Andrew Lloyd Webber, Baron Lloyd-Webber Kt. (born 22 March 1948) is an English composer and impresario of musical theatre.
Lloyd Webber has achieved great popular success in musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from Queen Elizabeth II for services to Music, seven Tony Awards, three Grammy Awards, an Academy Award, fourteen Ivor Novello Awards, seven Olivier Awards, a Golden Globe Award, and the Kennedy Center Honors in 2006.
Several of his songs have been widely recorded and were hits outside of their parent musicals, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" and "You Must Love Me" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats.
His company, the Really Useful Group, is one of the largest theatre operators in London. Producers in several parts of the UK have staged productions, including national tours, of the Lloyd Webber musicals under licence from the Really Useful Group. Lloyd Webber is also the president of the leading and most prestigious school for musical theatre training in the country, the Arts Educational Schools London, located in Chiswick, West London. __ http://en.wikipedia.org/wiki/Andrew_Lloyd_Webber
Variations is a Classical/Rock fusion album by Andrew Lloyd Webber. Andrew Lloyd Webber and younger brother Julian Lloyd Webber were always very close, but their two different careers (a rock musical composer and a classical cellist) meant that a collaboration seemed unlikely. [...] As his subject, Andrew chose the theme of Paganini's 24th caprice and added 23 variations for cello and rock band.
The work premiered at the 1977 Sydmonton Festival with rock band Colosseum II, featuring Gary Moore, Jon Hiseman and Don Airey being joined by Barbara Thompson (Sax, Flute), Rod Argent, (Piano, Synthesizer, Keyboards) and Julian Lloyd Webber (Cello). It was subsequently rearranged and recorded in 1978. It reached number 2 in the album charts. __ http://en.wikipedia.org/wiki/Variations_%28Andrew_Lloyd_Webber_album%29
Rev. Farrell Duncombe: As the Bible says, love is everything Montgomery Advertiser Love! Is there any word that is more casually tossed around in the English language? Just consider all the ways the word “love” is used.
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In this written interview, Depth Insights host Bonnie Bright interviews Kayleen Asbo, cultural historian, musician, writer, and teacher on the topic of “The Myths of Mary Magdalene,” also the title of her upcoming webinar series. The first of that series, “The Many Faces of Mary Magdalene” is free to the public (must register to join) and takes place May 1, 2013, at 7pm PT.
BB: How did you get interested in Mary Magadelene, and where did you begin your research?
KA: My first memory of Mary Magdalene is as a five year old little girl, crying at the song "I Don't Know How to Love Him" in a movie theatre when I saw Jesus Christ Superstar, The song haunted me and a few years later, when my first piano was delivered, I spent the first few days trying to pick it out by ear. About ten years ago, I had a very powerful dream in which Mary Magdalene appeared and said if I wanted to find the real Christianity, I should follow the trail from France to Wales. I took the dream seriously, and have been researching early Christianity and its manifestations in France and the British Isles every since. I don't know if it is "real" Christianity, but I have discovered an amazing set of stories and myths and had incredible adventures along the way.
BB: That speaks so strongly to the power and influence of the unconscious on our lives—both through music and through dreams. When the dream said...(click title for more)
In the church, we live with stories: the Old Testament is a tribute to oral storytelling, and faith stories shared by fellow members influence our own ministry. Each congregation has its own stories of struggles and successes, said the Rev. Rick Young, president and CEO of Texas Presbyterian Foundation.
Young preached March 12 at the Stewardship Kaleidoscope conference here.
“We learn from stories where we can laugh. We learn from stories where we can cry,” Young said.
But in the church today, we’ve lost the ability — or maybe the desire — to tell the “old, old story” of Jesus’ love, as stated in the hymn “I Love to Tell the Story.”
Christians believe that Jesus was resurrected three days after his crucifixion. Christians celebrate this resurrection on Easter Day or Easter Sunday. Prophe... (RT @eDialogueCenter: On Easter occasion, how Muslims view Jesus?
What kindness can do Ang Peryodiko “Well while he was dressing my toe, your daddy asked me if I love the Lord Jesus. I told him my mother did but that I did not believe as she did. Then he told me Jesus loved me and had died for me.
Christian Post Jesus was a Nationalist City Watch I believed, if only the “religious” had a truer understanding of what Jesus was preaching and why, there would be far less acrimony and divisiveness and hate in the world and far more agape (genuine...
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