La généralisation des outils numériques a contribué à changer les constructions culturelles. Écrans, réseaux, appropriation, prescription, l'individu n'a plus ni le même accès, ni le même rapport à la musique. À l'heure du streaming, de l'écoute au titre et de l'échange de playlists, comment le numérique impacte-t-il la découverte, la recommandation et la consommation de musique ? Comment l'éclectisme des goûts, des supports et des modes d'écoute transforme-t-il l'offre des industriels ?
Berklee College of Music, Midem and Madrid’s IE Business School are searching for the next music business entrepreneur. Individuals and businesses have until Sept. 29 to submit their music start-up project to be in the running to win a $10,000 "start-up package.” The prize includes access to investors and capital to launch the winner's new music-related project, legal services, work space, enrollment in an online certificate program from Berklee, and complimentary registration for Midem 2015.
The Interactive Advertising Bureau will release the first standard template for digital audio advertisements today, called the “Digital Audio Ad Service Template” (DAAST). The breakthrough standard was developed by an industry coalition organized by the IAB (the IAB Digital Audio Ad Serving Template Working Group). Working Group members include tech-media companies, ad-serving solution providers, measurement companies, ad networks, online music services, and radio groups.
The IAB is soliciting public comments until October 10. CLICK HERE for the PDF review document.
The purpose of DAAST is to promote a technical ecosystem in which advertisers, publishers, agencies, and consumer playback devices are aligned to coherently deliver and track streamed audio advertising. The standard specifies approved assets within an audio advertisement, including companion ads, “ad pods,” and skippable ads.
At Apple’s iPhone 6 event in Cupertino this morning, the company announced that the iTunes App Store has now reached 1.3 million applications – an update from the 1.2 million mobile applications announced in June.
CB News publie en exclusivité une étude Médiamétrie sur l'évolution des usages des médias. Alors que le nombre d'équipement augmente, que les écrans se multiplient, comment les consommateurs répartissent leur temps? Réponse en infographie.
Amazon continues to grow the ecosystem for its set-top box, the Fire TV. While its portfolio of offerings hasn't yet reached Roku level, the platform is much newer and still getting its legs under it. Today it expands a bit more with the addition of Spotify.
French readers, Netflix is here! But don’t get too excited; it’s an imperfect launch. After an astute media campaign to put Netflix under the spotlight, the unlimited movie and TV show streaming service is available for everyone to see.
After months of speculation, Apple unveiled its first foray into wearables on Tuesday: the Apple Watch The device, available in two sizes (38 mm and 42 mm) and in a variety of different styles, allows users to receive and send text messages, take...
There is no such thing as regional and international musicians anymore in the era of the Internet. Except for indigenous musicians playing ethnic instruments in rural areas, once an artist releases their music online, the whole world can listen to it. Geographical boundaries have evolved from being the reason that music is segregated into a force that can unite the world’s sounds. So how much has it impacted the production and consumption of music?
Les producteurs de musique membres du SNEP et les plateformes de streaming annoncent aujourd’hui la mise en place d’un classement hebdomadaire des meilleures écoutes en streaming, dont la première publication aura lieu le 10 septembre.