Noel, following on from the last interview, I’d like to focus on some of the poems. I am interested, in particular, in ‘Timepieces’. Tell me about the genesis of this long poem.
You know, there are a lot of poems about love or death or other subjects (I’ve written about them myself, of course) but very few about friendship, which is a bit odd when you consider the importance of friends in our lives. So this piece is about a friendship my dad struck up with a labourer at Dublin Bus, then known as CIE, where he worked in the late 70s. This man, PJ, turned out to be a respected amateur antiquarian and coin collector and drew my dad into his interests and they formed a great friendship through this, going to coin fares at the weekend or PJ coming over to teach my dad Ogham, which I explore in one section. Another crucial element to the poem is my perspective. It is really an initiation into both the adult world of male friendship, as well as how it awoke in me the excitement of the imagined past. I think it’s ultimately saying something about the power of art – both in terms of my dad and PJs story and my attempt to tell it.