Eleanora Derenkowsky b. April 29, 1917, Kiev, Ukraine d. October 13, 1961, New York, New York, USA filmography bibliography articles in Senses web resources Maya Deren: The High Priestess of Experimental Cinema Maya Deren is recognizable as the woman with the enigmatic expression at the window, silently observing from within. Although her eyes indicate distrust,…
Stan Brakhage’s films explode with sensual beauty: bursts of color heightened by extreme contrasts in hue and shape and by stunning depth effects; more monochromatic passages of nonetheless equal intensity that sensitize one to the glories of . . .
Is the portmanteau film making a comeback? Nicholas Barber on why – as deliciously twisted new Argentinian film Wild Tales shows – there’s no room for shilly-shallying with a series of stand-alone stories
Since the advent of more affordable video technology in the late seventies and early eighties, various indigenous groups have recognized the potential of video for intragroup communication and as a means of gaining cultural and political recognition in the wider society. Video and film productions are used to "rethink history," even to address "the ignorance of the dominant culture" about past history and contemporary culture. In the United States, Native Americans have been actively making videos based on an initial focus of "helping to enhance the survival of their own communities," in their own production facilities and through coproduction arrangements with non-Native videographers and filmmaker.
Sudden extreme change in mood from the blissful delight and enthusiasm to the destroyed misanthropic attitude occasionally involving a mix of confusion and fear are all cleverly written and presented...
If we reserve a special category for filmmakers deemed 'uncategorisable', Godfrey Reggio surely earns his place. Best known to date for the pioneering eco-conscious reverie of 1982's Koyaanisqatsi, and two subsequent offerings (Powaqqatsi, Naqoyqatsi) in the so-called Qatsi Trilogy, his work is observational – in the sense that it's about getting us to look at our world – yet can't comfortably be classed as documentary, since these wordless feature-length constructions aren't there to furnish us
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