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How To: Equalize Mac for iTunes, Spotify, Everything Else

How To: Equalize Mac for iTunes, Spotify, Everything Else | MUSIC:ENTER | Scoop.it
Some people like to hear music precisely as it was recorded, which is why the most expensive audio equipment purports to do absolutely nothing to affect the original audio signal. Others like to tweak their sound, often in the bass range.
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MUSIC:ENTER
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Spotify Introduces Family Plan, Starting At $14.99 Per Month For Two Members | TechCrunch

Spotify Introduces Family Plan, Starting At $14.99 Per Month For Two Members | TechCrunch | MUSIC:ENTER | Scoop.it
A much requested feature -- and playing catch-up with competitors, such as Rdio -- Spotify is introducing a family plan to reduce the cost of several family..
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Rdio’s entire music library is now available in AAC, with 320 kbps for Unlimited subscribers

Rdio’s entire music library is now available in AAC, with 320 kbps for Unlimited subscribers | MUSIC:ENTER | Scoop.it
If you’ve sided with any music streaming service that isn’t Rdio, you might want to reconsider. The company announced today that its entire catalog has now been converted to the AAC format.
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Google Play downloads now exceed Apple’s App Store by 60 percent, but iOS apps still make more money

Google Play downloads now exceed Apple’s App Store by 60 percent, but iOS apps still make more money | MUSIC:ENTER | Scoop.it
According to the latest figures from App Annie‘s quarterly market reports, app downloads from the Google Play store outstripped downloads from the iOS App Store by around 60 percent in comparison to the same time last year.
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French tech music startups at MuTe Paris #1

French tech music startups at MuTe Paris #1 | MUSIC:ENTER | Scoop.it
The first edition of MuTe Paris, a meet-up to get record labels, music publishers and French tech music startups together in the same room...
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An Orchestra of Information | Deep Music Discovery

An Orchestra of Information | Deep Music Discovery | MUSIC:ENTER | Scoop.it

Music metadata has come a long way since its early years. Our data is going much deeper than the standard tracking information. Track title, artist name and album name are the basic pieces of data we rely on now, but more detailed information, such as instruments, are also being used. Devices being used in metadata doesn’t only mean identifying the equipment being used by a certain musician. It can range from an instrument being named after a legendary artist, to a band using an instrument’s name and adopting it as their moniker. This could can mean that discovering a new artist through metadata will become a lot more detailed; yet simple enough as being able to name a certain guitar.

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MuTe : les start-up prennent les devants

MuTe : les start-up prennent les devants | MUSIC:ENTER | Scoop.it

Jeudi soir, Deezer et Cap Digital ont convié start-up et labels à la première édition de {MuTe – Music & tech ecosystem meet-up}. Entre rencontres informelles et pitch session, les porteurs d’innovation s’organisent pour convaincre le marché.

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Music consumption helps drive UK technology sales by £11bn

Music consumption helps drive UK technology sales by £11bn | MUSIC:ENTER | Scoop.it
Each 1% increase in demand for music translates to 1.4% boost in sales of smartphones and 2.2% for tablets, study finds

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New Tango Music Pix App Creates Shareable Slideshows With Music Powered By Rumblefish

New Tango Music Pix App Creates Shareable Slideshows With Music Powered By Rumblefish | MUSIC:ENTER | Scoop.it
Tango is a leading messaging app with over 250 million registered members and over 70 million monthly active users. Back in July they gave an accidental preview to some tech bloggers about a new app called Tango Music Pix.
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Digital Ascendency: The Future Music Forum Keynote

Digital Ascendency: The Future Music Forum Keynote | MUSIC:ENTER | Scoop.it

Streaming is turning years of music business accepted wisdom on its head but did not arrive unannounced, it is just one chapter in the evolution of digital music. Each of the four phases of digital music have been shaped by technologies that solved problems. Now we are entering the fourth phase, bringing meaning to the 30 million tracks Spotify et al gave us access to. This might look like a simple honing of the model but it is every bit as important as the previous three stages. 30 million tracks is a meaningless quantity of music.

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Spotify's Where is the Drama? hack finds most dramatic part of any song

Spotify's Where is the Drama? hack finds most dramatic part of any song | MUSIC:ENTER | Scoop.it
The Guardian
Spotify's Where is the Drama? hack finds most dramatic part of any song
The Guardian
The bit about five minutes in when the guitars kick in.
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INSIGHT: 4 Hot Areas To Watch In The Future Of Digital Music

INSIGHT: 4 Hot Areas To Watch In The Future Of Digital Music | MUSIC:ENTER | Scoop.it
The music industry is still undergoing huge change and while music consumption is becoming increasingly digital in many respects digital music is not as mature as many might think. The Music 4.5 Smart Radio event in London this week brought together...

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Musique et streaming (infographie) - Vous et la musique - UFC-Que Choisir

Musique et streaming (infographie) - Vous et la musique - UFC-Que Choisir | MUSIC:ENTER | Scoop.it
Quel genre de musique écoutez-vous, à quelle fréquence, sur quel appareil ? Comment découvrez-vous de nouveaux artistes ? Connaissez-vous le streaming...
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Patrick W.'s curator insight, September 25, 5:15 PM

ajouter votre point de vue ...

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Who Still Buys Music In 2014? [INFOGRAPHIC]

Who Still Buys Music In 2014? [INFOGRAPHIC] | MUSIC:ENTER | Scoop.it
UPDATED: Even with the plethora of free and almost free music along with the zillion track libraries available to anyone willing to shell out just $5 - $10 a month, there still some people that pay for music. I'm one of those who buys to support my favorite musicians, but who else? MusicWatch with just 10 years ago. They conducted online surveys of 5,000 music buyers ages 13 and up in both 2004 and 2014. Here are their findings: via Buzzfeed / MusicWatch
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Rescooped by Yvan Boudillet from Radio 2.0 (En & Fr)
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Baromusic 2014 Musique et Marque par Havas Sports & Entertainment HS&E avec Special Focus Radio 2.0 Paris 2014

« Baromusic », baromètre d’engagement musique et marque 
Par Gregory Quantin et Edouard Tienvrot (HS&E) 

L'objet de la présentation du Baromusic 2014 d'Havas Sports & Entertainment portera sur 4 dimensions : les spécificités des cibles de "l'univers musique", la consommation de la radio hertzienne, des webradios et des plates-formes de streaming musical, les mécanismes d'influence entre les individus en termes de consommation musicale et de découverte de nouveautés musicales et enfin un repérage sur l'intérêt des marques à communiquer via l'univers musical. 

Présentation donnée aux IV Rencontres Radio 2.0 Paris, le 13 octobre 2014 dans le prestigieux Studio 105 de la Maison de la Radio de Radio France. 

Info : www.RR20.fr 

Pour rester informé, suivez-nous sur : 
- Facebook : Radio 2.0 Paris 
- Twitter : @Radio_20 #rr20 
- LinkedIn : Radio 2.0 

Organisateurs : Nicolas Moulard / Actuonda, Xavier Filliol / Editions de l'Octet, Radio France, Ina Expert 

Partenaires : 
- Partenaires Platinum : Mediametrie, Limelight 
- Autres Partenaires : Music Story, Triton Digital, Targetspot, RCS, Spotify, Netia, Deezer, Kantar 
- Partenaires Média : La Lettre Pro de la Radio, RadioPub, Media +, Edition Multimedia, Satellinet, French Web 
- La Radio des Rencontres : Broadcast Associés, Radioline 
Avec le soutien du Ministère de la Culture et de la Communication, Geste, ESML, Syrol, Sacem, UDA-Union des Annonceurs, IRMA, Salon de la Radio, URTI 

Membres du Comité de Pilotage : Actuonda, Broadcast Associés, Deezer, Editions de l’Octet, Havas Media, INA, IndésRadio, irma, Kantar Media, Ministère de la Culture et de la Communication, MédiaMétrie, Orange, Radio France, Radioline, RFI, RTL, Sacem , Spotify Targetspot , Triton Digital, UDA-Union des Annonceurs, Warner Music France.


Via Nicolas Moulard - Actuonda
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YouTube for the arts: expert tips - The Guardian (blog)

YouTube for the arts: expert tips - The Guardian (blog) | MUSIC:ENTER | Scoop.it
From audiences and budget to content and metadata, our YouTube for the arts webchat panel share their top tips
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Recommandation musicale – Streaming vs Médias – Rencontres Radio 2.0. – Octobre 2014 – Music Story API Blog

Recommandation musicale – Streaming vs Médias – Rencontres Radio 2.0. – Octobre 2014 – Music Story API Blog | MUSIC:ENTER | Scoop.it
Dans le cadre des rencontres Radio 2.0 qui se sont déroulées le 13/10/2014 au Studio 105 de Radio France, Music Story à fait le point de l'évoluti...

Via Jean-Luc Biaulet
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Deezer Expands U.S. Presence With Bose Partnership

Deezer Expands U.S. Presence With Bose Partnership | MUSIC:ENTER | Scoop.it
Deezer is broadening its U.S. presence with the release of its standard premium tier of music subscription services through a partnership with home audio company Bose.

Via Jérôme Rastoldo
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Rescooped by Yvan Boudillet from Radio 2.0 (En & Fr)
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Les IV Rencontres RADIO 2.0 Paris le 13 oct @ Radio France - Inscrivez-vous dès maintenant [video] www.rr20.fr

Les IV Rencontres Radio 2.0 Paris se dérouleront le 13 octobre 2014 dans le prestigieux Studio 105 de la Maison de la Radio de Radio France.


Info/inscriptions: www.RR20.fr

 

Pour rester informé, suivez-nous sur :
- Facebook : Radio 2.0 Paris
- Twitter : @Radio_20 #rr20
- LinkedIn : Radio 2.0

 

Organisateurs : Nicolas Moulard / Actuonda, Xavier Filliol / Editions de l'Octet, Radio France, Ina Expert

 

Partenaires :
- Partenaires Platinum : Mediametrie, Limelight
- Autres Partenaires : Music Story, Triton Digital, Targetspot, RCS, Spotify, Netia, Deezer, Kantar
- Partenaires Média : La Lettre Pro de la Radio, RadioPub, Media +, Edition Multimedia, Satellinet, French Web
- La Radio des Rencontres : Broadcast Associés, Radioline
Avec le soutien du Ministère de la Culture et de la Communication, Geste, ESML, Syrol, Sacem, UDA-Union des Annonceurs, IRMA, Salon de la Radio, URTI

 

Membres du Comité de Pilotage : Actuonda, Broadcast Associés, Deezer, Editions de l’Octet, Havas Media, INA, IndésRadio, irma, Kantar Media, Ministère de la Culture & de la Communication, MédiaMétrie, Orange, Radio France, Radioline, RFI, RTL, Sacem , Spotify Targetspot , Triton Digital, UDA-Union des Annonceurs, Warner Music France.


Via Nicolas Moulard - Actuonda
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Musikki Secures Seed Cash To Aim At Being The IMDB Of Music

Musikki Secures Seed Cash To Aim At Being The IMDB Of Music | MUSIC:ENTER | Scoop.it

A new music-tech startup, Musikki, which calls itself the ‘IMDB of music’ has secured €330,000 in funding from Smart Equity, a business angel investment vehicle in London. On the consumer side, London-based Musikki competes with Allmusic, Discovr, Echonest and Rovi on the data and B2B side.

Musikki is based on a proprietary algorithm that matches music data, content and information to the right artist, album or song by pulling multiple APIs and aggregating all the information into one page.

Yvan Boudillet's insight:

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How mood and tempo can influence artist discovery?

How mood and tempo can influence artist discovery? | MUSIC:ENTER | Scoop.it
If you log-in to Deezer, Spotify, YouTube, etc. to listen to a particular artist, you can simply pick their top-tracks. Yet, while they're the most popular, they are not necessarily the ones provid...
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Pandora, Spotify & Apple Among the Top 10 App Publishers in August (Exclusive)

Pandora, Spotify & Apple Among the Top 10 App Publishers in August (Exclusive) | MUSIC:ENTER | Scoop.it
For the first time, streaming music apps by Pandora, Spotify and Apple ranked among the leaders in app revenue in August.
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Shazam Partners With Apple to Bring Music Recognition to Siri

Shazam Partners With Apple to Bring Music Recognition to Siri | MUSIC:ENTER | Scoop.it

With Apple's recent launch of iOS 8, the newest version of their mobile operating system for Apple devices, a range of new features have also implemented.

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Likeify // Create a Spotify playlist from your Facebook likes

Likeify // Create a Spotify playlist from your Facebook likes | MUSIC:ENTER | Scoop.it
Connect your Spotify and Facebook accounts with Likeify to generate a Spotify playlist based on the music you like on Facebook (Likeify // Create a Spotify playlist from your Facebook likes http://t.co/do79UzfDsJ)...
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A day in the life of a social media manager: How to spend your time on social media

A day in the life of a social media manager: How to spend your time on social media | MUSIC:ENTER | Scoop.it
This post originally appeared on the Buffer blog. You spend part—maybe all—of your day on social media, hopping from network to network, checking analytics, planning ahead, and performing the sundry tasks of a social media manager.
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The Three Things Streaming Needs To Fix Next

The Three Things Streaming Needs To Fix Next | MUSIC:ENTER | Scoop.it
I spent a couple of days last week in Barcelona for the annual Future Music Forum, which is developing into an important date on the music conference circuit. Later this week I will post some of the highlights of my opening address but first I am going to spend some time developing some of the white hot issues surrounding streaming that were raised at the conference. In a really strong field, two speakers in particular stood out: Beggars head of strategy Simon Wheeler and PledgeMusic founder Benji Rogers. Their presentations and the conference as a whole were infused with a sense that streaming is changing everything, and more quickly than most people expected. This change is manifesting itself in three big issues: Deciding what streaming’s main role is What happens to the middling majority of artists How to monetize the relationship between artists and fans
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