With YouTube being the most used streaming service in the world, the pressure is building from major artists for a reform of the Digital Millennium Copyright Act which currently grants the video site safe harbor provisions harmful to artists. ______________________ Guest post by Michael Kostaras from Berklee's Music Busines
Dans les marchés plus matures sur le numérique comme les Etats-Unis ou la Suède, près de 60% de la population utilise le streaming d’après l’étude « Streaming State of Mind », réalisée par GroupM pour Spotify auprès de 20 000 consommateurs aux Etats-Unis, Allemagne, Australie, Royaume-Uni, France, Canada et en Suède. En moyenne, la moitié des internautes a désormais recours au streaming dans les pays étudiés.
Depuis 2010, date à partir de laquelle nous avons commencé à publier nos statistiques, la 1ère place au classement des compositeurs les plus joués est disputée entre Mozart et Beethoven. Cette année, la couronne revient à Beethoven, avec 3 341 concerts répertoriés, et dont la Cinquième Symphonie demeure...
Acquise par le groupe Fimalac, la start-up Bandsquare développe depuis 3 ans une plate-forme de mise en relation entre les artistes et leur public. Dans la galaxie numérique de Fimalac, il n'y a pas que Webedia, la société qu
YouTube today launched "Super Chat," a new way for musicians and other creators to earn money. With Patreon, Vimeo and others fighting to attract top YouTubers, finding ways to rewarded them financially has become a top priority. But alongside today's launch, YouTube discontinued another fan funding feature.
Hébergée sur le cloud d'IBM, URights, la nouvelle plate-forme que les deux partenaires vont mettre en place, permettra donc d'abord de traiter plus rapidement les paquets de données envoyés par des services comme Spotify ou YouTube...
LAS VEGAS--High-resolution audio is making the move from downloading to streaming, with Tidal launching high-res streaming of thousands of albums and Napster announcing plans at CES to begin high-res streaming of thousands of albums in the spring.
James "Jimmy Jam" Harris, chairman emeritus of the Recording Academy and Grammy-winning music producer and songwriter, hailed high-res music files as delivering "studio-quality sound without sacrificing convenience." In a separate initiative to expand high-res adoption, the Digital Entertainment Group unveiled a new consumer awareness campaign, called Stream the Studio, to align marketing messages to promote high-res devices, technologies and music. The campaign will include event marketing and social media “to educate and engage millennial music fans on the benefits of studio quality high-res audio,” the group said. Before the year is out, four to five services could be streaming high-res, said MQA chairman Bob Stuart. Stuart’s company developed Master Quality Authenticated (MQA) technology to reduce bandwidth requirements to make it practical to stream master-quality audio. Other companies are also developing technologies to make high-res streaming practical, Napster/Rhapsody CEO Mike Davis told the Official CES Daily. High-resolution audio streams could spread high-res adoption by tapping into growing consumer demand for streaming music rather than downloading it. A Music Watch survey commissioned by DEG found that a premium music service offering high-res and other value adds could attract more than 12 million subscribers in the U.S., the DEG announced at CES.
In streaming’s earlier years, when doubts prevailed across the artist, songwriter and label communities, one of the arguments put forward by enthusiasts was that when streaming reached scale everything would make sense. When asked what ‘scale’ meant, the common reply was ‘100 million subscribers’. In December, the streaming market finally hit and passed that milestone …
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