The quality of being, as an aesthetic phenomenon, is radically altered in the age of hyperconnectivity in a fashion that prominently features the art of becoming, not as the mimesis of an other that is not authentic, but in a fashion that re-describes the extended narrative of the individual into a multiplicity of authentic beings.
These new authenticities are the new natures, performing acts of freedom that were not hitherto recognized as such, primarily because the technology needed for such freedom was not available, but also because the realm in which these freedoms prevail did not exist.
To the conscious aware entity that we have engendered (and in so have become) in our hyperconnected infoverse, the hypercomplex system has become interesting again. And since what makes a system interesting is its capability to reach beyond its self-image, bring back new input, criticize its self-image, upgrade it, iterate it, and reach again, we have become more interesting to ourselves again, in that we have become freer.
We are self-disrupting creatures, using our abstract capabilities to undo that which we have established for the purpose of penetrating into realms unknown; Realms that might endanger us as well as delight us, realms of freedom unknown, realms of interest, redefining not only our realities in immediacy but also our futures. These futures are operating simultaneously on many dimensions but on different speeds, hence polychronicity, and though these futures originate in virtuality, slowly but surely they leak into immediate reality, altering it in the process.