First Wesley Snipes went after the vampires and now the zombies. I'm starting to think that he has an issue with the undead.
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3D realtime animation movies and more goodies
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Henrik Safegaard - Cloneartist
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Brian Anthony Hernandez: "Tribeca Film Festival challenged people to use Twitter's Vine app to create six-second films — with a "beginning, middle and end." Here are the winners." Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:
Films, like many things in life, come in all shapes and sizes. Tribeca Film Festival gave new meaning to short films this year, however, when it challenged people to create six-second films using Twitter's Vine app. 
Cultureel Persbureau's comment,
April 30, 5:34 AM
Twitter is van het korte bericght. Vine is van twitter en gaat over korte filmpjes. Gaat groot worden.
Ky Stevens's curator insight,
May 5, 1:37 PM
More about Vine! I'm too afraid of being on camera to want to get one, but here's some really good ones. Delete the scoop?
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Tara Moore: "With adaptive sound to original shows and even Wolverine's new adventures in Japan, the comic company's growing far bigger than books." Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:
Comic book geeks: Marvel loves you. But it wants to expand its social circle. Don't worry. Whether it's debuting Wolverine's Japanese adventures or adding adaptive sound to your reading experience, the company will always hold you diehards dear. But at this year’s SXSW Interactive festival, Marvel unveiled five digital initiatives to woo non-fans, too. 
The Digital Rocking Chair's curator insight,
March 11, 11:43 PM
Comics are becoming a powerful option for transmedia projects so it's interesting to look at how the genre is evolving ... 
Niclas Holmqvist's curator insight,
March 12, 5:25 AM
Seriebranschen förändras. Läsarna har blivit färre, men mediet har blivit accepterat och historierna breder ut sig i andra kanaler. 
Debbie Elicksen (LION)'s curator insight,
March 12, 11:31 AM
Comic book and gaming industry is the catalyst to how publising will be viewed in the future. Delete the scoop?
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David Licata: "The web series can take many shapes, from a no-budget serial made in high-school media classes to Joss Whedon’s Dr. Horrible’s Sing-Along Blog to Netflix’s long-format House of Cards." Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:
From the comments: "A great lay of the land. And in doing so, this points out in bright neon letters what is wrong with the vast majority of web series today" - Very inspiring reading - 
Tina Stock's curator insight,
March 25, 9:45 AM
The REALLY interesting portion of this column is in the comments. Delete the scoop?
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![Digital Publishing for Filmmakers: The Karada and The Silent History [#Transmedia] | Machinimania | Scoop.it](http://img.scoop.it/Z_BlnpsWdAZkdO5cObGpSDl72eJkfbmt4t8yenImKBVaiQDB_Rd1H6kmuBWtceBJ)
Randy Astle: "Transmedia by definition requires producers to work in more than one medium; the fun, most of the time, is in devising ways to carry a narrative (or narrative world) across different platforms" ... Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:
Interesting - Click the headline for the full story.
The Digital Rocking Chair's curator insight,
March 5, 1:39 AM
Randy Astle takes a look at two literary projects whose digital publishing strategies "can be extrapolated to film and transmedia projects for producers who aren’t interested in writing the next great American novel". 
Joakim Baage, SPOON USA's curator insight,
March 5, 10:55 AM
The book business need this kind of thinking Delete the scoop?
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