Kill The Record Industry
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Kill The Record Industry
Kill The Record Industry / Save The Music
Curated by Pierre Priot
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Marché de la musique enregistrée – les résultats du premier semestre 2015 - SNEP

Marché de la musique enregistrée – les résultats du premier semestre 2015 - SNEP | Kill The Record Industry | Scoop.it
Le streaming par abonnement, moteur de croissance de la musique enregistrée: C’est le modèle de l’abonnement qui porte cette dynamique avec une croissance de 66% alors que ceux du modèle financé par la publicité sont en légère baisse (-2%). Aujourd’hui, les abonnements représentent 76% des revenus du streaming, soit plus de la moitié des revenus numériques et 22% de l’ensemble du marché.La part des abonnements au sein du chiffre d’affaires a donc doublé en un an : 22% à fin juillet 2015 contre 12% à fin juillet 2014.

Les revenus issus de l’exploitation numérique représentent 43% du marché total (35% à fin juillet 2014)
Pierre Priot's insight:

French record industry syndicate SNEP discloses sales figures for 2015 first semester : physical sales keeps plunging down while streaming is taking a larger ratio of revenue, but yet fails to bring overall growth to the industry (down 6.2 %).

Streaming market went up 43% compared to last year figures.

 

France clearly fails to fully embrace the digital distribution model, with physical still making the biggest part of sales (57 %) ; this would be the main reason for the french industry poor revenue.

Additionally, download sales are also declining, bringing down the industry's most profitable digital music business model revenues.

 

The stake here is clearly the french music industry's ability to jump from one model to another - which was successfully achieved by Spain or Italy, and brought back revenue growth to those markets.

 

[full story and report in French]

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French Music Market Continues Decline

French Music Market Continues Decline | Kill The Record Industry | Scoop.it

The French wholesale music market dropped 4.4% to 589.7 million in 2012, according to initial figures released by record label trade body SNEP during last week's MIDEM conference in Cannes, France.

Pierre Priot's insight:

Pascal Nègre blames it on piracy ; others blame it on Pascal Nègre.

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