Interactive documentary storytelling covers all possible ways of telling a non-fiction story, which enable the recipient to gain experience not only from the perception and interpretation of the media message, but also from the physical real-time...
«Hollow», an interactive documentary project by Elaine McMillion, «Haunted» a transmedia documentary by Daniel Knauf.
Source : http://webtelevisionobserver.com/aides-bourses/. Cette page recense les aides financières privées ou publiques destinées aux contenus audiovisuels produits pour Internet et les médias numériques en France…lire ... 
In his seminal 2001 book, The Language of New Media, Lev Manovich proposed that,”new media transforms all culture and cultural theory into an “open source”. This opening up of cultur...
This week saw the launch of , “the world’s first Wikipedia Town” – Monmouth, Wales.
What happens to documentary when media goes interactive? It's not always a welcome question. Documentarians aren't necessarily thrilled at the idea of someone poking at their precious work on a smartphone, rather than ...
Database Narrative is something I first read about in Lev Manovich's The Language of New Media where he explains the process as functioning by selecting scenes from a given collection.
It’s not quite Friday, but here’s a hand crafted round up of what i-Docs has found on the web this week!
1. Another guest post from Jesse Shapins, unfortunately not on the i-Docs site this time, but over at PBS. 
Laurent Margantin écrit, de la poésie, de la prose, il livre ici ses réflexions sur sa pratique de l'écriture pour, sur le web. Le web comme espace, comme lieu plutôt que simple support. Un éclairage intelligent et sensible sur ces nouvelles formes d'écriture. Via Le Page Gilles, michel verstrepen 
Le Blog Documentaire vous propose ici la suite de cet entretien précieux que nous a accordé David Carzon, l’homme qui a pris la suite de Joël Ronez à la tête du pôle web d’ARTE France. De...
Here are some helpful hints to keep in mind when considering or preparing for a crowdfunding campaign:
*Be prepared:Kickstarter,Indiegogo,and credit card companies do take a cut! *Don't be afraid to talk about Kickstarter in press or in public. 
94 Elements is a global filmmaking project exploring our lives through the lens of the elements. Award-winning filmmakers each take one element as the basis for a human story around its use, presented across a unique digital platform (Brilliant.
Faites-nous part de vos projets avant le 10 mai : en partenariat avec le Cuban Hat Project, le jury du Sunny Side of the Doc retiendra les 15 projets les plus pertinents et les soumettra au vote de tous les internautes. |
Last week, as I started to work with MIT's Open Documentary Lab, a whole new world of storytelling opened up to me – one that was open-ended and participatory. Excitedly ... Multimedia storytelling has used innovative story ideas and forms.
The People vs. George Lucas DVD | Instant Video Directed by Alexandre O. Philippe "The People vs. George Lucas is a quasi-documentary film which uses a courtroom debate approach to explore the issues of filmmaking and fanaticism pertaining to the Star Wars franchise, and its creator, George Lucas. The film combines filmmaker and celebrity interviews with fan-created content and fictional dramatizations to present an all-encompassing look at the indelible mark Lucas has left on pop culture and the film industry. Interviewees include author Neil Gaiman, writer/director Kevin Rubio (Troops), actor David Prowse (Darth Vader), and Star Wars producer Gary Kurtz. Lucas himself appears frequently in archival footage, but is never interviewed directly by filmmaker Alexandre O. Philippe. The People vs. George Lucas discusses the extent to which the Star Wars franchise is an incomplete artistic creation of Lucas (and subject to his evolving vision) versus a cultural phenomenon that belongs to the general public...." Via siobhan-o-flynn 
The Pixel Market is a finance market like no other, bringing top executives from the worlds of film, TV, publishing, online, interactive, games and mobile together under one roof over two days. 
Crossmedia experience for AugmentedTV and Multiscreen... Historical 3D idoc on le Fort d'Issy and the battles of 1870 / 1871
IM VIDEO JOURNALISM: The future of the present web, video, multimedia lay in the past Cutting edge videojournalism posts from Int.
When people with mental illness are homeless, everybody pays. A web documentary in search of the real cost of homelessness.
RT @jason_gilmore: NFB has officially announced the launch of The Next Day Interactive Web Documentary!
The world of interactive documentary is at a critical juncture. Challenges– and opportunities– abound. At MIT’s New Arts of Documentary summit, we asked thought leaders in documentary storytelling, technology, and curation what they found most exciting about the field– what gets you up in the morning-- as well as the challenges they saw ahead– what keeps you up at night.
- Our future TVs will not be controlled through touch, or by talking, or by gestures in the air. The controls will be in the remote control tablet. Today's TV remote is controlled by micro-gestures, a tiny press of the channel button. It makes no sense to replace that with grand gestures, arm waving , etc., Good point. - The remote control is an iPad or any touch screen tablet. The interface offers easy, slider based controls, and it also doubles as the 'second screen' allowing web browsing, and for novel forms of TV show interactions. - The interface NDS has developed runs on Chrome. Even though Google is becoming a competitor in this space, the relationship is defined as 'co-opetition' and the two companies have exchanged some TV related technologies. Via Gary Hayes 
Last June, when I was giving the opening keynote at the Crossover Summit at Sheffield Doc/Fest, I was asked to talk about the relationship between games and stories. It's a meaty topic: If stories in the digital age are becoming...
So Cool!:
"TheBlu, a “social digital ocean” that launched Friday, is an ambitious web app that turns computers into interactive nature documentaries, curated by real artists and oceanographers. Wemo Media’s creation — currently available for Mac and PC, and coming soon to tablets, smartphones and connected TVs — allows users to explore the oceans as if they were Nemo, learning about underwater species, tagging their favorite sea creatures and interacting with other “fish” (read: people)....." Via siobhan-o-flynn 
We recently launched a visual storytelling business, StoryMineMedia, with the release of our first independent project. “The Council” is a series of short, quirky webisodes about a middle school student council election.
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