Indian Photographies
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Visual Culture in the Subcontinent
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Interview | Artist Hajra Waheed On “Sea Change”, her India Debut Solo

Interview | Artist Hajra Waheed On “Sea Change”, her India Debut Solo | Indian Photographies | Scoop.it

"As children, most of us spent a large amount of time getting acquainted with our imagined realities. We developed grand vocabularies around these alternate places and people and narratives, and at times, even invited our friends in to explore these intimate spaces with us. I suppose in some ways I never stopped developing stories from that very place. Of course, my narratives have matured (at least I would hope so!) and are deeply influenced by my many lived experiences traversing borders, or rather, living among them. So many of us who live along these lines (either by choice or force) do go missing or disappear at times, just to re-emerge later. I am fascinated by those who — yes, dare to journey across the borders they once built for themselves. It takes courage to do so, to leave what you know in order to better understand what you don’t. “Sea Change” begins to explore the narratives around this very migration — one that is as much physical as it is psychological and/or emotional."


Work by Hajra Waheed
Interview by Rosalyn D'Mello | ArtInfo 

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A show not to be missed, at Kolkata's Experimenter's Gallery

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Naseeb: Trafficked

Naseeb: Trafficked | Indian Photographies | Scoop.it

"I wanted to understand the reasons for this epidemic; Why was this happening? How was it happening? And to hear of first hand experiences from the girls. I heard many stories of poverty, bad families, deception by friends and families, kidnappings and horrific experiences on trafficking routes. Sometimes the girls had left their homes of their own will, other times they were running away from violent husbands or simply in search of a better life. The stories differed but one commonality existed: they had all been deceived". Sonal Kantaria

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