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34 GREAT TRANSMEDIA STORYTELLING RESOURCES 
We get a lot of infographic pitches. Almost all of them suck. Why?
Here's a lovely video and great article about infographics and narrative as a form of visual storytelling.
What is an infographic? You will see plenty of examples here.
What does this have to do with narrative? The best infographics tell a story or trigger stories within our minds. The designer being interviewed on the video, Francesco Franchi explains how and why.
I hope you like the video (5+ min.) and the insights Francesco shares with us. Very interesting! Via Karen Dietz, infosourcer, Mariusz Leś 
Natural catastrophes and political révolutions have had a strong impact on recent current events. They have deeply affected ways of life and consumer trends, absolutely essential needs as well as superfluous cravings. As a result, the season is strongly driven by basic everyday necessities, a compelling form of pragmatism, characterized, among other things, by the importance of sports influences. They are expressed either by an urge for a laid back and free spirit in all fields (EASY GOING), or by a yearning for simple, quality design for everyday, ingeniousness... 
Free video course on Game Theory by Benjamin Polak of Yale. This course is an introduction to game theory and strategic thinking. 
créations de Pierre di Sciullo, recherches graphiques et typographiques, expériences... 
Set in the early years of the 21st century and told through text, sound, images, music and games, Inanimate Alice is the story of Alice and her imaginary digital friend Brad. 
Our commitment to improving life through social design has been with us since the beginning. This is who we are and why we’re here. Last October, I wrote a blog post titled 57 Things I’ve Learned Founding 3 Tech Companies. At the time I had founded two startups and was a year into the third, a gay social network launched as Fabulis that was later rechristened Fab. 
La convergence des outils et des technologies conduit-elle à la convergence des contenus ou à leur divergence ? C’est peut-être ainsi qu’on pourrait résumer l’enjeu qui sous-tend la question du transmédia, sujet coeur des Masterclass internationales du Transmédia qui se tenaient il y a peu à Marseille.
[Note : useful resource about transmedia, part 1/2] Via laurent guerin 
(1) Audience have fragmented 2) Business models have shifted (3) Engagement and social needs have altered (4) Have you noticed a general decline in traditional media? (5) Your stories can be improved exponentially if you ‘transmediarize’ them. Via laurent guerin 
Curation can be done well, and it can be done poorly. Generally, when it’s done well, someone with a unique slant on a topic selects content of particular value and spends time putting that content in perspective. It feels insightful, and valuable.
At its most basic, it’s when you find a hidden gem of interesting content on a specific topic for a certain person, and you send it to them, with a note.
Ryan Skinner gives his six key recommendations:
1) As narrow as possible: If you’re one guy with one hour a week, you can’t curate a good newsletter about cloud technology. The less resources you have at your disposal, the narrower should be your topic, your focus and your audience.
2) More than a link: This is the era of frictionless sharing, goddammit. Friction is a demonstration of care. Anyone can send a link. If you’re going to curate and share, add something. Some insight. Commentary. But no more than necessary.
3) Slap asses: If you’re going to curate someone’s content, you owe it to yourself and to them to be open about it. Preferably, it’s someone you follow and share comments with. And be sure to give them credit.
4) Give away the reins: To whatever extent possible, allow the people you’re curating for, to influence contents in the future. The likes of Reddit have made this idea their raison d’etre. There’s a reason for that.
5) Keep it 50/50: For every time you curate one story, you should create and publish another. That means your email newsletter would be 50% own content and 50% others’ content.
6) If you doubt, don’t: We’re all overloaded with content. If you have even a moment’s doubt about sharing a piece of content, don’t do it. Better to wait for the right one than more or less spam someone.
Read the full article: http://www.velocitypartners.co.uk/2012/01/18/get-to-terms-with-content-curation-pros-and-cons-and-6-principles/
[Originally scooped and curated by Robin Good - further editing by Giuseppe Mauriello] Via Robin Good, Giuseppe Mauriello, Mariusz Leś |
Un site qui comprend des infos pour le design d'interfaces "senior". 
Highlight, Ban.jo, Sonar.me, Intro et consorts ont donc été les applications vedettes de l'édition 2012 de SXSW, tout le monde ayant le regard et l'iPhone branché sur ces start-ups qui seront…... 
Quelques notes prises hier soir lors de la conférence tenue par Anne Bony à l'IFM sur le thème Art et design Anne Bony Stratégies de. ... Stratégies de post-historicisme dans le design .... 
Le projet est développé au sein de l'Institut de Création et d'Animation Numérique (ICAN) par trois... 
Topic-Topos, base de connaissances évolutive donnant sens à déjà plus de 300 000 éléments de patrimoine des communes de France, est un portail contributif accessible à tous. 
Robot Heart Stories is the first in a trilogy of experiential learning projects from award winning storytelling visionary and experience designer Lance Weiler and creative producer Janine Saunders. Support this project here: http://robotheartstories.com CAN A ROBOT REBOOT EDUCATION? 
We hold events where designers bring in the work they're doing in their everyday jobs and help each other out. It is a place where you can brainstorm ideas, receive informed critique, learn new techniques and all the other activities that are only possible in a group environment. 
L'Anthologue est une anthologie vivante qui investit un espace donné : établissement ou jardin public, transport en commun... Elle se présente sous la forme de codes QR, disposés aux endroits clés, donnant accès via les smartphones à des textes spécifiques selon le lieu et le moment du jour ou de la semaine. 
La série continue. Avec Internet et la révolution numérique, la destruction créatrice, qui a bouleversé de fond en comble les industries de la musique, de la presse et du livre, s’abat aujourd’hui sur le monde de la télévision. Elle risque d’y être plus rapide et plus rude. Et comme pour les autres vieux médias, la création de valeur risque de se faire ailleurs, mais la destruction chez elle. Avec, de toute façon, un grand gagnant : le téléspectateur, qui deviendra télénaute !
[A MUST READ, not surprisingly written by Eric Scherer] Via laurent guerin 
En observant cette profusion de supports, on peut se demander si les médias entrent en complémentarité ou en concurrence les uns avec les autres. Car derrière toutes les expériences qui nous sont délivrées, les chiffres demeurent rares, épars. Chacun les passe sous silence. Quels sont les objectifs ? Quelle audience est atteinte ? En quoi répond-elle aux attentes ? Quelle transformation a été réalisée ?
[Note : useful resource about transmedia, part 2/2] Via laurent guerin |
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