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Vevo's Post-YouTube Strategies: Cable, Paid Subscription, Original Programming, More

The surprise exit of Vevo sales chief David Kohl, who had been there since 2009, is a big cause for concern among advertisers and music industry partners who worry about disruption to a business whose primary revenue source is advertising. In the interim, Vevo CEO Rio Caraeff has taken on all key sales decisions and has appointed recruitment firm Spencer Stuart to find a chief revenue officer for the video company.

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MUSIC:ENTER
For those about to rock Digital Music Experience!
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Appel à projets : services numériques innovants 2016 - Ministère de la Culture et de la Communication

Appel à projets : services numériques innovants 2016 - Ministère de la Culture et de la Communication | MUSIC:ENTER | Scoop.it
Clôture de l'appel à projets le 1er octobre 2016 à 14h.
Yvan Boudillet's insight:
Dans un contexte de transition numérique de la société, le Ministère de la culture et de la communication souhaite accompagner le développement de services numériques innovants favorisant la création et l'accès du patrimoine au plus grand nombre, facilitant la diffusion des contenus culturels et répondant aux objectifs de transmission des savoirs et de démocratisation culturelle.
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Industrie du futur : quels marchés sont les plus prometteurs ?

Industrie du futur : quels marchés sont les plus prometteurs ? | MUSIC:ENTER | Scoop.it
Réalité virtuelle, intelligence artificielle, impression 3D… Autant d’opportunités pour développer des idées de startups. Un thème débattu lors d’une conférence à Viva Technology.
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A generation after Napster, brainstorming to keep music in business - The Boston Globe

A generation after Napster, brainstorming to keep music in business - The Boston Globe | MUSIC:ENTER | Scoop.it
For three weeks, 17 students at Berklee College of Music’s Open Music Initiative dreamed up ideas to help musicians make a living.
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Lisn’s new app lets you stream songs for your friends while chatting

Lisn’s new app lets you stream songs for your friends while chatting | MUSIC:ENTER | Scoop.it
The joy that comes from listening to music with friends is something that's been around ever since...well, ever since music. But today, thanks to digital..
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La French Tech Culture fait son festival | Bpifrance servir l'avenir

La French Tech Culture fait son festival | Bpifrance servir l'avenir | MUSIC:ENTER | Scoop.it

Le Festival d’Avignon vient de baisser le rideau en s’étant montré  cette année encore comme un véritable tremplin pour les startups proposant des solutions et services pour le public dans le domaine de la culture et du spectacle vivant.
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Spotify's Release Radar Is Like Discover Weekly For New Music--And Just As Good

Spotify's Release Radar Is Like Discover Weekly For New Music--And Just As Good | MUSIC:ENTER | Scoop.it
Spotify's newest personalized playlist uses the logic of Discover Weekly to handpick tracks from new releases.
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The Album That Plays Itself

The Album That Plays Itself | MUSIC:ENTER | Scoop.it
Tristan Perich's new album, Noise Patterns, is a dumb machine that turns data into noise into hypnotic music
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Fox is doing a game show based on the Shazam music app

Fox is doing a game show based on the Shazam music app | MUSIC:ENTER | Scoop.it
"The Voice" and "Survivor" producer Mark Burnett is developing the show for Fox.
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'Streaming has not broken the chart. The key is more long-term A&R.' - Music Business Worldwide

'Streaming has not broken the chart. The key is more long-term A&R.' - Music Business Worldwide | MUSIC:ENTER | Scoop.it
Do labels need to change their strategy in the streaming world?
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Deezer: 'A one size fits all strategy fails consumers - we offer something different'

Deezer: 'A one size fits all strategy fails consumers - we offer something different' | MUSIC:ENTER | Scoop.it
Deezer’s chief international officer, Gerrit Schumann, has told Music Week that it CAN crack the US market, in response to suggestions that its nationwide rollout in the states could face an uphill struggle in the face of its more dominant riva
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The Playlist Professionals At Apple, Spotify, And Google | Buzzfeed

The Playlist Professionals At Apple, Spotify, And Google | Buzzfeed | MUSIC:ENTER | Scoop.it
Like their early forebears in broadcast radio and the sampler album, playlists on streaming services have become one of precious few reliable avenues for breaking songs and artists in a chaotic media environment. With millions of followers, the most popular playlists offer a broader reach than even some radio stations in large markets, and they generate vastly more sophisticated and timely performance data. Predictably, the record labels have created a cottage industry out of promoting to these playlists as aggressively as possible, and some have pointed to their close relationship with the streaming services as the reincarnation of payola. But Frank, who was hired last summer in what was then a new role at Universal, strongly denies that anything unseemly is happening behind closed doors.
“UMG policies prohibit pay-to-play practices,” he says. “Including on playlists.”
For their part, many streaming service employees I spoke with compared their relationship with the labels to that of the music press, saying that while they receive a wide variety of regular promotional communications, there are strict policies in place to preserve editorial independence.

Via Nicolas Moulard - Actuonda
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Economie de la Production Musicale - Edition 2016 - SNEP

Economie de la Production Musicale - Edition 2016 - SNEP | MUSIC:ENTER | Scoop.it

L’édition 2016 de « l’économie de la production musicale » est disponible !

Découvrez la  synthèse des chiffres du marché de la musique enregistrée, en France et dans le monde, enrichie des données inédites sur la consommation et la distribution de musique physique et numérique, les meilleures ventes, les meilleures diffusions, les certifications.

 

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Chapître 1 : Le marché français en 2015

Chapître 2 : La production francophone

Chapître 3 : Le marché mondial en 2015

Chapître 4 : La consommation de musique

Chapître 5 : Musique et médias

Chapître 6 : Les acteurs de la distribution de la musique

Chapître 7 : Les artistes qui ont marqué l’année 2015


Via Christian Menez, Nicolas Moulard - Actuonda, Jean-Luc Biaulet
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Songkick raises $15M to help artists sell more concert tickets and thwart scalpers

Songkick raises $15M to help artists sell more concert tickets and thwart scalpers | MUSIC:ENTER | Scoop.it
Songkick, the company behind the music-monitoring app that lets you track when and where all your favorite bands and artists are playing live, has raised another $15 million in funding from Access Industries.
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Soundcloud Logs 175 Million Monthly Listeners To Massive 135 Million Track Catalog

Soundcloud Logs 175 Million Monthly Listeners To Massive 135 Million Track Catalog | MUSIC:ENTER | Scoop.it
New Soundcloud stats show just how big its footprint is, both in terms of listenership and the size of its music catalog.
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Believe acquires French indie label Naïve in €10m deal

Believe acquires French indie label Naïve in €10m deal | MUSIC:ENTER | Scoop.it
Paris-based global digital music company Believe Digital has acquired the assets of French indie label Naive, adding to its fold a significant jazz and classical catalogue as well as some contemporary acts such as Jeanne Added, M83 and Benjamin Biolay.
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10 things you need to know about streaming playlist data

10 things you need to know about streaming playlist data | MUSIC:ENTER | Scoop.it
Many labels are now accessing streaming playlist data for their artists, releases and catalogue for the first time.
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Playlists Dominate Listening For Most Music Streamers [INFOGRAPHIC]

Playlists Dominate Listening For Most Music Streamers [INFOGRAPHIC] | MUSIC:ENTER | Scoop.it
Streaming music users love playlists and use them to drive their music consumption, according to a new survey and infographic just released by the analysts at Music Watch.
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Whyd is a colorful take on voice-controlled wireless speakers

Whyd is a colorful take on voice-controlled wireless speakers | MUSIC:ENTER | Scoop.it
Just two years ago, Whyd was trying to mix up the music streaming world, with a service that let you collect tracks from around the internet, and put them i
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Kanye West, Leonard Cohen And Death Of The Creative Full Stop

Kanye West, Leonard Cohen And Death Of The Creative Full Stop | MUSIC:ENTER | Scoop.it
When Kanye West started tinkering with ‘The Life Of Pablo’ he triggered a minor maelstrom of chatter among the music business and his fans alike.
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Cartoon Series Teaches Listeners About Their Favorite Music

Cartoon Series Teaches Listeners About Their Favorite Music | MUSIC:ENTER | Scoop.it
Spotify is attempting to gain traction with a new video series that provides users with a history lesson about their musical choices.
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Les nominés pour le Prix de la start-up culturelle du Forum d'Avignon @Toronto | Forum d'Avignon

Forum d'Avignon @Toronto : découvrez les 12 start-ups françaises et canadiennes nominées pour le prix de la start-up culturelle qui sera remis le 29 septembre à Toronto.Le Canadian Film Centre Media Lab (CFC Media Lab) et le Service culturel de l’Ambassade de France au Canada, en partenariat avec le Forum d’Avignon, lancent aujourd’hui Enterprising Culture, un forum international majeur pour les start-ups franco-canadiennes des secteurs créatifs et culturelsA l’occasion de ce premier forum franco-canadien sur les industries culturelles et créatives qui se tiendra à Toronto les 28 et 29 septembre 2016 sera lancé le Prix de la start-up culturelle, sponsorisé par BNP Paribas, avec un jury prestigieux composé d’experts français et canadiens :Douze start-ups finalistes, parmi les plus innovantes et prometteuses du domaine de la culture, seront ainsi invitées à présenter leur tête un qprojet.
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L’audience numérique de Radio France progresse

L’audience numérique de Radio France progresse | MUSIC:ENTER | Scoop.it
Le Monde.fr version mobile - Les écoutes via le Web représentent déjà 7 % de l’audience du groupe public.
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The future of listening to music is feeling it, according to Timbaland

The future of listening to music is feeling it, according to Timbaland | MUSIC:ENTER | Scoop.it
Everyone likes a good vibration -- which is why recording artist Timbaland teamed up with SubPac, a Los Angeles-based startup that has created a wearable..
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Music Biz/LOOP Study: Millennials Turn from Radio to Embrace Streaming - Music Business Association

Music Biz/LOOP Study: Millennials Turn from Radio to Embrace Streaming - Music Business Association | MUSIC:ENTER | Scoop.it
The Music Business Association (Music Biz) and data partner LOOP (Lots of Online People) will unveil “Music & Millennials,” the first in-depth report from the member-exclusive Music Biz Consumer Insights portal, today at 2 p.m. ET during the “Music Biz Consumer Insights Powered by LOOP” webinar. Based on a study conducted by LOOP in May 2016 with 3,014 U.S. respondents, the report breaks down a variety of music consumption patterns by age, providing unique insight into the habits of the millennial generation.

The report shows that 15-to-19 year olds have embraced on-demand streaming as their format of choice, accounting for 51% of their total listening time on a typical day (more than double the overall average of 24%, which includes all age groups). This comes at the expense of more traditional formats, most notably AM/FM radio. While broadcast radio still accounts for the highest listening share among the general population at 35%, 15-to-19 year olds reported that they spend only 12% of their time with the format despite a weekly reach of 65% (on par with the overall average of 78%). This indicates that even though millennials are being exposed to radio, they are not engaging with it, and on-demand streaming is making up the difference.

This is further reflected in millennials’ device usage. AM/FM radio receivers again topped the overall tally, accounting for 33% of the general population’s listening time. However, 15-to-19 year olds bucked the trend once more, saying the device only accounts for 11% of their time. Instead, they rely heavily on connected devices like smartphones, which accounted for 41% of their listening time, more than double the overall average of 18%. This also explains why 15-to-19 year olds are far more likely than the general population to upgrade to a premium streaming account because they want to access the service on their mobile phone. According to the report, 40% of this group cited mobile access as a major factor in the decision to upgrade, compared to only 29% of the general population.

In addition, the report shows that, for the first time, YouTube has overtaken broadcast radio for music discovery among the general population. When asked how they typically discover new music, 34% of all respondents cited YouTube, while only 32% cited AM/FM radio. This was even more prevalent among 15-to-19 year olds, 56% of whom cited YouTube and 23% of whom cited AM/FM radio. However, recommendations from friends remain the #1 source for music discovery, cited by 46% of the general population. Among 15-to-19 year olds, it is neck and neck with YouTube at 56%.

Via Nicolas Moulard - Actuonda
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