Martin Scorsese's Hugo
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Georges Melies’ Fantastical Legacy in Augmented Reality

Georges Melies’ Fantastical Legacy in Augmented Reality | Martin Scorsese's Hugo | Scoop.it
One year ago today I wrote a guest post for The Creators Project naming Georges Melies (1861-1938) the patron saint of Augmented Reality (AR) in an article celebrating what would have been the magi...

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Martin Scorsese Loves Canon, but Proves You Should Choose the Right Camera for the Job. By Joe Marine

Martin Scorsese Loves Canon, but Proves You Should Choose the Right Camera for the Job. By Joe Marine | Martin Scorsese's Hugo | Scoop.it

Posted by Joe Marine on December 18, 2012 • 


"As digital cameras get better and better, it’s becoming less about specs and a lot more about what specific cameras can do for you in certain situations. For example, you may need a small camera for a particular shoot, and other times, that small camera might not be good enough or might not give you acceptable image fidelity if the project requires something more heavy-duty. Martin Scorsese, whose narrative feature films have been shot on celluloid his whole career up until Hugo, has been championing digital cameras in partnership with Canon. He also proves another point we’ve talked about before: not every camera is right for every situation — even those from Canon.

 

While this video is not new, it seems even more relevant now:"

...

 

NoFilmSchool.com


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A Trip to the Moon (and Five Other Free Films) by Georges Méliès, the Father of Special Effects

A Trip to the Moon (and Five Other Free Films) by Georges Méliès, the Father of Special Effects | Martin Scorsese's Hugo | Scoop.it
If you've taken a film studies course, you've almost certainly seen the work of Georges Méliès.

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cafonso's curator insight, August 7, 2013 5:38 PM

Um dos seus filmes figurou aqui no estrelato durante alguns meses

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Martin Scorsese on Roberto Rossellini - The Criterion Collection

Martin Scorsese on Roberto Rossellini - The Criterion Collection | Martin Scorsese's Hugo | Scoop.it
With these films, “he changed what the world thinks of cinema,” according to director and world cinema expert Martin Scorsese in the following excerpt from a new interview on Criterion's release 3 Films by Roberto Rossellini ...
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