Predominately small independent brewers this market segment has been growing strongly, albeit from a small base, in the last few years. Craft beer sales in the US grew by 10% in 2012, 17% in 2013 and 18% in 2014. In fact 2014 was the year that craft beers broke through to double digit market share (11%) for the first ever time. Craft beers are catering for a market of discerning drinkers, whether they be hipsters or real ale purists, who are willing to pay more for quality and uniqueness. Craft beer is like the music industry’s indie sector and vinyl sales rolled into one.
Consumers in Sweden spent approximately 6 hours and 20 minutes with media on an average day in 2014, according to recent research. Around one-quarter of that time was spent watching TV, while nearly one-third was spent on various online activities, including digital video and social media.
Une ribambelle d’organisations, des professionnels du numérique à l’Electronic Frontiers Foundation en passant par des chercheurs, des bibliothécaires ou Wikimedia, ont adressé la semaine dernière un courrier à l’eurodéputé Jean-Marie Cavada. Objet de la missive ? Lui réclamer plus d’équilibre dans ses prochains travaux sur le droit d'auteur au Parlement européen.
In terms of subscribers and market share, Beats Music (acquired by Apple as part of its purchase of Beats in May of last year) is way behind Spotify. But there's one area where Beats Music appears to be ahead - the per-stream payout to artists/labels. Guest Post by David Harrell...
Qui trop embrasse mal étreint. Insatisfaite de la loi, la Sabam a voulu faire le forcing et contraindre unilatéralement les FAI à payer une « taxe » sur les téléchargements. Mauvaise idée : le tribunal la condamne pour violation de la loi sur le droit d'auteur. La guerre entre les FAI et les sociétés d'auteur se poursuit de plus belle.
The Allocation for Music Producer Act (AMP) will be presented to Congress this week with bipartisan support. The bill aims to redistribute digital royalties in a way that fairly compensates producers, mixers, and engineers. Previously left to their own devices when negotiating their fair share of digital royalty payouts, producers,...
In the UK nearly three-quarters of artists earn 37% of the average UK salary from their practice (£10,000 a year) In Finland in 2010 the proportion of income from artistic work was on average 52%. Other taxable income was generated from arts-related work, non-arts work, and other sources, such as pensions and unemployment benefits. In Sweden 64% of artists had a monthly income of 13 300 SEK or less (the national average monthly wage is 30,950 SEK according to OECD) In South Korea, artists earn 77% of the average wage
e pas envisager la technique ou le numérique comme une unité, comme une chose au sujet de laquelle on pourrait parler en soi, mais comme un foisonnement de dispositifs et de protocoles contradictoires ou convergents, dont il s’agit de dégager les dynamiques structurantes au-delà du bruit et de la fureur des divergences idéologiques
"Génération X (née entre 1960 et 1980), génération Y (ou génération "Internet" des années 80) et génération Z des années 2000... Trois lettres, et beaucoup de questions !" (Arte "génération X, Y, Z, et après ?")
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