L Danse vue par la presse
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La Capitole Block Party pour les jeunes - Lire - Toulouse cultures

La Capitole Block Party pour les jeunes - Lire - Toulouse cultures | L Danse vue par la presse | Scoop.it
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Source: Cultures Toulouse, avril 2014

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MAPCU » Soirée Jeune du monde (Show chorégraphique – chant) – (L.danse – Hall au grains Toulouse)

MAPCU » Soirée Jeune du monde (Show chorégraphique – chant) – (L.danse – Hall au grains Toulouse) | L Danse vue par la presse | Scoop.it
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Source: MAPCU, avril 2014

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Stage Hip Hop Arts

Stage Hip Hop Arts | L Danse vue par la presse | Scoop.it
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Source: Sortir, par Paul Muselet, février-mars 2014

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Danse Hip Hop à Toulouse - Peace, Love and Unity (?)

Danse Hip Hop à Toulouse - Peace, Love and Unity (?) | L Danse vue par la presse | Scoop.it
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Source: Clutch Mag , par Baptiste POSTRE, février 2014

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Face shoot - Les arts font école

Face shoot - Les arts font école | L Danse vue par la presse | Scoop.it
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Source: A Toulouse, par Isabelle DESPREZ et Eve LASBATS, février-mars 2013

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Expression par la danse

http://festival.dansespourtous.over-blog.fr/pages/Les_intervenantsartistes-7818787.html

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Source: Over Blog 

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Hiphop arts #1: Girl power - Lire - Toulouse cultures

Hiphop arts #1: Girl power - Lire - Toulouse cultures | L Danse vue par la presse | Scoop.it
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Source: Cultures Toulouse, 18 septembre 2012

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L Danse

L Danse | L Danse vue par la presse | Scoop.it
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Source: Passeport, pour l'art, par Ville de Toulouse - 2012/2013

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Elusive Style

Elusive Style | L Danse vue par la presse | Scoop.it
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Source: The Himalayan Times, par HNS, 12 août 2011

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Salsa Nights

Salsa Nights | L Danse vue par la presse | Scoop.it
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Source: The Himalayan Times, juillet 2011

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Malette à danser

Malette à danser | L Danse vue par la presse | Scoop.it
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Source: La Dépêche, mars 2011

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Place aux cultures urbaines

Place aux cultures urbaines | L Danse vue par la presse | Scoop.it
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Source: La Dépêche, Camille Tahar, 3 juillet 2010

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Le Hip Hop, c'est top !

Le Hip Hop, c'est top ! | L Danse vue par la presse | Scoop.it
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Source: Zaza Mimosa, Sophie DUSSAUSSOIS, 2007

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Mai des Cultures Urbaines : 5 événements à ne pas manquer - Lire - Toulouse cultures

Mai des Cultures Urbaines : 5 événements à ne pas manquer - Lire - Toulouse cultures | L Danse vue par la presse | Scoop.it
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Source: Cultures Toulouse, 18 avril 2014

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Jeunes du Monde | Association Toulouse | Musique Toulouse

Jeunes du Monde | Association Toulouse | Musique Toulouse | L Danse vue par la presse | Scoop.it
Association situé à toulouse rassemblant des citoyens du monde pour développer la citoyenneté des jeunes sans frontière, l'ouverture aux cultures du monde, et l'éducation à la solidarité internationale.
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Source: Les Jeunes du Monde, avril 2014

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Hip Hop : débuts sur le dancefloor

Hip Hop : débuts sur le dancefloor | L Danse vue par la presse | Scoop.it
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Source: Métro News Toulouse, par Maylis JEAN-PREAU, 21 février 2014

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Faire découvrir le Hip Hop

Faire découvrir le Hip Hop | L Danse vue par la presse | Scoop.it
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Source: Camaraderie, juillet-septembre 2013 

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De l'Asie au Hip Hop...

De l'Asie au Hip Hop... | L Danse vue par la presse | Scoop.it
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Source: Direct Matin, par Ludovic POMPIGNOLI, janvier 2013

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Hiphop arts #2 : le baby hip-hop - Lire - Toulouse cultures

Hiphop arts #2 : le baby hip-hop - Lire - Toulouse cultures | L Danse vue par la presse | Scoop.it
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Source: Cultures Toulouse, 2012

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TakaMouv » Family Battle, TOULOUSE, vidéo trailer

TakaMouv » Family Battle, TOULOUSE, vidéo trailer | L Danse vue par la presse | Scoop.it
Ce battle a pour thème la place de la femme dans la culture hip hop. Pour cette session 2011, l'invitée féminine était BABYSON.
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Source: TAKAMOUV, 31 janvier 2012

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United in Hip Hop

The Himalayan Times, par Shradha PAL, 16 décembre 2011

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SHRADHA PAL


United in hip-hop


KATHMANDU:


Seventeen-year-old Jordan Descons was walking the streets of France and she saw a few people doing the hip-hop moves. The moment Descons heard the music and saw them perform, she knew where she belonged. Though she was practising contemporary dance since the age of four, her love for hip-hop was instantaneous.


Laure Thouault began dancing since she was three-and-a-half years old. She was being trained in modern jazz dance, but discovered hip-hop as her passion.


Dorothée Liauzun was exposed to hip-hop late — when she was 18 as she lived in the countryside of France.


But why are the three names taken simultaneously? Individually Descons “fell in love with the music,” Thouault got “bored with modern jazz” and for Liauzun who was getting trained in modern jazz as well found “it very feminine and didn’t like it,” and one common thread that binds them is hip-hop as they seek revelation in it.


Having mentioned all that, you must be wondering, why are they being mentioned and how are their stories relevant? Alternatively, perhaps, how is hip-hop relevant in the context of Nepal? Though these questions are appropriate in its own right, it also indicates ignorance.


Street beginnings :


Hip-hop is definitely a foreign concept, but its roots are deep, and concerns the society. It originated in the New York City, USA. African-Americans there used hip-hop as a medium to channelise their “negative energy into positive vibes,” added Thouault. There used to be many gang fights and violence in those days and all credit goes to Afrika Bambaataa who gave a platform for youngsters’ rage and frustration to be heard, but non-violently. This was possible through rap, graffiti, b-boxing, b-boying et cetera. All these are collectively known as hip- hop. “However, people don’t know much about it. They have a misconception that only a few styles of dance are hip-hop,” said Descons.


Hip-hop’s ideology is peace, love, unity and having fun, yet to date there are reservations associated with it. The reason perhaps could be the place it originated from — streets. “But now there are many institutes that teach and encourage hip-hop and is also pursued as a

respected profession in many countries,” adds Descons.


With this, it has gained popularity all over the world and Nepal is not far behind.


Nepal’s acceptance


Descons, Thouault and Liauzun were recently in the Capital as a part of youth and international exchange, which was organised with Association L danse and Jeunes du Monde, “to realise the hip-hop culture in Nepal,” said Thouault.


With the time they spent in the Capital, they have concluded, “We may have technical knowledge, but here people have human value.” Moreover, Descons added that here students are “never tired to learn and the energy is spectacular.” To which Thouault elaborated, “Hip- hop was introduced in France 35 years ago, but in Nepal it has only been two to three years and seeing the acceptance makes us want to come here time and again.”


Different yet same


To some extent, Thouault’s idea of acceptance is prevalent in the country, but there is more to accomplish. Jenisha Dangol, 20, who has been into hip-hop since the past one-and-a-half years as a member and trainer of Nepal Break Dance Foundation feels there is a long way to go in terms of acceptance in society and learning techniques of different forms. “The main aspect where we still lack is the respect,” stated Dangol firmly.


Initially Dangol faced prejudice from the neighbours and relatives, “but when they saw me perform in various shows and observed that I got recognition from media, they have changed their views.” Yet this is restricted to a certain niche. The reason is also being a girl child. “In our society, being a girl and dancing is not considered a good thing. What will people think is a common assertion,” she added.


Usha Gurung who got inspired to open a hip-hop dance school in 2009, had a similar view. “It was very difficult to make people understand. I was the only female when the school began, but now things are changing. Many young girls come to me saying ‘even I want to learn hip- hop’,” said Gurung.


Usually when there is such discrimination, people often compare with foreign countries. But is doing so justified? Perhaps not as Thouault, Descons and Liauzun view that, “we haven’t faced any discrimination as such, but we always have to prove ourselves and the only reason is because we are not males. Only after proving our talent, it becomes easy.”


As a profession


Yes, the situation is improving, but it will take time. One of the main aspects which exemplifies this matter is lack of proper career as a hip-hop artiste be it in France or Nepal. “Although hip-hop has gained popularity to an extent, frankly there is no profit in dance. The reason could be dance being limited to just school classrooms,” opined Gurung. This is the reason Gurung is trying to establish a school that will cater to flourish career in hip-hop. “For the very reason we have to win respect of people and educate them with what hip-hop is all about,” she added.


Also Dangol views that there is no professional career but “I am taking a step towards building it by teaching others.” To add on the issue Thouault said, “There isn’t much wealth involved in it, but I am teaching dance to others, which spreads happiness and this becomes contagious making monetary aspect secondary.” Thouault explained with an example during her visit to Nepal. “We were at GAA hall teaching children of different castes and when they began dancing as a group all the differences were erased, it was only joy that prevailed.” 

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Swaying the music

Swaying the music | L Danse vue par la presse | Scoop.it
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Source: The Himalayan Times, par HNS, 2 août 2011

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Montauban. Skate, graffitis, Hip Hop: un festival au coeur de la cité, Légendes Urbaines.

Montauban. Skate, graffitis, Hip Hop: un festival au coeur de la cité, Légendes Urbaines. | L Danse vue par la presse | Scoop.it
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Source: La Dépêche, 30 juin 2011

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Festival de danse

Festival de danse.Salle Albert Camus : Vendredi et samedi à 21h et dimanche à 16h : 32 spectacles chorégraphiques du classique au hip-hop en passant par la danse africaine Théâtre Paul Eluard : Vendredi 28 à 10h : Séance Scolaire : La Compagnie ...
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Source: La Dépêche, 27 mars 2008

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