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Belkin finally begins shipping Thunderbolt Express Dock

Belkin finally begins shipping Thunderbolt Express Dock | Indie Filmmaking | Scoop.it
Mac power users will rejoice -- or be relieved -- that Belkin has announced it is officially shipping the Thunderbolt Express Dock. The dock allows
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Indie Filmmaking
Independent Filmmaking news, stories, and links about and for filmmakers. With a techie angle.
Curated by Jeremy Wilker
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Convergent Design ships Odyssey 7 and offers new features via firmware for 7Q

Convergent Design ships Odyssey 7 and offers new features via firmware for 7Q | Indie Filmmaking | Scoop.it

The Convergent Design Odyssey7Q can now shoot 4K RAW at 100 or 120fps in burst modes with Sony’s FS700. The other big feature is the ability to finally use monitoring look up tables (LUTs) when dealing with Log footage from Canon, Arri and Sony cameras. Lastly my pet hate on the Odyssey – the playback interface has been completely re designed. 

In addition to the firmware changes to the 7Q Convergent Design have also started to ship their lower model – the Odyssey7. Looking the same externally as the 7Q it has the same 1280×800 OLED display and image analysis tools like waveform and histogram. What changes is the lack of any RAW or 4K recording functionality – the 7 is currently purely a HD ProRes recorder. This brings the recommended price down by $1000 to $1295 US.

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The Wall Street Journal goes 4K video with the GH4 – the first newspaper web team to do so?

The Wall Street Journal goes 4K video with the GH4 – the first newspaper web team to do so? | Indie Filmmaking | Scoop.it

The Wall Street Journal in-house video team has started shooting and publishing 4K video. To my knowledge this makes them the the first newspaper website in-house team to do so. Their EMEA operation have purchased four Panasonic GH4 cameras as upgrades to their existing GH2s. Eventually the GH4 will become the primary cam in the bureau.

Jeremy Wilker's insight:

I found this quote particularly interesting for doc/news people:

 

"These cameras wouldn’t be my first choice for run and gun shooting. Audio is still a massive issue for me and regular camcorders all benefit from built-in XLR inputs making it a lot quicker to manage audio levels. Having that control makes it easier to focus on what’s most important – good visuals and an editorial narrative. As I described in a recent post on my own blog I don’t think the YAGH is a good solution for our audio needs. For protests etc. I still prefer a Sony EX1/EX3, or the affordable and lightweight JVC GY-HM150E."

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SmallHD Releases Canon 5D MKIII Port Protector

SmallHD Releases Canon 5D MKIII Port Protector | Indie Filmmaking | Scoop.it
SmallHD, makers of high definition field monitors and small camera accessories, has released the Canon 5D MKIII Port Protector, a lightweight device designed to hold cables securely and defer tugs and pulls away from the delicate external ports on the side of the Canon 5D Mark III.
Jeremy Wilker's insight:

definitely protect those fragile HDMI ports...

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No, but really, How Do I Get An AGENT???!!

I remember, with crushing specificity, the week that every single talent agency in Hollywood passed on the chance to represent me. And I remember it felt like absolute fact, like irreversible judgment...

Jeremy Wilker's insight:

do the work.

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Fandor takes large steps in mission to reinvent the Film Industry

Fandor takes large steps in mission to reinvent the Film Industry | Indie Filmmaking | Scoop.it
Fandor, the online film community streaming the best independent and international cinema, today announced two major initiatives, the latest in its drive to cha
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Nine Lessons for Self-Distributing Filmmakers with No Money and No Experience

Nine Lessons for Self-Distributing Filmmakers with No Money and No Experience | Indie Filmmaking | Scoop.it
This article by Tom Putnam and Brenna Sanchez about the distribution of their Detroit firefighter documentary Burn originally appeared in our Fall, 2013 print
Jeremy Wilker's insight:

this is an incredible story about hard work and passion (and naivety) being ingredients in a successful DIY distribution plan

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FCP X: Sync Multicam Clips [Video]

FCP X: Sync Multicam Clips [Video] | Indie Filmmaking | Scoop.it

Multicam editing allows us to edit multiple cameras at the same time. Initially released with Final Cut Pro 5, Apple has continued to add new capabilities to this feature. In the latest version of Final Cut, v.10.1, Apple added significant support for multi-channel audio.


In this short video tutorial, Larry Jordan shows how to sync multiple clips in preparation for multicam editing using the new "audio sync" feature or by manually creating sync markers for your clips.

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Filmmaker Magazine Names 2014's '25 New Faces of Independent Film'

Filmmaker Magazine Names 2014's '25 New Faces of Independent Film' | Indie Filmmaking | Scoop.it
Since 1998, Filmmaker Magazine has maintained an interest in featuring new talent in independent film. Most recently, they featured directors such as Ryan Coogler ("Fruitvale Station") and Andrew Droz Palermo ("Rich Hill") as new faces to watch. Now, the magazine has released their latest list: the "25 New Faces of Independent Film" that's sure to highlight some faces that are here to stay.
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Highland and other apps on sale

Highland and other apps on sale | Indie Filmmaking | Scoop.it
Apple asked Highland and several other screenwriting apps to be part of their Explore Your Creativity promotion on the Mac App Store.
Jeremy Wilker's insight:

Highland, Slugline, Scrivener, Final Draft, and Fade In are on sale right now. I recommend the first three, for sure.

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$1,500 off on the Sony NEX-FS100

You don’t see such huge price drops very often! Sony dropped the price of the NEX-FS100 by $1,500 and you can get it now for $2499 at Adorama (Click here) and BHphoto (Click here).

Jeremy Wilker's insight:

And it also includes the Metabones EF to Sony smart lens adapter (which is worth hundreds of dollars).

 

I've had this camera since it came out, I use it every week. It is a rock-solid, super flexible, great performing camera for SO many types of work. It is Super 35mm, great in low-light, can adapt to any lens, the batteries last forever, it does 1080/60p, and has dual XLR inputs. If you have no need for 4k resolution, this is still a camera to contend with! You should also consider the Novoflex Nikon lens adapter!

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Blackmagic Design surprises again – adds three flavours of ProRes to Cinema cameras and 4K production cam

Blackmagic Design surprises again – adds three flavours of ProRes to Cinema cameras and 4K production cam | Indie Filmmaking | Scoop.it

Hot on the heels of their dramatic price reduction for the Pocket Cinema Camera, Blackmagic Design are back making news again today. This time they have introduced three new Apple ProRes flavours via firmware update 1.8.2 for the Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera and Blackmagic Production Camera 4K. The formats are ProRes 422, ProRes 422 LT and ProRes 422 Proxy which allow for smaller file sizes while maintaining 10-bit 4:2:2 output.

Jeremy Wilker's insight:

This is a big deal because of increased storage/record times. ProRes 422 HQ is 220 MB/s, dropping down to just ProRes 422 gets you to 147 MB/s, and down to ProRes 422 LT is 102 MB/s (actual data rates vary based on frame rate and dimensions). You may not see any difference in your footage.

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Documentary Photography and Photojournalism: Still Images of a World in Motion

Documentary Photography and Photojournalism: Still Images of a World in Motion | Indie Filmmaking | Scoop.it
This course is an introduction to the great tradition of documentary photography. Students learn to see the world around them in a new way and produce a documentary project. The course requires reading and writing about photography, as well as doing it on a regular basis. The class emphasis is on thinking about why people photograph, what photographs do and do not mean to us, and on doing documentary work, on telling stories with photographs. This is not a technical class, and it should not be considered an "introduction to photography." I work on the assumption that any student signing up for the class has at least a minimal sense of the difference between f stops and T stops, and can find his or her way around a camera. While there will be some technical discussion in class, it will be limited.
Jeremy Wilker's insight:

a free MIT course on photography and photojournalism

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How to Conduct Your Q&A When the Festival Doesn’t Provide a Moderator

How to Conduct Your Q&A When the Festival Doesn’t Provide a Moderator | Indie Filmmaking | Scoop.it
It can be a long, anxious walk up to the front of the theater after screening your movie to a roomful of people you don't know. The anxiety doubles for me when conducting the Q&A myself. But I've come up with a little game plan and some rules to follow that make it flow a little easier. Perhaps in the comments you can share some ideas of your own. The first is to know that the audience is not ready to ask questions yet. Not at first. Do not open with "does anyone have any questions?". Nine times out of ten it will be met with silence. Instead, have at least two anecdotes to open with. I start with what inspired the movie. Where the creative spark came from. After that, I occasionally ask if anyone has any questions. But usually I go straight to a second anecdote about making the movie. Something funny. By this time, the audience has warmed up to the idea of talking about the movie and the questions start to come. It's funny (but very routine) how for the first couple of minutes nobody
Jeremy Wilker's insight:

great advice!

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EXCLUSIVE: Harvey Weinstein Explains How 'Snowpiercer' Became a Gamechanger, We Crunch Theater vs. VOD Numbers

EXCLUSIVE: Harvey Weinstein Explains How 'Snowpiercer' Became a Gamechanger, We Crunch Theater vs. VOD Numbers | Indie Filmmaking | Scoop.it
Thirty years in, Harvey Weinstein knows the distribution business. While he's a wily theatrical animal who knows when to spend big on a wide release and when to dump a movie, he took a radical route with Bong Joon-ho's action adventure "Snowpiercer," starring Chris Evans and Tilda Swinton, seizing the chance to try something new. Weinstein's decision to open the movie via subsidiary RADiUS with a video-on-demand release two weeks after its release in theaters is a seismic distribution event.
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Magic Lantern Does It Again: Full-Resolution Silent Pictures

You might not immediately get excited about this new feature from the folks over at Magic Lantern, but perhaps you should be. They have just announced that it is now possible to take a full resolution “silent” photo.
Jeremy Wilker's insight:

not sure why Canon doesn't just hire the entire ML team...

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Finding Unused Clips in Final Cut Pro X

Finding Unused Clips in Final Cut Pro X | Indie Filmmaking | Scoop.it
Did I use that clip already?

Continuing their exploration of new features introduced in the 10.1.2 update to Final Cut Pro X, this week on MacBreak Studio Steve Martin and Mark Spencer from Ripple Training demonstrate the expanded capacity...
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Cooking With Premiere Pro CC on PBS's America's Test Kitchen : Adobe Premiere Pro

Cooking With Premiere Pro CC on PBS's America's Test Kitchen : Adobe Premiere Pro | Indie Filmmaking | Scoop.it
As America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Jeremy Wilker's insight:

how they use multicam on a tv show with premiere pro

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Do You Need a Unit Publicist? Yes! Here’s Why

Do You Need a Unit Publicist? Yes! Here’s Why | Indie Filmmaking | Scoop.it

One of those roles that’s often misunderstood or under-appreciated is that of the unit publicist, a publicist who focuses on a film’s production. My fellow unit publicists and I have found that within the independent film community, we often get the question, “What is that and why does it matter?” “Unit publicity is generally the first line item to be removed from an independent film’s budget, but is one of the most critical components needed to deliver the movie when it is sold to a distributor,” says Erik Bright, president of Prodigy PR (Unit Publicist, All Is Lost, Kill Your Darlings, Margin Call, Little Miss Sunshine, Sideways) I talked to a handful of unit publicists who work on all types of sets—indies, studio films, union and non-union—to help explain what a UP does and why. Here are the top ten reasons a UP does matter.

Jeremy Wilker's insight:

point number 1: a producer is not a publicist. 

but often times is be default. there are cons to this.

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We’re losing all our Strong Female Characters to Trinity Syndrome

We’re losing all our Strong Female Characters to Trinity Syndrome | Indie Filmmaking | Scoop.it

Many modern action movies, including How To Train Your Dragon 2, are visibly trying to make their female characters more than trophies and ...

Jeremy Wilker's insight:

wow. read this now.

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BBC cameraman Christian Parkinson tells all in his new e-book – Camera Confidential

BBC cameraman Christian Parkinson tells all in his new e-book – Camera Confidential | Indie Filmmaking | Scoop.it

I’ve just published a new book about working as a TV news and documentary shooter. Camera Confidential is for image makers who love to tell stories. No matter what you call yourself – cameraman, video journalist, shoot/edit, multimedia journalist, backpack journalist, SoJo, photog, shooter, photojournalist, video producer or visual journalist – this book will have something for you.


Camera Confidential is not about the technical side of video journalism. It doesn’t explain white balancing, the difference between CCD and CMOS sensors or different camera specs – I’ll leave that to the guys here at Newsshooter. Instead, this is the book I wish somebody had given to me when I started shooting many years ago. It will answer questions such as: How do I find my first job? What paperwork do I need to complete when travelling with kit? What gear should I carry in a war zone? How should I protect my camera when shooting in the desert/snow/jungle? How do I shoot an anonymous interview?

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15 Tips On Making Your First Micro-Budget Feature

15 Tips On Making Your First Micro-Budget Feature | Indie Filmmaking | Scoop.it
Here's how this first-time director without any connections got his first micro-budget film made and into theaters.
Jeremy Wilker's insight:

some really great advice in here.

with two micro-budget features under my belt I would emphasize number 5 much stronger: budget more for post and post-post. you will have expenses with deliverables, with festivals, with marketing, with kickstarter rewards, with private screenings, etc....

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Shot Lister 3.1

Shot Lister 3.1 | Indie Filmmaking | Scoop.it
I'm pleased to announce the release of Shot Lister 3.1, which adds a major new feature for Crew Sync usersStoryboard SyncOur most requested feature! We've been busy upgrading our servers and now Crew Sync users can sync storyboards with the entire crew. 

Thumbnails of all boards are downloaded automatically. Crew Members then have the option of downloading all the highres versions at once, or individually as they are viewed.Dropbox and Email SHL Storyboard support
You can now export your SHL and all your storyboards to Dropbox. This is a great way to backup your project, or share it without Crew Sync. 
Jeremy Wilker's insight:

this is a pretty handy app that I've used in the past. you should check it out.

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Easily Capture Time-lapse and VFX Shots with the eMotimo TB3

Easily Capture Time-lapse and VFX Shots with the eMotimo TB3 | Indie Filmmaking | Scoop.it
The eMotimo TB3 is the highest value motion control device on the market. It offers repeatable, three-axis motion control for less than many competitors’ single-axis products.
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Frame.io – a new way to collaborate that might be perfect for news organisations and documentary editors

Frame.io – a new way to collaborate that might be perfect for news organisations and documentary editors | Indie Filmmaking | Scoop.it

You are on assignment and have just sent the first cut of your video back to your editor. Naturally she wants changes, but you are at one end of the world and she is at the other. She tries to explain what changes she wants, but you can’t quite visualise it. You edit another version but again it isn’t quite what they had in mind. After several more back and forths you might have a final cut, but you have wasted precious time and the whole process is super-tedious...

Jeremy Wilker's insight:

looks impressive. speed and ease of use will be key, followed by price. there are several others out now attempting the same, such as Screenlight, Remark, Takeoff, etc...

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Activists' Guide to Archiving Video

Activists' Guide to Archiving Video | Indie Filmmaking | Scoop.it
Jeremy Wilker's insight:

how to document and archive your video

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