most lucrative and most digital music markets? Our clickable map has the details…

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Documentation : Focus : MÉTIERS ET MARCHÉS DE LA DISTRIBUTION NUMÉRIQUE La mutation prend forme

Documentation : Focus : MÉTIERS ET MARCHÉS DE LA DISTRIBUTION NUMÉRIQUE La mutation prend forme | Music online | Scoop.it
Avec la crise du disque, on a d'abord raisonné "transfert", les ventes numériques devant compenser la perte sur le physique.
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Vevo's Rio Caraeff: 'We Have No Intention To Leave YouTube'

Vevo's Rio Caraeff: 'We Have No Intention To Leave YouTube' | Music online | Scoop.it

It's a transitional time for Vevo, as the No. 1 most-watched YouTube channel (and No. 3 most-watched U.S. video platform on the web, according to Comscore) prepares to host its first upfront event for advertisers and agencies in New York on Wednesday.

But it's also a transitional time for the video site, as it looks to expand its distribution to platform beyond YouTube, such as Facebook, mobile, tablet and TV apps and its own URL, Vevo.com.


Via Jérôme Rastoldo
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Music Hack Paris

Some of the demos of Music Hack Paris (April 2012)... Music Hack Paris is a weekend event during which groups of creators gather to imagine, design and build innovative projects around music.

This music hackathon is brought to you by the Google Cultural Institute and Joshfire, in partnership with UNESCO's International Jazz Day.

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iTunes dépasse le milliard de chiffre d’affaires en Europe

iTunes dépasse le milliard de chiffre d’affaires en Europe | Music online | Scoop.it

iTunes, le magasin en ligne du géant américain Apple a, pour la première fois de son existence, dépassé le cap du milliard d'euros de chiffre d'affaires en Europe lors du dernier exercice fiscal s’étendant de septembre 2010 à septembre 2011.

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Rescooped by Jean-Baptiste Gourdin from Music non stop
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L’industrie musicale veut obtenir la propriété de l’extension de domaine « .music » - Industrie Musicale

L’industrie musicale veut obtenir la propriété de l’extension de domaine « .music » - Industrie Musicale | Music online | Scoop.it
Le postulant à ce nom de domaine devra d’une part s’engager à une stricte protection de la propriété intellectuelle et d’autre part, adhérer à une organsisation de l’industrie musciale tel que la RIAA ou l’IFPI (International Federation of the...
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Spotify Needs Big Funding To Pay Big Content’s Tax On Success

Spotify Needs Big Funding To Pay Big Content’s Tax On Success | Music online | Scoop.it
There's a fundamental problem with startups that depends on premium licensed content. If you succeed, the content owners will jack up their licensing fees.

Via Jérôme Rastoldo, Jean-Baptiste Gourdin
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Selling More Than 100 Downloads a Year? Then Consider Yourself Very Lucky...

Selling More Than 100 Downloads a Year? Then Consider Yourself Very Lucky... | Music online | Scoop.it

Paid downloads are extremely skewed towards larger, mass-marketed (ie, major label) artists. And, that it's easier than ever to get buried in the pile.

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An Indie Label Shares What Spotify, Streaming Music Services Paid Them

An Indie Label Shares What Spotify, Streaming Music Services Paid Them | Music online | Scoop.it

The Trichordist ("Artists For An Ethical Internet") has shared what it says are the streaming service play and payment stats for an independent label catalog of 87 albums with 1,280 Songs.

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Culture et numérique: au-delà d'Hadopi

Culture et numérique: au-delà d'Hadopi | Music online | Scoop.it
La tentation est grande pour la ministre de la Culture et de la communication de marquer son territoire, et de se focaliser un peu trop sur un seul chantier, houleux, passionné: Hadopi.
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Feuille de route pour une politique culturelle digitale

Feuille de route pour une politique culturelle digitale | Music online | Scoop.it
Si le gouvernement Ayrault veut mener un politique volontariste et éclairée en matière de culture digitale, il ne pourra pas plaire à tout le monde, et les enjeux du quinquennat à venir méritent qu'on s'y arrête.
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Idol signe avec Pias

Idol signe avec Pias | Music online | Scoop.it

Le distributeur de musique numérique Idol et son équivalent "physique" Pias ont signé un contrat de distribution physique. Celui-ci portera sur « un certain nombre de projets ou labels qui seront sélectionnés d'un commun accord par les deux partenaires », soulignent les deux entités dans un communiqué. La première référence à bénéficier d'une mise en bacs via cet accord sera la bande originale de De rouille et d'os, le nouveau film de Jacques Audiard, dont les musiques sont signées Alexandre Desplat. Désireux de développer son service de distribution physique, Idol avait, avant Pias, signé avec Differ-Ant et Musicast, lesquels ont notamment mis en place les best of de Sniper et d'Etienne de Crecy ou encore un EP de Disiz.

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5 Apps Changing How The Music Business Operates

5 Apps Changing How The Music Business Operates | Music online | Scoop.it

Maybe it’s the social media bubble, which recalls those heady days in ’90s San Francisco when your pet turtle could have secured funding for a catfood-to-dogs startup, but we’re sniffing a return of the “direct to fan” ecosystem. This time, some of it could stick:

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Hadopi partage la valeur de la musique en ligne

L’Hadopi ne fait pas que dans la riposte graduée pédagogique. Elle essaie aussi d’apporter sa pierre à une meilleure appréhension des problématiques créées par la révolution numérique au sein des industries de la création et dans tous les foyers de France. Des « Labs », des études, des rencontres/débats, des barcamps, la Haute Autorité a lancé tout un tas d’initiatives depuis sa création…

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YouTube Music: It's Bigger Than Pandora, Spotify, Rhapsody, & Grooveshark Combined...

YouTube Music: It's Bigger Than Pandora, Spotify, Rhapsody, & Grooveshark Combined... | Music online | Scoop.it

Nearly 40 % of YouTube's trillion-plus annual views come from music videos according to the latest research estimates. And according to our calculations, that makes YouTube Music bigger than Spotify, Rhapsody, Grooveshark (and Rdio, MOG, Deezer, and eMusic) combined.

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Video of the presentations of Music Hack Paris

Video of the presentations of Music Hack Paris | Music online | Scoop.it
Music Hack Paris - Music Hack Paris is a weekend event during which groups of creators gather to imagine, design and build innovative projects around music.

Via Vincent Castaignet
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Rethink Music Hackathon Winners

Rethink Music Hackathon Winners | Music online | Scoop.it

This week’s Rethink Music conference kicked off with a weekend Hackathon, where participants built and presented 25 music “hacks,” or hastily-created apps, at Microsoft’s New England Research and Development Center (a.k.a. N.E.R.D) on Sunday.

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Music Deals Could Transform Digital Market

Music Deals Could Transform Digital Market | Music online | Scoop.it

As the Justice Department presses forward with its lawsuit filed last week against Apple and two publishers for allegedly colluding to raise prices and manipulate the evolving market for digital books, the nation’s other antitrust regulator is weighing whether to approve a transaction that could dramatically impact the development of another digital market: music.


Via Pierre Priot
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Le streaming ne concurrence pas les ventes numériques selon Universal Music

Le streaming ne concurrence pas les ventes numériques selon Universal Music | Music online | Scoop.it

Voilà une nouvelle qui va faire plaisir à Deezer et Spotify : un responsable de chez Universal Music UK vient d’affirmer que le streaming ne se substituait pas aux ventes sur les plateformes de téléchargements.


Via edonis, Jean-Baptiste Gourdin
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