The house was built in 1948 for Edith and Albert Adelman, and is still in the family. It comprises a concrete block-and-wood exterior with the long, low-lying profile for which Wright’s residential designs became renowned.
Morris Lapidus- Architect | Icon | American Original https://vimeo.com/10274077 video by Chuck Farris * via The Hooded Utilitarian bit.ly/2iiBAAy Too Much is Never Enough: Morris Lapidus’ Postmodern Curves Basically, Morris Lapidus knew the limitations of a straight line. In the 1930s, living in New York and working as a merchandiser, he was already getting customers’ attention through curvilinear ornamental devices that an editor at Pencilpoint magazine described as “bean poles, cheese holes, and woggles. ”Mr. Lapidus knows how to give emotions physical form,” she said. ”His space swirls you; it prompts you to move; it’s an interactive architecture.” Deborah Desilets * video: Morris Lapidus about his reinvention of Lincoln Road into a Pedestrian Mall...."a car never bought anything"...I remember it all....ahhh the Fountainbleau and #Lapidus 's love of the curve (Niemeyeresque) #architecture and the #whimsy of #LincolnRoad 's design and innovative #pesdestrian driven #architecturaldetails. XO a #guyabera my dad wore one every day, perfect for the #Miami climate! #architects #MCM thank you @AliceLowe @ArtandDesignMatters image via wikimedia commons
Depending on where you stand, the Fagan’s self-built home ‘Die Es’ has a mountain or seaside backdrop. ‘Die Es’ – meaning ‘the hearth’…
As one of South Africa’s most celebrated architects, Gawie’s ideas concerning connecting architecture with the natural landscape were revolutionary. Over the years, Gwen played an instrumental role as a historical researcher and landscape planner in Gawie’s practice. Together they share a love of designing new buildings just as much as restoring old ones. bit.ly/2gd0Zdd an additional video view
A new symposium seeks to bolster the case that a San Diego architect foreshadowed Modernist design
Before MCM there was Irving Gill! Soooo much to learn and so little time..do you know Irving Gill?
"Corbusier, Mies van der Rohe, Gropius…. and Gill? A new symposium taking place in San Diego on October 20th, “Irving J. Gill and the Chicago School,” presents new scholarship connecting American architect Irving Gill’s experience in Chicago with his later designs for “buildings of amazing modernity” in early 20th century California, as well as the broader Modernist movement."
Gill quote: In his 1892 essay, Ornament in Architecture, he wrote: “I take it as self-evident that a building, quite devoid of ornament, may convey a noble and dignified sentiment by virtue of mass and proportion…I should say that it would be greatly for our aesthetic good if we should refrain entirely from the use of ornament for a period of years, in order that our thought might concentrate acutely upon the production of buildings well formed and comely in the nude…”
Gill, “stripped architecture of external ornamentation, and used nature as his ornamentation. "
In the mid 20th century, Francisco Artigas was one of the best known architects in Mexico. Today he is largely unknown. It's time for a fresh look.
I enjoyed learning about this important Mexican Modernist, what and who influenced him and his contemporaries. This is a wonderful and well written look back, by Keith Eggener.
"Artigas — like Neutra, Pietro Belluschi, John Yeon, or Harwell Hamilton Harris — mediated the clean lines and cubic forms of the International Style with local materials and site-sensitive planning. Like Neutra, he gave close attention to the lifestyles, cultural practices, and psychological well-being of his occupants."
Designed for sociologist and Princeton University professor Marion Levy Jr., the home has stayed within the same family since construction. After all these years, it retains the original paint colors, floating staircase, built-ins, and more.
sweet....in pretty much original details/condition, obviously loved!
The Douglas House designed by Richard Meier & Partners Architects LLP and completed in 1973, which is dramatically situated on an isolated site that slopes down to Lake Michigan. The isolated private house now receives recognition of its historical and architectural significance by the National Park Service U.S. Department of the Interior.
The house will now be included in the National Register of historic places, and it will become part of the selective list of cultural resources worthy of preservation in the United States of America. Richard Meier is World Architecture Community member since 2007.
“I had been blessed with an innate, a built-in, quality of design composition–of composition, not just design composition.” Interview with Julius Shulman Conducted by Taina Rikala De Noreiga at the Artist’s home in Hollywood Hills (Los Angeles), California. January 12 & 20, February 3, 1990. TAINA RIKALA DE NOREIGA: Let’s start by you telling us …
This is an excellent interview with Shulman from 1990, that had my attention from beginning to end. Julius Shulman.... "So I drove to Silver Lake, met Mr. Neutra, and he asked me who and what I was. Of course I was nothing ’cause I hadn’t any ideas of being a photographer. He was, as I say, the first architect I’d ever met. And those pictures, by the way, of the Kun House, are still being published and were published. They were used in Neutra’s books, and I still get calls from publications for that house. The same Vest Pocket Kodak pictures, I still have the negatives on file."
History hasn't always been kind to Brutalist architecture, and the Shoreline Apartments in Buffalo, New York are no exception.
If you like Paul Rudolph and would like to gain insight into his design process, Association Concert Urbain's scoop in The Architecture of the City presents A Selection of Paul Rudolph’s Perspective Sections – – SOCKS bit.ly/1syh4j5
“Buildings do not happen, they must be made to happen.” While working at his desk, he would move his hand over his drawing in such a way that he could better understand the actual scale and what it might be like to occupy the drawing, as if it were an actual building. He seemed as though he was actually inside the drawing. He would touch with his eyes and see with his hands."
Renewed Classic Eichler by Klopf Architecture by Klopf Architecture
The focus of this renovation was to bring this mid century classic home up to the standards of today's homes. Klopf Architecture said it like this, "We're not historical preservationists," the firm states on its website. And as such, the remodel was less about a strict, faithful restoration than about adapting the original design for 21st-century living."
Paul Rudolph's Walker Guest House on Sanibel Island (1952-53) is a "magical modernist box essential for understanding Rudolph and midcentury modernism."
"A prize-winner (the“Award Bienal de Sao Paulo”) , the Walker House helped catapult Rudolph into the chairmanship of the Yale Department of Architecture by 1957, where he influenced an entire generation of students, among them Norman Foster, Richard Rogers and Robert A. M. Stern"
It is a shame that the architect can not emulate Monet and build one building after another in experimentation and variation. The Wiley House leads to one creative idea after another, and not just …
"The degree to which architecture satisfies the desire to be cuddled, exalted or stimulated, determines the magnitude of greatness. The genius of Philip Johnson comes from the further step of reducing these principles to a simple visual feast." Philip Johnson
"What I call culture is that balance between our physical, mental and spiritual being which alone can guarantee sensible thought and action." Adolf Loos
"I do not design floor plans, facades, sections. I design spaces. For me, there is no ground floor, first floor etc…. For me, there are only contiguous, continual spaces, rooms, anterooms, terraces etc. Storeys merge and spaces relate to each other." http://www.e-architect.co.uk/architects/adolf-loos
This article was originally published on Autodesk's Redshift publication as "Inside My Design Mind: Salt-of-the-Earth Lessons From Architec
Stanley Tigerman’s conceptual 1978 image of Ludwig Mies van der Rohe’s Crown Hall sinking into Lake Michigan. Image Courtesy of Tigerman McCurry Architects
Stanley Tigerman, "Mies didn’t say anything casually. He meant what he said, and he said very little. I knew him very well; he was very impressive. It’s a challenge because he wasn’t loose with his comments—about life, about work and architecture. He took things very slowly; very deliberately; and never in any way, shape, or form off the cuff. That, to me, has always instilled a kind of role model and paradigm."
"ST: Because an unfortunate part of my M.O. is putting my foot in my mouth more often than necessary. I tend to say things without thinking. That’s why Mies was such a role model to me. He never said boo without thinking it through. The title came from a phrase Margaret used one day after we were having some argument. “When they find you face down in an alley, it will take the police a very long time to find the killer because the list of suspects will be very long,” she said. “You’re at the stage of your life where you’re designing bridges to burn.” I’m not exactly user-friendly, which I feel badly about because that’s not the way I see myself."
A century since the founding of the National Memorial Association and the start of a campaign by African-American war veterans for a monument of African American culture, the National Museum of African American History and Culture will finally be opened on September 24th. The Museum took $540 million and four years to build, resulting in a striking, and refreshingly unorthodox, architectural construction on Washington DC’s National Mall. The Freelon Adjaye Bond/SmithGroup JJR team, led by Ghanaian-British architect David Adjaye, defiantly broke the white-marble-Corinthian-column convention, opting instead for a bronze-coated aluminum façade bound to provoke a reaction from the critics.
In anticipation of the 100th anniversary of the founding of the Bauhaus school in 2019, Harvard Art Museums has released an online catalogue of their 32,000-piece Bauhaus Collection, containing rarely seen drawings and photographs from attendees and instructors of the revolutionary German design school.
The collection features work from the likes of Mies van der Rohe, Bertrand Goldberg, Marcel Breuer, and Bauhaus-founder Walter Gropius himself, and can be navigated through a search bar and an easy-to-use set of filters, allowing you to categorize work by topic, medium, date or artist.
World Heritage Corb: one of the most important buildings by architect Le Corbusier from the 17 that have been to UNESCO's World Heritage List is Villa Savoye, the top-heavy weekend retreat created as a Modernist version of the French country house (+ slideshow).
Completed in 1931, Villa Savoye is one of the most important houses of the 20th century. A key building in the development of the International Style of Modernism, it is one of the only houses in France to have been declared a national monument during the architect's lifetime.
Designed as a weekend holiday home for the Savoye family, it was the last building in Le Corbusier's "white villas" series of private homes and was created in collaboration with his cousin Pierre Jeanneret, who worked with Le Corbusier on a number of his most famous projects.
Columbus, Indiana is a special city with great barbecue, a cool brewery in an old depot on the river, and a lot of ARCHITECTURE! Image: The First Christian Church (1942) Columbus, Indiana Eliel Saarinen combines simple forms with asymmetry. Note the asymmetry in the clock placement on the tower and the cross as well.
After covering digitally the Villa Savoye, built by Le Corbusier, of his virtual graffitis, Brusels-based artist Xavier Delory focused, still with his comptuer, on the Chapel Notre-Dame Du Haut, in the French small city called Ronchamp. Loving a lot the architectural shapes of this architect, Xavier pasted frescos with organic, geometric and colorful patterns on the chapel’s facade.
A look back at the collective of rebel Italian students who defined the radical architecture movement of the ’60s and ’70s but never completed a single building.
quotes from Stephen Wallis, great slideshow via NYTimes "HALF A CENTURY AGO, a group of 20-something architecture students from Florence decided to assume the small task of conceiving an alternative model for life on earth."
"The fact that they never actually finished a building is, arguably, the point. Rather, they created “anti-architecture”: psychedelic renderings, collages and films depicting their dreams — and nightmares"
The walls are painted to match the architectonic divisions of the room precisely. Just as the room is divided into two sections, the ceiling is divided into two rectangular fields of color.
great images and written in a diary style....fabulous feeling of being there in that visit...touches on the philosophy of the Bauhaus Movement...fantastic!
Originally published as “Im Bauhaus,” Zwrotnica 12 (1927) . Translated from the Polish by Steven Lindberg. From Between Two Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930. (The MIT Press. Cambridge, MA: 2002).
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