Finally, and this is where it gets less obvious and possibly more interesting, there’s the effect of the medium itself.
To understand what I mean here, just imagine any news event from the 1960s. The chances are that it was shot on 16mm film, with all that implies: a somewhat low-resolution picture, grainy and full of dust, hair and various artefacts associated with the medium. (Of course not all 16mm film looks like this - it can look quite wonderful in the right circumstances, but by the time it’s been captured in the field, developed and telecinied for use by the broadcasters, it could look pretty rough, if you were to be strict about it.)
But whatever the reasons for the way it looked, the fact that it looked like that is what is indelibly stored in your brain. It would be the easiest thing in the world to fool someone into thinking your film was made in the 1970s by shooting it with a 1970s camera on 1970s film stock. Sure, the fashions are a clue too, but you see what I mean. The look of the film is the look of the time...."
In 1934, a little-known Belgian thinker published plans for a global network that could have changed everything
Conceived in the pre-digital era, Otlet’s scheme relied on a crazy quilt of analog technologies like microfilm, telegraph lines, radio transmitters and typewritten index cards. Nonetheless, it anticipated the emergence of a hyperlinked information environment — more than half a century before Tim Berners-Lee released the first Web browser.
Despite Otlet’s remarkable foresight, he remains largely forgotten outside of rarefied academic circles. When the Nazis invaded Belgium in 1940, they destroyed much of his work, helping ensure his descent into historical obscurity (although the Mundaneum museum in Belgium is making great strides toward restoring his legacy). Most of his writing has never been translated into English.
This Is a Generic Brand Video is a generic brand video of "This Is a Generic Brand Video," written by Kendra Eash for McSweeney's Internet Tendency. No surpr...
"...This “generic brand video” has the perfect combination of cynical, dry humor and memorable images to make it a classic commentary on how people can be manipulated by companies, or say, vapid political candidates..."
News in the photo world isn’t always uplifting — what with all the layoffs and copyright scandals — but once in a while you stumble onto one of those ‘renew your faith in humanity’ stories that just make you smile.
There’s something to be said for thinking outside the box and turning an idea on its head, and that’s exactly what photographer Trevor Christensen is doing with his hilarious and surprisingly thought-provoking series, Nude Portraits.
That’s because there aren’t actually any nude people in his portraits… the only person who’s naked during the photo shoot is Christensen himself, who is busy capturing his subjects’ reaction to his birthday suit.
This photo isn’t actually a photo. From the furniture to the beautiful light falling on the countertops and wood floors, what you’re looking at is a CGI rendering that has replaced 75% of the ‘photos’ in the IKEA catalogs the college kids, divorced...
Today, reveals Enthed, about 75% of all IKEA product images are CGI, and rendered at ‘ridiculously high resolution’ so they’re good for everything from web viewing to wall-sized displays in IKEA’s stores. And as time goes on and rendering software continues to get better, traditional photography promises to play a smaller and smaller role.
To read the full interview and find out just how much Enthed’s team can do on a computer, head over to the Computer Graphics Society website by following the link below.
Image: Photo Rumors April Fools’ Day is extra-hilarious for anybody who follows camera and photography news. Our little category has a healthy rumor mill, fueled by thousands of dedicated fanboys, many of whom are good with Photoshop,…
We’ve featured plenty of Pro Photographer Cheap Camera Challenges over the years, all of them informative, educational and entertaining to varying degrees. What we’ve never had before is the photographer’s perspective.
LED streetlights are the wave of the future, but in addition to being the environmentally friendly choice, doing away with high-pressure sodium streetlight has one other significant (at least to photographers and filmmakers) side effect: it...
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