image-vision-visual-media
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Either / And

Either/And is an online project conceived by the National Media Museum as a means to examine critical issues relating to media.
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Revisar: http://eitherand.org/social-medium/social-medium-how-photography-shapes-world/

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digitalismo.com, un d-magazine producido por Hugo Pardo Kuklinski y Carlos Scolari.

digitalismo.com, un d-magazine producido por Hugo Pardo Kuklinski y Carlos Scolari. | image-vision-visual-media | Scoop.it
digitalismo.com, un d-magazine producido por Hugo Pardo Kuklinski y Carlos Scolari.
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Christine Frisinghelli: Photographs in Context | eipcp.net

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Bourdieu; photography; witness; gaze

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West 86th - The Administration of Things: A Genealogy

West 86th - The Administration of Things: A Genealogy | image-vision-visual-media | Scoop.it
West 86th: A Journal of Decorative Arts, Design History, and Material Culture
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Administration of things (Engels)

Archive-image

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Mnemotechnics of cruelty - Santiago Lucendo

Mnemotechnics of cruelty - Santiago Lucendo | image-vision-visual-media | Scoop.it
ABSTRACT: Starting from Maurizio Lazzarato's reworking of the debtor/guilty concept developed by Nietzsche in his work On the Genealogy of (...)
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La condena / la mnemotecnia

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Usos performativos de las imágenes - Aurora Fernández Polanco

En un pequeño artículo titulado “Los jóvenes investigadores” (Jeunes chercheurs), [1] Roland Barthes manifiesta su rechazo a la “prosa académica” tal (...)
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acto de imagen / H. Bredekamp

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V Jornada de museos, gestión documental y archivos

V Jornada de museos, gestión documental y archivos | image-vision-visual-media | Scoop.it
El MMB ha organizado la quinta edición de esta jornada, este año dedicada a los Archivos: realidades y futuros. Los museos y las instituciones culturales se plantean, cada vez más, cómo tienen que organizar los documentos que producen y gestionan. Algunas de las necesidades de la organización de los archivos y los documentos giran entorno a la mejora del funcionamiento de los flujos de información y documentos, como también de las tramitaciones administrativas que se desarrollan internamente en las mismas organizaciones. Pero la función de los archivos en el si de las instituciones culturales también incluye el objetivo de organizar, preservar y difundir los fondos archivísticos y los documentos que se conservan.

La V Jornada de museos, gestión documental y archivo presenta esta doble faceta de la actividad y la gestión de los archivos en los museos: la cultural, que prevé la integración de la función del archivo en el tratamiento, uso y difusión de los documentos desde el momento en que se crean.

Podéis consultar el programa de la jornada en los documentos adjuntos.

Fecha: 9 de abril
Lugar: Sala de actos del MMB
Precio: 30 €. Estudiantes y miembros de la AAMMB 22,50 €
Plazas limitadas

Inscripción online
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Recordar revisar esto......
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Karoline Feyertag: The Art of Vision and the Ethics of the Gaze | eipcp.net

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Didi-Huberman 

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transmediale

transmediale | image-vision-visual-media | Scoop.it
transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture and technology.
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Exposición: ATLAS ¿Cómo llevar el mundo a cuestas?

Exposición: ATLAS ¿Cómo llevar el mundo a cuestas? | image-vision-visual-media | Scoop.it
ATLAS. Atlas es una propuesta para hacer visible el marco de pensamiento introducido por el historiador del arte alemán Aby Warburg (1866-1929) en el conocimiento histórico y de las imágenes.
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archivo / atlas

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The Rise of the Machines

The Rise of the Machines | image-vision-visual-media | Scoop.it
Stephen Mitchell suffered from allergies. “When the trees come out, I can’t see. People stand around saying, ‘Isn’t it lovely,’ but I weep,” he told the New

Via Pierre Levy
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luiy's curator insight, July 12, 2013 2:17 PM

During the previous fifteen years, computers had been making inroads into the humanities, emerging as more than a passing curiosity by the mid 1960s. The digital humanities—or “humanities computing,” as it was then known—used machines the size of small cars, punch cards, and data recorded on magnetic tape. To many scholars, its methods, which depended on breaking down texts into data elements, seemed alien, as did the antiseptic atmosphere of the computer lab. But for those who didn’t mind working away from the comforting smell of musty old books, a new field was opening up, a hybrid discipline that would receive significant assistance from the National Endowment for the Humanities, which made its debut in 1965.

 

A PRIEST AND A SCIENTIST WALK INTO A COMPUTER LAB . . .


In the years following World War II, the sciences—physical, biological, and social—embraced computers to work on complex calculations, but it took the humanities a little longer to see the value of computing. One of the biggest challenges for humanists was the question of how to turn language, the core operating system of the humanities, into numbers in order to be compiled and calculated. At this point in the history of computing, all data had to be in numerical form. It’s not sur-prising, then, that some of the first humanities projects were indexes and concordances, since the location of a word could be given a numerical value.....

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Schlagworte-Schlagbilder. Ein Gespräch mit Vilém Flusser (1986)

Farocki questions philosopher Vilém Flusser about the way the front page of the daily tabloid Bild Zeitung is put together. This page is conceived as an enti...
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Entrevista a V. Flusser 

P: Relación texto - imágenes

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The blurred image - Re-Visiones

The blurred image - Re-Visiones | image-vision-visual-media | Scoop.it
«Fixedness is always momentary» Octavio Paz [1] «What is focus - and who has the right to say what is legitimate focus» Julia Margaret Cameron [2] (...)

Via Paula Cardoso Pereira
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Revisar: focus

 

 

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The Speed of Beauty: Hans Ulrich Gumbrecht, Interviewed by Ulrik Ekman

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post-photography / materialidades de la comunicación

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