According to some recent data, the prevalence of streaming means that music listeners are no longer forced to publicly purchase their trashy pop favorites, with the result that these guilty pleasures are seeing a massive resurgence.
When Apple unveiled its new streaming music service to iOS users on June 30, it also promised the service would be coming to Android sometime in the fall -- a meaningful gesture considering its hostility towards Android in the past. The move indicated that Apple intends to continue competing heavily in the music industry, as consumers transition from buying and downloading music to streaming and renting it.
Here’s a bold statement right from the start: Stockholm is the MusicTech capital of the world. MusicTech is the simply intersection of Music and Tech – it could be anything from music streaming to music production hardware and software. Besides the obvious MusicTech leader Spotify which is based in Stockholm, there are a number of other well-known, and maybe not-so-well known, companies that have roots in Stockholm. Have a look at the infograph below. How many of the apps do you recognize? Did you know they are all created (or co-created) by Swedes? Let’s look at them one by one. Spotify
THE PITCH today comes from concert discovery app DoStuff. There are a number of startups working on concert discovery. BandsInTown and Songkick, for example, share info provided from artists, agents and the industry.
For the first time, MaMA Event and IRMA have chosen to spotlight innovation with MaMA Invent in collaboration with Cap Digital. In order to promote digital innovation in the musical industry and to let new players of the musical sector introduce their projects,M@MA Invent offers start-ups to showcase their project in front many music professionals and their technical partners.
The most innovative projects will be able to expose themselves at MaMA Event during pitch sessions. These 6-minute pitch sessions will happen each day of the festival and will be based on a common problem related to the theme of the day (artists, shows, business/promotion).
Spotify has released the results of a study it is calling "The New Audio," commissioned from market research company TNS, analyzing how the company's free-listening tier stacks up to traditional broadcast radio in terms of demographics, engagement and whether Spotify can deliver to brands listeners that traditional radio can't.
Le streaming confirme ses bonnes performances sur le marché français de la musique
A fin juillet 2015, le marché du streaming en progression de 43%, réalise les deux tiers des revenus numériques et 28% du marché global. Les revenus issus du streaming représentent désormais la moitié du chiffre d’affaires des ventes physiques en France.
Le streaming par abonnement, moteur de croissance de la musique enregistrée: C’est le modèle de l’abonnement qui porte cette dynamique avec une croissance de 66% alors que ceux du modèle financé par la publicité sont en légère baisse (-2%). Aujourd’hui, les abonnements représentent 76% des revenus du streaming, soit plus de la moitié des revenus numériques et 22% de l’ensemble du marché.La part des abonnements au sein du chiffre d’affaires a donc doublé en un an : 22% à fin juillet 2015 contre 12% à fin juillet 2014.
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